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Silvia Fado Moreno

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Kinetic traces- Spring hydraulic heels

MA Fashion Footwear

Kinetic Traces How can body motion dictate women’s fashion footwear design and its performance draw our consciousness? The principal functions of footwear are often sacrificed in Fashion. This project brings sports footwear fundamentals to high-end fashion as sports footwear are based on function and wearability, both very important elements for design features that must interact with the body and be usable by the wearer. I have been analysing comfort elements in footwear, and specially I studied and developed impact absorption, shoe weight, traction (the relationship between shoe and surface) and upper durability. I sought to bring these concepts into the design of high-end women’s high heels. The central concept of the project development was impact absorption, which was studied from a mechanical point of view because heels are structures which are affected by many different forces during the process of human motion. Working with an architect helped to study the forces which interact in the structure of the shoe during movement when walking with high heels. A collaboration with a photographer to photograph and then analyse the forces that interacting with the key points of the human movement that made possible to see the continuous movement broken down into individual parts as a diagram. To realise the absorption function, I introduced an element of internal movement into these structures. I collaborated with an engineer partner to develop these mechanisms, a mechanical technician to develop the mock-ups, and finally with an industrial partner to enable production of the final product in an industrial and much more professional way to achieve an appropriate standard for the target market. The mechanism developments were realised considering factors from both machinery and footwear, to develop a balance between them; the factors that have been key to development are: body weight, body motion, friction, and the percentage of mobility to keep the stability and control of the movement. Impact absorption was developed using different mechanical methods that were not previously used in Fashion, adding features such as springs, rubber balls and, pneumatic hydraulics and metal rings. The last is a new system developed for the industrial partner that I worked with, allowing regulation of the absorption effect depending on body weight. The mechanism can be bespoke according to bodyweight. The final outcomes are a representation of introducing mechanical concepts to traditional footwear. The methodologies used in the project are from traditional making (leather work, traditional machinery making, metal work, wood shaping) and rapid prototyping (3D milling machine, laser cuting and 3D printing). Special thanks to : Sponsors: Jaime Fado Vila MECMAN, S.L. Dis Art, S.L. Collaborations: Letizia Lopez (architect collaboration) Niki Lampaski (logo and branding) Elixabete Lopez (product photography) Eliska Kyselkova (fashion photo shoot) www.silviafado.com contact: silviafado@gmail.com


Cezanne Agatha Gramson

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Knitted and Woven Gold Leather Spine Harness

BA (Hons) Fashion Design Technology: Surface Textiles

Experimental textile creative embracing new technologies and merging them with old crafts; I create pieces fusing knit, embroidery, laser cutting and textile manipulation and have a strong understanding of proportion and the body with the ability to engineer and construct embellishment to enhance design on the body. All pieces designed and constructed are inspired by architecture and structure in nature. Exoskeletons and skeletons in particular have constantly been a point of fascination and through layering, contrasting and distorting my inspirations I push the development further via context, use of materials and scale. The focus is always on the textile first, the final design being a result of the 3D textile experimentation process. The 3D textiles are also developed digitally layering with illustration creating another unique way of interpreting and merging developments. Experience gained through work at the following companies: Alexander McQueen (Textile Design; Embroidery and Print) Burberry (Knitwear) Alice Palmer (Knitwear) Iris van Herpen (Textiles) Education// 2009 - 2012 London College of Fashion: BA (Hons) Fashion Design and Technology / Knitwear First Class Honours 2008 - 2009 London College of Fashion - Foundation Art and Design www.cezanneagatha.co.uk

Miryam Lozano Quilez

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Santal 36 messenger bag. photographer: christian alegria, stylist: mireia roelas, hair & make up: carlos contreras, model:

BA (Hons) Cordwainers Fashion Bags and Accessories: Product Design and Innovation

