BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2014 Sarah Mazza https://twitter.com/sarahmazzaknit http://www.notjustalabel.com/sarah_mazza https://www.facebook.com/SarahMazzaKnitwear ___Summary___ A Spring/Summer collection for 2014 for high end womens wear market, exploring the idea of body tattoos being an object of art and its importance relative to different religious beliefs, tribal ceremonies and how this has a strong relation to modern society and its subcultures. ___More information on the concept___ The tattoo world is vast with much information about its culture and this has influenced many artists of our present days. As a way of inspiring this collection, various tattoo design ideas have been explored while looking at the different cultures. Philippine Island tattoos seem to be part of the biggest focuses relating to knit design itself. Some of the trading products originated from this country were fine fabrics made by women with a variety of materials. Interestingly the same patterns were also found on the Philippine women’s tattooed hands. These tattoos as the fine fabrics details must have been rather delicate and this has been reflected into the collection. The overall idea of this project is to bring to light and to show the tattoo like pattern by transposing the concept into knitted fabric. To create this concept into the shape and silhouette of the garments it is was crucial to keep it fairly simple as the texture will bring most of the slick and elegant look . Tight fitting clothing is to resemble the way the tattoo is being worn on the body (almost like a second skin effect). Looking at some of the Philippine people we can identify a recurring theme of curved lines near the shoulders where it creates a unique effect of clothing seams However taking into account the body tattoo placements there was a lot of playing round with arm holes in the collection garments which relates to tattoo sleeve placements. Among the designs, the knit is see-through to show the skin beneath, ____About Sarah____ Sarah Mazza is a French designer based in Luton. From a young Sarah always wanted to do something creative. Having studied Textiles at A-Level, her passion for the fashion industry and knitwear in particular was born. Noticing a talent in her, her tutor taught her to knit outside of class and from then on she was hooked, taking every possible chance to practice and improve in her spare time. After gaining a place on the prestigious course at LCF, where she explored multiple textile techniques including embroidery and print, she decided to focus purely on her first passion. She love the way in which she can create her own fabric, shape and make it as individual as it can be. She has always liked using unusual materials and prefer to challenge herself by staying away from conventional wool. Sarah’s knit includes feminine and elegant hand crafted knit that is hand dyed and hand stitched together. Sarah was awarded the Knitwear Award on Fashion156.com in Graduate Showcase Week for BA13 Press Show. ___________________Languages________________ Fluent in French and English _______________PRESS_______________ Artical about the struggle international designer faces in London http://www.notjustalabel.com/editorial/international_designers_in_london http://socatchy.net/the-crazy-knit-lady-sarah-mazza/ Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004248 http://blogs.arts.ac.uk/fashion/2013/09/09/a-glittering-gala-for-the-future-of-fashion/ http://blogs.arts.ac.uk/fashion/2013/07/29/class-of-2013-sarah-mazza/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-sarah-mazza/ http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ http://blogs.arts.ac.uk/fashion/2013/07/19/fashion156-com-report-on-graduate-season-2013/ http://www.logos.info/en/news/sarah-mazza/ http://www.ameliasmagazine.com/fashion/london-college-of-fashion-ba-hons-graduate-catwalk-show-2013-review/2013/07/22/ http://www.apimages.com/metadata/Index/Britain-London-College-of-Fashion-BA-Show/84cceb40738741349519182b8e7d0dcf/28/0 http://www.ohdearism.com/2013/04/13/style-sarah-mazza-lcf-ba-collection/ http://janemarlestylist.tumblr.com/post/51740727194/http-www-joomag-com-magazine-frow-magazine-issue http://www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868 http://www.flickr.com/photos/eliz_pica/8754598523/in/photostream/ http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 http://ashleighbrowntextiledesign.tumblr.com/search/sarah+mazza http://www.fibre2fashion.com/news/fashion-educational-institute-news/newsdetails.aspx?news_id=148962 http://newfashions956.blogspot.co.uk/2013/10/sarah-mazza-ba-hons-fashion-design.html http://laspola.com/news.asp?id_news=4393&lingua=ITA Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.maglifico.com/sarah_mazza http://www.hellomagazine.com/celebrities/2014010716397/vogue-productions-strike-a-pose/ _________________CREDIT___________________ ___BFC 2013 ___ Sarah Mazza, Photographer, James Rees www.jamesrees.co.uk Creative Direction, Rob Phillips Beauty, Pace Chen, Melissa Wong Nail Art, Lauren Michelle Pires Model, Sarah Dick at Models 1 http://www.models1.co.uk/ ___LOOK BOOK Shoot___ sarah mazza photographer, Josh Chow Hair and MakeUp, Naoko Mabuchi Model, Ayesha Tan-Jones ___BEAUTY EDITORIAL___ Photography, Polin Kuprine Styling, Jane Marle Hair and Makeup, Louise Linder

