MA Fashion Artefact

Investigating the principles of emotionally durable design, I intended to develop a personal design approach aiming to encourage emotional value of things and to extend the lifespan of objects of use. Using methods of production that are a combination of traditional and industrial manufacturing and then taking the best of each to create products that stand for meaningful and sincere design. Working between the areas of the hand-made and mass-production and differing the meaning of value from luxury in the context of design objects. Placed between the field of rapidly changing fashion and technologically driven and mass-producing industrial design, my work is set to challenge both of these industries by emphasising the emotional value of things.

MA Fashion Artefact

My MA body of work ' Authorised Identity' explores my family's migrant story, and its manifestation on body through extension of form and shadows created by large wood and metal structures. Each artefact has its own unique identity representing emotions and codes the piece portrays. My work explores being British Asian and the amalgamation of culture. Contact Information: Email: anisha.parmar@live.com Telephone:07947527688

Graduate Diploma Fashion Design Technology

London Pattern Cutter, Womenswear Designer, http://www.linkedin.com/pub/elizaveta-novikova/50/a26/a06 http://my.lcffirstmove.co.uk/graduates/6930 --------------------------------------------------------- Education: Oct2012-June2013 Graduate Diploma in Fashion Design Technology Oct2011-June2012 BA(Hons): Fashion Design Technology Womenswear (London College of Fashion). Oct2009-Jul2011 FDA FDT in Pattern Cutting (LCF) Sept2008-June2009 Fashion Portfolio (LCF) Employment: Summer2010 Digital Print Bureau LCF Work involved assisting through the whole process after image has been send to print. Feb2011 and June 2010 Interpreter for delegates from Uzbekistan Textile University. Work involved translating from English to Russian and vice versa as well as accompany and introduce visitors to local vintage, antique and secondhand charity shops. Work expiries: Aug2012-Jan2013 SALONI London Design Intern. Work involved making technical packs, toiles, patterns and researching for inspiration. September2013-on going VIVA VOX Moscow Please see my CV for more information. ----------------------------------------------------- Contact: nov.elizaveta@gmail.com -------------------------------------- http://larinne.blogspot.co.uk/2012/07/london-college-of-fashion-2012.html http://www.fashionrider.com/blog/153-anna-kerenina http://www.supplementaire.org/big-young-woman-by-federico-sorrentino-for-supplementaire-11/ -------------------------------------- http://www.elizavetanovikova.com/

BA (Hons) Fashion Design Technology: Surface Textiles

Claire Kelly www.claire-kelly.com A graduate of London College of Fashion, with First Class Honours in Surface Textiles, specialising in Printed Textiles. Claire is currently working as a Freelance designer. The materials used to create print are innovative. A great devotee of mark making, with numerous ways in which to create line and pattern, artists should not be confined to a brush or a pen. The ranges of objects used to create pattern are what make the Textiles innovative. The design process is very organic however in order for fabric to be mass-produced,Photography and Adobe Creative Suite enhance prints for digital and screen printing. Press Coverage including; Vogue.co.uk, MyDaily, Fashion156, Pigeons& Peacocks, Idol, Blanc Magazine Winner FASHION156 'Most Successful 3-way Collaboration' Award. For her collaborative Collection for LCF’s prestige Press Show. Experience as a Textile Archive Assistant for Beyond Retro has influenced Claire’s approach to Textiles and created a great awareness of Trend and Market research. Intern stints at Fashion Houses, Peter Pilotto and Whistles have given Claire an insight to fast paced fashion. Past experience within the Arts, Claire managed and delivered Print Workshops for Art Foundation Students. Collaboration projects with National Museums Liverpool, creating Embroidery designs for Exhibitions and participating in Art Workshops for Children. Awards & Achievements Jun 2013Published in London College of Fashion, School of Design and Technology Annual 2013 Jul 2013Showing collection in London College of Fashion Press Show Mar 2013Short listed for BFC Chloe Competition. Chloe Attitude Modernity in Movement May 2013Short listed for RHS Chelsea Flower Show Competition CREDITS Fauna 1.2.3 Photography; Kasia Wozniak Model Katharina @ M+P LCF Collaboration Print Design: Claire Kelly Womenswear Design: Sarah Buchanan Millinery: Georgie Howling Photography: James Rees Model: Laura @Select Hair and Make Up: Pace Chen