Miryam Lozano is a Spanish based London accessories designer, who has been passioned about bags and other accessories, keeping eye on details. Santal 36 first collection is inspired by Jean Prouve furnitures . I thought why not design a range developed to be useful for each day, with all the things we carry in our lives. The brand goal is to make functional and useful accessories with a beautiful finish. Please feel free to contact for any enquiry or collaboration. Is a collection made to order. Santal 36 will be ready to shop online on March! Will be ready to buy towards April ! Contact details: miryamlqx@gmail.com 0044-7885788616 .S O O N. www.santal36.com Lookbook credits : -Model Anna Castro. -Photographer Christian Alegria. -Stylist Mireia Roelas. -Make up and hair artist. Carlos Contreras.... -Illustration Montana Forbes Thanks-----

Daniel Ramos Obregón

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ARTEFACT#6 MOUTH

MA Fashion Artefact

Outrospection; The Body and Mind This project has taken as a starting point the concept of "Outrospection" intially proposed by philosopher Roman Kznaric, where he propose that in order to know oneself one must live towards the outside. I have appropriated his concept while relating it to out-of-body experiences, by seeking to represent -in a metaphorical way- the mind being projected inwards out of the body as a way of self-expresion and representation. COLLABORATION For the slip-casting I worked side by side with ceramicist Kate Luck. PHOTOGRAPHY Test photo-shoot with model by Eliška Kiselková CONTACT danielramosobregon@gmail.com http://cargocollective.com/danielramoso

Sarah Mazza

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BFC 2013_Look 1_ Photographer,james rees; model, sarah dick at models 1

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2014 Sarah Mazza https://twitter.com/sarahmazzaknit http://www.notjustalabel.com/sarah_mazza https://www.facebook.com/SarahMazzaKnitwear ___Summary___ A Spring/Summer collection for 2014 for high end womens wear market, exploring the idea of body tattoos being an object of art and its importance relative to different religious beliefs, tribal ceremonies and how this has a strong relation to modern society and its subcultures. ___More information on the concept___ The tattoo world is vast with much information about its culture and this has influenced many artists of our present days. As a way of inspiring this collection, various tattoo design ideas have been explored while looking at the different cultures. Philippine Island tattoos seem to be part of the biggest focuses relating to knit design itself. Some of the trading products originated from this country were fine fabrics made by women with a variety of materials. Interestingly the same patterns were also found on the Philippine women’s tattooed hands. These tattoos as the fine fabrics details must have been rather delicate and this has been reflected into the collection. The overall idea of this project is to bring to light and to show the tattoo like pattern by transposing the concept into knitted fabric. To create this concept into the shape and silhouette of the garments it is was crucial to keep it fairly simple as the texture will bring most of the slick and elegant look . Tight fitting clothing is to resemble the way the tattoo is being worn on the body (almost like a second skin effect). Looking at some of the Philippine people we can identify a recurring theme of curved lines near the shoulders where it creates a unique