BA (Hons) Fashion Design Technology: Surface Textiles

copyright © 2013 devika anita rattu ______________________________FLORAL DECAY Devika Rattu is a Surface Textiles Designer specialising in Print through traditional screen-printing and digital printed textiles. Her work explores printing and dyeing techniques with a modern twist by distorting and warping her artwork to create something distinctly unique. Her Spring/Summer 2014 collection Floral Decay is a high-end womenswear collection, which stemmed from the idea that man-made cites are created by destroying natural landscapes. Then when man no longer has use for the structures, the invasion of nature and the decaying process takes over and creates something delicately beautiful, fragile and unique. Looking at the visual record of physical decay shown in the work of Marchand and Meffre’s ‘Ruins of Detroit’ the photography explores abandonment by people, society and the presence of past lives within the derelict buildings. The collection draws on traditional print processes of Devore and dyeing used in a contemporary way with unconventional fabrics. The techniques have been extensively refined to showcase a highly creative development of textiles. Both techniques required long periods of time to explore, test and perfect, creating a distinctive collection. The dyeing and printing process has been a fundamental aspect to the collection. The importance of colour is paramount to Devika’s vision through her collection, especially the transformation of her artwork into printed textiles. An integral part to the development of Devika’s work is her floral illustrations. Specialising in organic watercolour paintings rich in colour, distorted and warped to form graphic structural shapes, which won her a prize for Chelsea Flower Show competition and an annual membership to the Royal Horticultural Society. Then developed for the illustration competition Nina De Yorke and used to create an instillation for the 2013 LCF Press Exhibition. ______________________________EDUCATION London College of Fashion Ba (Hons) Fashion Design Technology_Surface Textiles 2010-2013 London College of Fashion Foundation Diploma in Art and Design 2009-2010 ______________________________WORK EXPERIENCE Anna Sui -New York- Pattern Making Intern July-September 2012 Giles -London- Sample Room Intern January-May 2012 Freelance Print Designer_ Mirjam Roudén -London- Design Intern April-May 2011 ______________________________ ACHIEVEMENTS Runner up_Chelsea Flower show t-shirt competition Annual membership for The Royal Horticultural Society Collaborative photo shoot, producing 2 dresses and a headpiece for Fauna & Flora
 Selected as participant for Illustration 2013
 Finalist for Nina de York Illustration Competition ______________________________SKILLS Adobe_ InDesign, Photoshop and Illustrator Screen printing_ discharge, devore, polychromatic, acid, procion_ sublimation Dyeing Digital Printing Domestic embroidery and knitting machines Drawings and technical drawings Pattern Cutting ______________________________CREDITS _FAUNA + FLORA_ Print_ Devika Rattu Dress_ Sofia Ilmonen Creative Director_ Rob Philips Photographer_ Kasia Wozniak Models_ Sophia at Select and Katharina at M+P Beauty_ Pace Chen Nails_ Lauren Michelle Pires _FLORAL DECAY_ Photographer_ GMGP Model_ Sophie at Select Beauty_ Pace Chen