BA (Hons) Costume for Performance

Grace lives and works in London as a Costume Trainee and Wardrobe Assistant on television and feature films, including: Les Miserables Mrs. Browns Boys D'Movie The Harry Hill Movie Television work includes: Dates for Channel 4 Mr. Sloane, starring Nick Frost, for Sky Atlantic This Is Jinsy (series 2) for Sky Atlantic Strictly Come Dancing for BBC One Never Mind The Buzzcocks for BBC Two http://www.imdb.me/gracebrooks

BA (Hons) Fashion Jewellery

Tiffany C. Ng London/Hong Kong based fashion jewellery designer For further enquiries please contact: tiffchantelle@gmail.com.

BA (Hons) Fashion Design Technology: Womenswear

‘VASANT UTSAV. Celebration of spring’ a/w 2013 "A celebration is a public performance that marks an important event in the life of a person or a group", (Smithsonian Institution, 1982:p.61). It is an event where something peculiar or particular can be remembered and practiced every year. According to Turner (1981), during celebrations people think and feel more deeply than in everyday life. They express the meanings and values of their societies in special, often vivid ways. Among these is the creation of beautiful or striking objects, which exist only because humankind celebrates its own existence. My collection is a representation of these rituals and habits, in particular the fashions and colours worn and how these affect the clothes and garments worn from day to day. I come from and Indian family where much importance was given to festivals and their celebrations. The one season as well as festival which fascinated me was spring with all textured and coloured outfits worn during the celebrations. To further comprehend the scope of the concept and to continue the visualization into textures, designs, silhouettes and shapes I took this fascination and decided that I would expand it to cover the celebration of spring and see what different outfits were worn by different countries during their spring festivals that included: Spring Break, Holi, Easter, Gangaur, Gangasar mela, Pongal, Pujillay, Nowruz and Pagan. ‘VASANT UTSAV- SPRING CELEBRATION’ WHIICH IS INSPIRED AND DEVELOPED THROUGH INTENSIVE RESEARCH OF STREET WEAR, FOLK WEAR AND PRODUCTS, CUSTOMS CARRIED ON DURING THIS CELEBRATION. IMPORTANCE IS PLACED ON HIGH QUALITY FABRICS. METHODS SUCH AS FELTING AND SPECIALISED MACHINE KNITTING, GLASS BEADING HAVE BEEN INCORPORATED IN GARMENT MAKING. 'ADITI GANESH SANE' IS A READY TO WEAR WOMENSWEAR CLOTHING BRAND,THE AESTHETIC AND FEEL OF THE BRAND HAS A BALANCE BETWEEN ORGANIC AND MODERN ELEMENTS, INFLUENCES FOR SIHOUTTES ARE DRAWN FROM JUXTAPOSING ETHNIC AND WESTERN CLOTHING. Womenswear Designer , Designer Pattern Cutter and Textile Designer Education: 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear 2010 - 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2006 - 2009: College: S.N.D.T University Course Completed: B.Hsc in Textile and Clothing (Apparel designing) Work Experience: •Interned at ‘Felicity Brown’, for 2 months (cut, stitched, dyed and hand finished garments for spring/summer 2012 ‘London Fashion week’).London 2012 •Designed Uniforms of Personnel of Lounge/Pub ‘ORO’, Mumbai, India as a ‘Free lancer’ 2010. •Worked as a Co-Fashion Designer for 2 months at a Designing Firm ‘Nikasha’, Mumbai, India 2009. •Worked as a Fashion Designer/ Merchandiser for 4 months at ‘Amber and Shirrin’, Mumbai, India 2009. •Completed Internship as a Fashion Designer/ Merchandiser in esteemed firm for 40 days ‘Amber and Shirrin’, Mumbai, India 2009. Press and Achievements: http://www.theones2watch.com/newwave/15254 Shortlisted by 'Fashion strikes' for stage 1 to showcase my collection at Royal justice court,London 2013. http://www.davideranieri.com/en/fashionphotostyling-interview-designer-aditi-ganesh-sane-london/ (Interviewed by italian stylist Grazia lelo withPhotographer David Ranieri for website publication , London 2013) Finalist for Nina de York Illustration award 2013 http://issuu.com/london_college_of_fashion/docs/sdt-illustration_annual-2013-issu-h/7?e=0 (pg. 59-60-61-62) Featuring on Italian magazine ‘MIRABILIA’ , Issue no.1 2013 http://fashionstyleology.com/aditi-sane-look-book-2013/ http://www.studioattenzione.com/ual-graduates/ http://www.flickr.com/photos/73747906@N04/9022131121/ Skills: Pattern cutting Fashion Illustration Merchandising Textile Craft Traditional Embroideries of India Hand finishing and embroidery Fabric tie and dye IT : Adobe Photoshop Adobe Illustrator Adobe In design Corel Draw Microsoft Powerpoint Microsoft Word Windows Movie maker Contact: sane_aditi@yahoo.co.in