effect of clothing seams However taking into account the body tattoo placements there was a lot of playing round with arm holes in the collection garments which relates to tattoo sleeve placements. Among the designs, the knit is see-through to show the skin beneath, ____About Sarah____ Sarah Mazza is a French designer based in Luton. From a young Sarah always wanted to do something creative. Having studied Textiles at A-Level, her passion for the fashion industry and knitwear in particular was born. Noticing a talent in her, her tutor taught her to knit outside of class and from then on she was hooked, taking every possible chance to practice and improve in her spare time. After gaining a place on the prestigious course at LCF, where she explored multiple textile techniques including embroidery and print, she decided to focus purely on her first passion. She love the way in which she can create her own fabric, shape and make it as individual as it can be. She has always liked using unusual materials and prefer to challenge herself by staying away from conventional wool. Sarah’s knit includes feminine and elegant hand crafted knit that is hand dyed and hand stitched together. Sarah was awarded the Knitwear Award on Fashion156.com in Graduate Showcase Week for BA13 Press Show. ___________________Languages________________ Fluent in French and English _______________PRESS_______________ Artical about the struggle international designer faces in London http://www.notjustalabel.com/editorial/international_designers_in_london http://socatchy.net/the-crazy-knit-lady-sarah-mazza-lourdes/ Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004248 http://blogs.arts.ac.uk/fashion/2013/09/09/a-glittering-gala-for-the-future-of-fashion/ http://blogs.arts.ac.uk/fashion/2013/07/29/class-of-2013-sarah-mazza/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-sarah-mazza/ http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ http://blogs.arts.ac.uk/fashion/2013/07/19/fashion156-com-report-on-graduate-season-2013/ http://www.logos.info/en/news/sarah-mazza/ http://www.ameliasmagazine.com/fashion/london-college-of-fashion-ba-hons-graduate-catwalk-show-2013-review/2013/07/22/ http://www.apimages.com/metadata/Index/Britain-London-College-of-Fashion-BA-Show/84cceb40738741349519182b8e7d0dcf/28/0 http://www.ohdearism.com/2013/04/13/style-sarah-mazza-lcf-ba-collection/ http://janemarlestylist.tumblr.com/post/51740727194/http-www-joomag-com-magazine-frow-magazine-issue http://www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868 http://www.flickr.com/photos/eliz_pica/8754598523/in/photostream/ http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 http://ashleighbrowntextiledesign.tumblr.com/search/sarah+mazza http://www.fibre2fashion.com/news/fashion-educational-institute-news/newsdetails.aspx?news_id=148962 http://newfashions956.blogspot.co.uk/2013/10/sarah-mazza-ba-hons-fashion-design.html http://laspola.com/news.asp?id_news=4393&lingua=ITA Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.maglifico.com/sarah_mazza _________________CREDIT___________________ ___BFC 2013 ___ Sarah Mazza, Photographer, James Rees www.jamesrees.co.uk Creative Direction, Rob Phillips Beauty, Pace Chen, Melissa Wong Nail Art, Lauren Michelle Pires Model, Sarah Dick at Models 1 http://www.models1.co.uk/ ___LOOK BOOK Shoot___ sarah mazza photographer, Josh Chow Hair and MakeUp, Naoko Mabuchi Model, Ayesha Tan-Jones ___BEAUTY EDITORIAL___ Photography, Polin Kuprine Styling, Jane Marle Hair and Makeup, Louise Linder