BA (Hons) Fashion Design Technology: Womenswear

Oksana Anilionyte I would like to thank Saga Furs for a wonderful sponsorship. Collection is based on idea of a soft control. The collection is an investigation into inter-relation of minimalism and modern women. I found my inspiration in Michelangelo Antonioni films L’Avventura (1960), La Notte (1961), Eclipse (1962) and Il deserto rosso (1964). His films concentrate on how the modern world influence people and their feelings. Personal feelings, doubts, moods are substance of the films. The works and processes of Robert Morris, Tony Cragg and Daniel Arsham sculptures and abstract painting of Dale Frank served as the initial inspiration for the silhouette, colour, texture and details of the collection. The aim was to mix different techniques and inspirations to reach new and unexpected levels. I embraced the complexities and simplicities by different techniques to reinvent a version of femininity. Robert Morris felt sculptures led to create new ways of using seams to express the fluidity of line. The collection is a lot about the lines that are so pure, so clear, that they convey simplicity in their perfection. The purity is combined with texture that comes from tufting embroidery and soft fur to create a new level of feelings that garments create when touched. A dialogue between time and timelessness runs through the progression of the minimalist aesthetic which is felt in fluidity of seam lines. The collection incorporates a range of luxury fabrics (cashmere, wool, silk, fur, leather) to examine the balance between textures, silhouette and a purity of line. Education and qualifications: 2009 to 2013 BA Fashion Design: Womenswear, London College of Fashion, University of the Arts London 2007 to 2012 BA Business Management and Administration, Vilnius University, Lithuania 2008 to 2009 Foundation Diploma in Art and Design, University for Creative Arts, Maidstone Industry experience: 2012 Aug – Sep Costume designer for Alice Evans film ‘Rhydymain’, London 2012 May – Aug Internship at Maison Martin Margiela, full-time, Paris • Design development • Pattern cutting • Textile development • Mood and colour boards 2011 Jan – Mar Internship at Lulu Liu, part-time, London 2011 Jan – Mar Costume for Alice Evans film ‘Rusalka’, Royal College of Art, London 2010 Oct – Dec Internship at Giles Deacon, part-time, London 2010 Aug – Sep Internship at Alexander Mcqueen, part-time, London 2010 Jun – Oct Womenswear designer at Mingle & Co, part-time, London 2007 to 2008 Seamstress at GR Design, Vilnius, Lithuania Achievements: 2013 Jul London College of Fashion Press show 2013 Apr Shortlisted for Nina De York Illustration Competition 2013 Mar Shortlisted for Marialuisa.com Illustration Competition 2013 Mar Shortlisted for the BFC portfolio review, 2013 2013 Feb Graduate Collection sponsored by SAGA Furs, Denmark 2012 Dec Craft’Feel collection presented at Fashion Festival, Victoria and Albert Museum, London 2012 Nov Shortlisted for "Chloe" competition 2011 Dec Polychrominations Fashion Show, London College of Fashion, London 2011 Oct International Award at China Professional Fashion Design Contest, Shanghai, China 2011 Sep Top 20 tailor at BBC Young Tailor of The Year Competition, London 2010 Jun UAL Fashion Society Fashion Show, London 2007 Feb Golden Needle Fashion Contest, Lithuania Open for projects and collaborations oksana.anilionyte@gmail.com Press links: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004202 http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.artslondonnews.com/2013/05/16/lcf-student-talks-fashion/

FdA Fashion Styling and Photography

Photographer kahookazaki@gmail.com website: http://kahookazaki.com facebook: https://www.facebook.com/pages/Kaho-Okazaki-Photography/135134106662882