BA (Hons) Cordwainers Fashion Accessories: Product Design and Development

‘The Growing’ is the key concept of my collection. The inspiration comes from an artwork which uses thousands of nails to form a traditional Chinese water colour ink paint image created by artist Chen, Chun-Hao. The idea repeating a single small image to form a big picture is very fascinating. The collection starts from the idea of cells, which means the most basic element in design. It could be simply a shape, a colour or a line. Repeating the same elements many times creates organic and irregular shapes, almost like a process of cell growing. The research started with images and the scientific rules governing nature’s cells. It then extended to studying art works, products and architectures inspired by the same ideas. By putting together enormous small and simple elements, the collection tries to create an aesthetic feeling that recalls facing an ocean or the night sky, the feeling of been outnumbered and totally embraced by the beauty of nature. Also the collection tries to present a feeling of living things still growing rather than a static object. That is what the collection tries to achieve, to create a beauty similar to nature but using artificial materials. Looking at recent design history, the project idea is to move in an organic direction. Designers have always been inspired by natural, living beings, animals and plants. “Biology inspires structures that imitate living matter, from bone-like fibrous webs to abstracted cellular architecture” (WGSN, 2013). For instance, the architecture of Antoni Gaudi, by uses liquid-like silhouettes and organic, irregular shapes so that his buildings look like animal bones, flower buds or creatures from a dream. “He discovered a natural link with the archaic and classically pure forms that possessed an intense dramatic expression (Avery, 2003:99). It also inspires a variety of architecture across the world. Designers have begun use different methods to create buildings and products that are different from traditional methods and shapes. This is a process of evolution. SC Chang is aiming the functional and distinctive, and is providing an approachable designer experience with confident, youthful chic and stylish looks for men and women with individual style. In order to satisfy the global customer, the brand designs are a combination of eastern culture with contemporary style. The brand SC Chang aims to be a cutting edge and fashion forward with its refined leather goods for the accessory market. SC Chang aims combine different ideas, materials and techniques.

BA (Hons) Fashion Design Technology: Womenswear

Final year student at Womenswear course. Work on my final project now but also would love to give my previous work for photoshoots and videos. Photos and designs uploaded on these profile were made in last three years. I would love to find here different people to see how my garments can be used in any possible ways and concepts. looking for photographers and stylists to collaborate my contact address: neiman.k@hotmail.com

BA (Hons) Fashion Design Technology: Womenswear

German Fashion Graduate in the process of building her first Start-up Company 'Tinkilove Ltd.' specialising in womenswear occasion-wear. www.tinkilove.com under construction