Ji Yeon Kang

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Ji Yeon Kang A/W 15

BA (Hons) Fashion Design and Development

Currently attending BA)Fashion Design and Development final year (expecting to graduate in July 2014).

Oksana Anilionyte

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Oksana Anilionyte,Photography by James Rees,Creative Direction Rob Phillips,Beauty Pace Chen,Model, Laura O’Grady at Select

BA (Hons) Fashion Design Technology: Womenswear

Oksana Anilionyte I would like to thank Saga Furs for a wonderful sponsorship. Collection is based on idea of a soft control. The collection is an investigation into inter-relation of minimalism and modern women. I found my inspiration in Michelangelo Antonioni films L’Avventura (1960), La Notte (1961), Eclipse (1962) and Il deserto rosso (1964). His films concentrate on how the modern world influence people and their feelings. Personal feelings, doubts, moods are substance of the films. The works and processes of Robert Morris, Tony Cragg and Daniel Arsham sculptures and abstract painting of Dale Frank served as the initial inspiration for the silhouette, colour, texture and details of the collection. The aim was to mix different techniques and inspirations to reach new and unexpected levels. I embraced the complexities and simplicities by different techniques to reinvent a version of femininity. Robert Morris felt sculptures led to create new ways of using seams to express the fluidity of line. The collection is a lot about the lines that are so pure, so clear, that they convey simplicity in their perfection. The purity is combined with texture that comes from tufting embroidery and soft fur to create a new level of feelings that garments create when touched. A dialogue between time and timelessness runs through the progression of the minimalist aesthetic which is felt in fluidity of seam lines. The collection incorporates a range of luxury fabrics (cashmere, wool, silk, fur, leather) to examine the balance between textures, silhouette and a purity of line. Education and qualifications: 2009 to 2013 BA Fashion Design: Womenswear, London College of Fashion, University of the Arts London 2007 to 2012 BA Business Management and Administration, Vilnius University, Lithuania 2008 to 2009 Foundation Diploma in Art and Design, University for Creative Arts, Maidstone Industry experience: 2012 Aug – Sep Costume designer for Alice Evans film ‘Rhydymain’, London 2012 May – Aug Internship at Maison Martin Margiela, full-time, Paris • Design development • Pattern cutting • Textile development • Mood and colour boards 2011 Jan – Mar Internship at Lulu Liu, part-time, London 2011 Jan – Mar Costume for Alice Evans film ‘Rusalka’, Royal College of Art, London 2010 Oct – Dec Internship at Giles Deacon, part-time, London 2010 Aug – Sep Internship at Alexander Mcqueen, part-time, London 2010 Jun – Oct Womenswear designer at Mingle & Co, part-time, London 2007 to 2008 Seamstress at GR Design, Vilnius, Lithuania Achievements: 2013 Jul London College of Fashion Press show 2013 Apr Shortlisted for Nina De York Illustration Competition 2013 Mar Shortlisted for Marialuisa.com Illustration Competition 2013 Mar Shortlisted for the BFC portfolio review, 2013 2013 Feb Graduate Collection sponsored by SAGA Furs, Denmark 2012 Dec Craft’Feel collection presented at Fashion Festival, Victoria and Albert Museum, London 2012 Nov Shortlisted for "Chloe" competition 2011 Dec Polychrominations Fashion Show, London College of Fashion, London 2011 Oct International Award at China Professional Fashion Design Contest, Shanghai, China 2011 Sep Top 20 tailor at BBC Young Tailor of The Year Competition, London 2010 Jun UAL Fashion Society Fashion Show, London 2007 Feb Golden Needle Fashion Contest, Lithuania Open for projects and collaborations oksana.anilionyte@gmail.com Press links: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004202 http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.artslondonnews.com/2013/05/16/lcf-student-talks-fashion/

Anna Bezgubenko

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lookbook

MA Fashion Design Technology Menswear

The Dissectors - High Tech Fabrication and Classical Construction Set within an aesthetic reminiscent of smocks, scrubs and aprons a central aspect of this collection is the exploration of silhouette and volume. While the nature of this collection lies in its underlying purity, there is a complexity within the minimal aesthetics and the soberness that is generated by the interaction of fabrication and cut, handwork and technology, hybridisation and utilitarianism. Contact:➤ www.annabezgubenko.com➤ Linkedin➤ Facebooklookbook: photography: Benjamin Mallek | model: Dawid, Established runway: LCF MA Menswear Show, December 2013 shoot: photography: Naa Teki Lebar | model: Samuel Oxford Nielsen


Sophie Deroy

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Look3

BA (Hons) Fashion Design and Development

Sophie Deroy is a French-American national who grew up in Vienna, Austria. There, she attended the Vienna International School before moving to London at age 19 to pursue an education in Fashion Design. Sophie completed her Bachelors in Fashion Design and Development in June 2013. During the course of her studies, she undertook multiple internships at various companies, including Marc Jacobs, Alexander McQueen & Net-a-porter.com. For her final collection, Sophie fused elements of Austrian fashion, such as the famed boiled wool garments and dirndl with references to her childhood. The majority of the pieces were made of neoprene, using a flat-seam machine for construction. The boiled wool pieces were produced in conjunction with an Austrian factory in Tirol. Sophie shot her collection on the Suffolk coast of England, along with photographer Simon Cracknell. In October 2013 Sophie’s pieces became part of a short film effort entitled Mothamorphosis, directed by LCF Masters student Poon Sap. For more information on Sophie’s current projects please write to s.deroy@gmail.com.