BA (Hons) Fashion Design Technology: Womenswear

The inspiration behind this collection is connected to my Italian roots and my childhood memories. Exploring my Catholic heritage as well as religious beliefs and traditional celebrations, allowed me to create a modern and contemporary collection. The aim of my work is to celebrate the value of past memories, indispensable to establish the present and revive the future. The visual imagery I collected is mainly related to the Christian iconography as well as to the elderly people and their attitude to engage with religion in later life. The final outcome is the meeting point of juxtaposing elements: tradition and modernity, fluidity and severity, fragility and strength. The colors are mainly drawn from the Christian iconography and visual representation of the Virgin Mary: the choice of fun, bright and loud shades contributed to the creation of a bold wardrobe composed of voluminous silhouettes and an injected dose of modernity. The visual references I chose for my color palettes belong to a series of images called “infinita Gracias” taken from www.flickr.com, a sort of visual collection related to Christian symbols: electric blue, gold, orange, yellow and pastel pink were my main inspiration which enabled me to create an innovative and non-conventional winter palette. The bold and almost three-dimensional silhouettes are the result of my deep interest in structured, complex and detailed garments as well as my fascination of creative and innovative pattern cutting. My passion for collage also helped the creation and development of my garments and in the specific to the creation of the voluminous shoulder line, which is definitely the highlight of my work. The choice of cloths as well as the fabric manipulation helped my collection to reach a modern and contemporary finish line: bright orange and blue cashmere together with shiny stretch silks were emphasized by the addition of topstitching and quilting as well as mink fur details sponsored by Saga Furs. The aim of my final collection is to combine strong awareness in contemporary trends as well as fine technical skills. The revisited craft tradition of the quilting technique together with the exceptional choice of timeless fabrics such as wool cashmere, stretch silks and mink fur satin are the signature of my final work. My ideal customer is an independent and sophisticated woman, ready to present herself to the world in a non-conventional way. The voluminous shapes and intricate topstitching details clearly show a luxurious and exclusive taste. PROFILE Highly creative fashion designer with excellent hand drawing and visual skills. Dynamic and organised team player with well-developed written and verbal communications abilities, capable to quickly adapt within a high-pressured environment. Excellent customer service skills with a background in retail management. EDUCATION 2010 to date: London College of Fashion- London, UK BA in Fashion Design Technology Womenswear 2003-2005: Accademia Altieri- Rome, Italy IT Diploma in Fashion Design and Dressmaking WORK EXPERIENCE August - September 2013: David Koma - London January-August 2012: Richard Nicoll – London UK – Internship July-September 2011: Thomas Tait - London UK - Internship September 2011: Danielle Scutt - London Fashion Week UK ACHIEVEMENTS Lcf BA 2013 Press show candidate Saga Furs – Fur Sponsorship Candidate, Copenhagen, Denmark, 2013 Shortlisted for the BFC portfolio review, 2013 Shortlisted for Marialuisa.com Illustration Competition, 2013 Shortlisted for Nina De York Illustration Competition, 2013 Victoria & Albert Museum – Collection Flux presented at Fashion Festival, London UK, 2012 Shortlisted for "Chloe" competition, 2012 PRESS http://www.robphillipswork.com/LCF-2013 http://www.thefashionconnector.com/designer_showcase/valentina_bio.html#.Ul5pNs24Fug http://carmenprocopiuc.blogspot.co.uk/2013/07/valentina-la-porta.html http://www.flickr.com/photos/73747906@N04/9490015406/ http://schoolhousefrocks.com/2013/09/25/valentina-la-porta/dc0f6cbb338268e8f00b09cdb156f5b2screen/#main http://schoolofreference.blogspot.co.uk/2013_08_01_archive.html http://www.ameliasmagazine.com/tag/valentina-la-porta/ http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013/ http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.trendstop.com/members/fashion-trend-stream http://www.youtube.com/watch?v=wj1fm39ha-o http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 https://www.facebook.com/brooomroom?ref=stream http://issuu.com/magbrainstorm/docs/brainstorm11

MA Fashion Artefact

OUTROSPECTION; THE BODY AND MIND This project has taken as a starting point the concept of "Outrospection" initially introduced by philosopher Roman Kznaric, where he proposes that in order to know oneself one must live towards the outside, it is be experiencing life that one discovers and shapes oneself. I have appropriated his concept while relating it to out-of-body experiences or astral projections, by seeking to represent -in a metaphorical way- the mind being projected inwards out of the body as a way of self-expresion and representation. The collection has been made out of porcelain body casts, gold plated brass metal frames around the body, hand turned Colombian kingwood handles and vegetable-tanned leather harnesses. COLLABORATION For the slip-casting I worked side by side with ceramicist Kate Luck. PHOTOGRAPHER Jorge Perez Ortiz MODEL&DANCER Lukasz Przytarski CONTACT danielramosobregon@gmail.com http://cargocollective.com/danielramoso

FdA Hair And Make-up For Fashion

Make-up artist and Hairstylist from London. Very dedicated to what I do, and looking to work with amazing creatives. I enjoy travelling and am generally inspired by everyday life. Would love to extend my portfolio and progress within the industry to achieve my career goals. www.rssmake-up@hotmail.co.uk/romandasevelle

MA Fashion Design Technology Menswear

The Dissectors - High Tech Fabrication and Classical Construction Set within an aesthetic reminiscent of smocks, scrubs and aprons a central aspect of this collection is the exploration of silhouette and volume. While the nature of this collection lies in its underlying purity, there is a complexity within the minimal aesthetics and the soberness that is generated by the interaction of fabrication and cut, handwork and technology, hybridisation and utilitarianism.Contact:➤ www.annabezgubenko.com➤ Linkedin➤ Facebooklookbook: photography: Benjamin Mallek | model: Dawid, Established runway: LCF MA Menswear Show, December 2013 shoot: photography: Naa Teki Lebar | model: Samuel Oxford Nielsen