MA Fashion Design Technology Menswear

___________________________ MA FDT Menswear (2014) - Insecurity : chromatic theories in cut and silhouette. - This project is aimed to explore the under-spoken side of fashion by discovering within myself what evokes my silence and insecurity. By this means, colours, silhouettes while being able to balance a rational difference between both colour and form. It is as well aimed to apply an original approach in pattern cutting methodology combining with the eye for colour of myself in order to set the points for my expedition and eventually strengthen my ability to free myself from bonds of addiction and despair as well as my sense of connection with the wholeness of life and well-being. The concept is based on the experience when I was in adolescence; not being able to fit into the surrounding and not willing to show the difference is a sign of insecurity. As our deepest an innermost thoughts that we dare not share with others can often be released through the medium of art, just like writing a letter to ourselves that is for our eyes only releases our pent-up emotions.(J. McLEOD, pg.115) To understand and overcome the fear of confrontation and expression, it started with a self written poem in experience that recall moments of sentiment. To incorporate the concept into designing a collection, senses like hearing and seeing versus positive and negative space that relate to pattern cutting methodologies will be a major part of the development of form and silhouette. _________________ BA (Hons) FDT Menswear (2012) - MUTED ADOLESCENCE - HERA\WAN 2012 Autumn Winter menswear collection 'Muted Adolescence' is inspired by the innocence and subtle suppression of childhood in the early 1900s. The collection featured attentively screen printed spots, muted colour digital printed argyle pattern and unconventional application of straps and ribbons. The collection is tied together and elevated by the colour combinations and childlike proportion. __________ About the designer... Designer Hera Wan recently completed her MA in Fashion Design and Technology Menswear at London College of Fashion where she previously obtained her BA qualification in 2012. During her BA study, she worked at the Amsterdam based fashion house of 'Viktor & Rolf' as a menswear design assistant. With a curiosity driven mind and a lifelong passion for fashion, she decided to explore the realms of aesthetics through fashion design. Founder of contemporary menswear label [HE&de Feber] For more information ... http://www.HERAWAN.com info@HERAWAN.com +44 (0) 754 99 56 117 Facebook: @HERAWANDESIGN Twitter: @HERAWANDESIGN ______ Publications/Press: Hache Magazine Spain issue 143 printed copy May 2013 H mag : Sir Beard Sitara Charity Fashion Show 06 April 2013 University of St.Andrews Scotland Fashionisto Magazine online publication 07 March 2013 http://thefashionisto.com/alistair-shaw-by-federico-sorrentino-for-fashionisto-exclusive/#prettyPhoto Tatler.com London School of Economics Charity Fashion Show 26 Feb 2013 http://www.tatler.com/bystander/events/2013/february/london-school-of-economics-fashion-society-charity-fashion-show#/9516/image/7 Papercut Magazine January issue 2013 http://issuu.com/papercutmag/docs/pcmissuupdfjan2013/29 Models.com http://models.com/work/boys-by-girls-magazine-a-place-called-youth---timothy-kelleher/132380 Boys by Girls Magazine Volume 4 F/W 12 issue paper copy A Place Called Youth (with Timothy Kelleher) http://vimeo.com/57840709 St. Arts Magazine http://www.st-artmagazine.com/art-in-the-bubble/sitara-2013-menswear-collection-childs-play/ Fashion Meets Music™ Los Angeles Event London Edition @Cargo Shoreditch 14th November 2012 BLEND MAGAZINE online publication 08-Sep-2012 http://www.blend.nl/alexei/ CANDID MAGAZINE Issue 5 Autumn 2012 http://candidonline.com/issue-5-illustrating-the-industry-is-free-to-read-here/ SOUTHSEA FASHION WEEK 2012 RTW @Portsmouth Cathedral ANORMALMAG online publication 06-May-2012 http://www.anormalmag.com/fashion/muted-adolescence-de-hera-wan/

BA (Hons) Fashion Journalism (Print) (Broadcast)

Mancunian BA (Print) Fashion Journalism student at London College of Fashion. Currently creating and editing my own fashion and lifestyle magazine.

BA (Hons) Fashion Jewellery

Fashion Jewellery Year 3 Student

FdA Fashion Design Technology (Designer Pattern Cutter)

Experience: Net A Porter (Fashion Assistant Intern) Jan 2014 - Present Alexander McQueen (Womenswear Fashion Design Intern) Jan 2013 - April 2013 Susan Hildebrandt (Styling Assistant) Sep 2011 - Present (Freelance) Georgia Hardinge (Fashion Design Intern) May 2011 - Sep 2011

BA (Hons) Fashion Design Technology: Womenswear

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BA (Hons) Fashion Jewellery

Fashion Jewellery 3rd Year Student

FdA Fashion Design Technology (Designer Pattern Cutter)

Designer / Pattern Cutter / Human being Contact number: +44 (0)7784636734 E-mail: c.mok2@arts.ac.uk

BA (Hons) Fashion Design Technology: Menswear

Unisex, Uniforms and Layers. suan-kim@hotmail.com'No More Army' The title 'No More Army' represents a collection that has an opposition specially to the military service. The outline was settled by travel Sarajevo, Bosnia and Herzegovina, where the Great War was happened. As many places within Sarajevo destroyed by bullets and bomb, the city aroused the negative side of military and evoked depressing First World War period, which supports how this concept was made. Combining army uniform with women's corset stands for the restraint as a corset has its history forcing women to have the same thin waist look, considered as the similarity to the treatment of soldiers, neglected identity and changed wearers look as a bunch of warrior.