Jaesun Chung

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Project unit 1

MA Fashion Design Technology Womenswear

The collection is about a doll, hiding aggression driven from her innocence and delicacy, addicted to digital games. The doll is made in the 19th century, made to look perfectly beautiful with rigid material but still full of defects in structure. She is now standing in the 21st century, shifting amazingly fast, full of danger and appeal. The collection is visualizing the strong attractiveness of digital games and false happiness of a little girl. The overall mood is focused on dolly softness, showing structured shape representing the domination of addiction. Creamy colours and linear elements made of papery fabric would represent surrealistic circumstances of the 19th century doll unwittingly revealing her aggressiveness by being addicted to digital amusement. My inspirations are visual objects those can express the strong emotions I have. As I think the garments should integrate with body not only as an object to build the shape but also to complete one’s character, I try to keep the ideas and feelings in the collection. www.jaesunchung.com jaesun_chung@naver.com

Zoë Greening

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Graduate Collection

BA (Hons) Fashion Contour

A determined, hardworking, lively, and naturally creative individual with a flare for illustration and an eye for detail. Able to present extensive research, concept boards and development in a clear, professional style. Calm under pressure and able to multi-task in order to achieve results to deadline. Accurate in all technical areas and confident with a variety of fabrics, textiles and techniques. Inspired by femininity, women and retro aesthetics. Experience Sample Room Assistant - Jenny Packham. January 2013 - May 2013. Lingerie Design Assistant - Marks and Spencers. September 2012 - December 2012. Production Intern - Bordelle. August 2011 - September 2011.

Stephanie Miles

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Baldini from 'Perfume' by Patrick Suskind

BA (Hons) Costume for Performance

A hardworking and dedicated costume maker with experience working in film and theatre. Previous work includes: Frankenstein (20th Century Fox) Exodus (20th Century Fox) Thor: The Dark World (Marvel Films) Bad Education (BBC3, Tiger Aspect) London 2012 Ceremonies Glyndebourne Opera Angels Costumiers Madame Tussauds 'The Handmaid's Tale'- Final Major Project. A contemporary dance portraying the changing interaction between two characters. Offred’s costume represents loss of independence, then regaining freedom: layers of contrasting shapes and textures symbolize birth, death, fertility and blood. The structural, exaggerated silhouette of the Commander’s costume reflects his power, later broken down, peeling back to expose his hidden vulnerability. For further information and C.V please contact me. Email: sl_miles@yahoo.com LinkedIn: linkedin.com/in/slmiles Twitter: @sl_miles

Patcharakan Vongprasert

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Mai Theory

FdA Fashion Styling and Photography

The most meaningful aspect of my inspiration is that a lot of my work ideas come from playing with our idea of ‘perfect’ and experimenting with ways of seeing. My inspiration comes from many experiences. Among the never ending supply of fashion images and film examples available, the ones that look most interesting to me are those that show beauty through imperfection.

Eun Kyeng Seo

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URBAN LOGO88 by EUN

MA Fashion Design Technology Womenswear

URBAN LOGO 88 was established by Eun Kyeng Seo, graduated MA Womenswear FDT at London College of Fashion, University of the Arts London. Before re-locating to London, she did her first degree in her hometown - SOUTH KOREA - which is Clothing and Textile, Right after graduating she got into the Graduate Diploma for Fashion course at Central Saint Martin. urbablogo88.com CONTACT urbanlogo88@gmail.com https://twitter.com/urbanlogo88 PRESS http://idolmag.co.uk/blog/preview-lcf-ma-graduate-show http://idolmag.co.uk/blog/preview-lcf-ma-graduate-show

Jihye Sim

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Makeup/Hair 2011

BA (Hons) Fashion: Hair and Make Up

www.jihyesim.com jihyesimlondon@gmail.com 2011 - 2012 ·Exhibition London New Castle, Ltd (London College of Fashion) OnOff, Ltd (London Fashion Week) ·Magazine LANCIA SDNSM WeTheUrban ACID Victimedelamode See.7 Status Nowness Hunger ·Wedding Magazine Elle Pink Wedding Perfect Wedding You & Your Wedding