BA (Hons) Fashion Design Technology: Womenswear

Oksana Anilionyte I would like to thank Saga Furs for a wonderful sponsorship. Collection is based on idea of a soft control. The collection is an investigation into inter-relation of minimalism and modern women. I found my inspiration in Michelangelo Antonioni films L’Avventura (1960), La Notte (1961), Eclipse (1962) and Il deserto rosso (1964). His films concentrate on how the modern world influence people and their feelings. Personal feelings, doubts, moods are substance of the films. The works and processes of Robert Morris, Tony Cragg and Daniel Arsham sculptures and abstract painting of Dale Frank served as the initial inspiration for the silhouette, colour, texture and details of the collection. The aim was to mix different techniques and inspirations to reach new and unexpected levels. I embraced the complexities and simplicities by different techniques to reinvent a version of femininity. Robert Morris felt sculptures led to create new ways of using seams to express the fluidity of line. The collection is a lot about the lines that are so pure, so clear, that they convey simplicity in their perfection. The purity is combined with texture that comes from tufting embroidery and soft fur to create a new level of feelings that garments create when touched. A dialogue between time and timelessness runs through the progression of the minimalist aesthetic which is felt in fluidity of seam lines. The collection incorporates a range of luxury fabrics (cashmere, wool, silk, fur, leather) to examine the balance between textures, silhouette and a purity of line. Education and qualifications: 2009 to 2013 BA Fashion Design: Womenswear, London College of Fashion, University of the Arts London 2007 to 2012 BA Business Management and Administration, Vilnius University, Lithuania 2008 to 2009 Foundation Diploma in Art and Design, University for Creative Arts, Maidstone Industry experience: 2012 Aug – Sep Costume designer for Alice Evans film ‘Rhydymain’, London 2012 May – Aug Internship at Maison Martin Margiela, full-time, Paris • Design development • Pattern cutting • Textile development • Mood and colour boards 2011 Jan – Mar Internship at Lulu Liu, part-time, London 2011 Jan – Mar Costume for Alice Evans film ‘Rusalka’, Royal College of Art, London 2010 Oct – Dec Internship at Giles Deacon, part-time, London 2010 Aug – Sep Internship at Alexander Mcqueen, part-time, London 2010 Jun – Oct Womenswear designer at Mingle & Co, part-time, London 2007 to 2008 Seamstress at GR Design, Vilnius, Lithuania Achievements: 2013 Jul London College of Fashion Press show 2013 Apr Shortlisted for Nina De York Illustration Competition 2013 Mar Shortlisted for Marialuisa.com Illustration Competition 2013 Mar Shortlisted for the BFC portfolio review, 2013 2013 Feb Graduate Collection sponsored by SAGA Furs, Denmark 2012 Dec Craft’Feel collection presented at Fashion Festival, Victoria and Albert Museum, London 2012 Nov Shortlisted for "Chloe" competition 2011 Dec Polychrominations Fashion Show, London College of Fashion, London 2011 Oct International Award at China Professional Fashion Design Contest, Shanghai, China 2011 Sep Top 20 tailor at BBC Young Tailor of The Year Competition, London 2010 Jun UAL Fashion Society Fashion Show, London 2007 Feb Golden Needle Fashion Contest, Lithuania Open for projects and collaborations oksana.anilionyte@gmail.com Press links: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004202 http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.artslondonnews.com/2013/05/16/lcf-student-talks-fashion/

BA (Hons) Cordwainers Footwear: Product Design and Development

I am a diligent footwear designer who currently specialises in womens wear. My passion lies in the craft of making footwear and I have a particular devotion for footwear produced in Britain, with a wish to contribute to this growing trend. Throughout my designs I take inspiration from the past to create classic pieces that boast a contemporary twist. I endeavor to create well-crafted, high quality footwear that is comfortable as well as exquisitely stylish. a.stadtmuller1@arts.ac.uk anna.walcotvenues@gmail.com