Tong Zhao

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MA show

MA Fashion Design Technology Womenswear

Contact @ www.tong-z.co.uk +44 7955598514 tongzhao529@gmail.com

Janaina Baxevani

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Dolls House Emporium Book Design

BA (Hons) Strategic Communication for Fashion

‘Experiential design’, has been a passion of mine for the past few years and my aim has been to challenge what is understood about the meaning of graphic design, and investigate the ways in which conceptual approaches can be realised to create practical and exciting visual expressions, bringing them to life with the senses of smell and touch. I create emotional projects with an intention to push the boundaries in graphic design - implying an exploration of the power of smell and touch to create association, evocation and suggestion. These elements of sensory perception have an ability to provoke memories, arouse nostalgia about the past or inspire curiosity about an intriguing new sensory experience. The juxtaposition of certain smells or textures with other visual sensory inputs which are normally not experienced together could be a powerful communication tool within graphic design.

Sharon Li

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Editorial Look 1

MA Fashion Design Technology Womenswear

Launching soon: sharonli.co.uk Twitter: @sharon_lyc Instagram: @sharon_lyc uk.linkedin.com/in/sliyuetcheong

Louise O'Keeffe

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Her 1

BA (Hons) Fashion Illustration

Louise O'Keeffe is a London based illustrator and print designer from the Highlands of Scotland. She comes from a fine art, textiles and design background with a particular interest in exploring character and identity. Clients include: Triumph Lingerie Juicy Couture The House of Scarlet Revival Accessories Cosmetics A La Carte Pitch London Interflora Flowers The Future Vintage Magazine Vauxhall Fashion Scout Coverage in: Red Magazine - April 2014 The Telegraph Magazine - Saturday 9th November 2013 Elle UK Magazine - November 2013 Twenty6 Magazine Fashion 156 Daily Blog RAW Talent 2013 Shoreditch Fashion Show 2013 OffBeat Made in Shoreditch The Future Vintage Magazine Live illustrating for Triumph - https://vine.co/v/hn7hF0IYMg5 -Interned with Victoria Grant Millinery -Runner up in the Zoe Jordan LFW Doodle competition Website: www.louise-okeeffe.com Facebook:www.facebook.com/LouiseOKeeffeIllustration Twitter: @LouiseOKeeffe2 LinkedIn: uk.linkedin.com/in/louiseokeeffe/ Instagram: louise_okeeffe Email: info@louise-okeeffe.com "Louise has been a pleasure to work with throughout the Women in Making campaign, Her extraordinary sketching skills made her a huge hit at our Spring/Summer launch where she beautifully captured the collections and mood of the event. Louise has also been an exceptional teacher at our workshop sessions, dealing with the public, press and everyone inbetween with utmost professionalism, her nurturing nature has been a pleasure to work alongside and the feedback from all participants has been fantastic. I would wholeheartedly recommend Louise for future projects!" Jess Dudley - Brand Marketing Manager at Triumph International

R Y U K I Y A M A G A

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MA Fashion Design Technology Menswear

CONTACTR Y U K I Y A M A G A ⁃⁃⁃ - WEBSITE -R Y U K I Y A M A G A ⁃⁃⁃ - EMAIL✍ -
RYUKIYAMAGA@GMAIL.COM JAPANESE, ENGLISH, CHINESE(MANDARIN) ⁃⁃⁃ - MOBILE - UK: +44(0)7593059404 JPN: CURRENTLY NOT AVAILABLE AVAILABLE FROM APRIL 2014 - JUNE 2014 PRC: CURRENTLY NOT AVAILABLE AVAILABLE FROM JUNE 2014 - ⁃⁃⁃ - FACEBOOK - FB ⁃⁃⁃ R Y U K I Y A M A G ADownload RYUKI YAMAGA 2014 LOOK№1 TO №12 PHOTOS (ZIP FILE)
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