BA (Hons) Cordwainers Footwear: Product Design and Development

I’m an aspiring footwear designer specialising in menswear. My ethos is to combine technology with function and desirability. I am a trend setter not a follower, with innovation at the forefront of every design. I’m imaginative and creative. I like to think I have my own distinctive way of looking at the world. l.devane1@arts.ac.uk http://www.linkedin.com/pub/laura-anne-devane/85/6b8/387 http://instagram.com/laurannedevane http://laurannedevane.tumblr.com http://www.pinterest.com/laurannedevane/

MA Fashion Artefact

DURATION (2013) The project 'Duration' is to expand and develop the aspects about utilize concrete and concrete canvas combined linen, cement, concrete and leather to create the unique artefacts. Through the ideas and concepts of Japanese culture and aesthetic to express the meaning of ‘The passage of time’. The white paint as the method to incorporates the passage of time in artefact through fabrics that literally shows the process of ageing and decay. The painted object serves as a palimpsest that slowly gives way to layers of a hidden past. This feature rather emphatically highlights the process of ageing while simultaneously ensuring that each piece retains a certain degree of specificity. Sponsorship by John England Irish Linen Solbiati Company Master of Linen company (CELC) Photography: Hackney Packshots Photographer: Nirma Madhoo Assistant photographer :Marion Bracqué Model: Wingshan Smith Makeup: Kata Niemi Styling: Marian Nachmia Butoh Performance Performer: Daniel Somerville Photographer: Nirma Madhoo Assistant photographer :Marion Bracqué Radical Neutrality (2012) This BA collection is radical neutrality design based on contemporary womenswear tailoring fashion. Photography: Tiffany Lin Model:Chanie Munn Makeup: Ann Lee Press coverage show: www.fashion156.com/daily-blog/womenswear-designer-yuhua-shen-graduate-ba-collection-2012/ http://francescorner.com/2012/11/sooner-or-later/ 'CLAUDIA' Cooperation with Stylist: Kyle Lo Monaco www.kylelomonaco.com/claudia Photographer: Karl Axon http://karlaxon.co.uk/fashion'Cosmotropolis' FLUX Magazine www.fluxmagazine.com/index.php/fashion/cosmotropolis-fashion-photography/ Photographer: VIC CHANDRASMA http://500px.com/v_chandrasma Stylist: ALEXANDRA MOON-AGE www.moon-age.net Silk Road scarves ABO london www.abolondon.com Stylist: Zak Timol Atlas Magazine May 2013 http://theatlasmagazine.tumblr.com/post/49604509682/photographer-shelley-jones-hair-mua-adele Photographer: Shelley Jones WWW.MILKANDBLUE.COM Styling: Olimpia Liberti www.olimpialiberti.com Hair/MUA: Adele Sanderson Model: April @ Profile Cooperation with Photographer: Tayla Lourds Stylist: Jessica Hatch MUA & Hair stylist: Saphira Samuels Model: Emily Garner

BA (Hons) Cordwainers Footwear: Product Design and Development

Naima Morys is a luxury inspired footwear designer, she graduated from the Cordwainers BA Footwear Degree in 2012. The Naima Morys brand was inspirated by shattered glass, ice, architecture and body modification such as the golden lotus feet phenomenon. The final collection involved making luxury footwear with the finest leathers and using the latest CAD technology. A 3D printer was used to create heel and wedge units for the range. Naima Morys brand is about bringing luxurious, sophistication to the forefront of technological design. Please contact for further inquiries Features: Collaboration with Tania Cheung Collaboration with Amanda Leecasin Collaboration with Eric Trimborn Wylde Magazine Issue 4 2013 www.myanatome.com Collaboration with Shinhye Kim Collaboration with Kwangbok Jack Lee

BA (Hons) Cordwainers Footwear: Product Design and Innovation

Hyun Seon Jeon BA (Hons) Cordwainers Footwear: Product Design and Development HYUNSEONJEON is a contemporary footwear designer brand that creates architectural, conceptual and unique designs for women. The designer highly focuses and gets design influences from architectural shapes with clean-cut lines. Every design features its own uniqueness, delivering innovation and feminine look whilst still being simple with aspects of commerciality / ready to wear. This collection is for Autumn / Winter 2013-14 and it consists of 10 different styles. The concept of this collection is architecture, mainly consisting of Gaudi’s works in addition to some other groundbreaking architecture. Both traditional and contemporary architectures are looked at for inspiration. The collection is inspired from the concept in terms of shape, pattern, material, colour, and heel shapes. The shapes in the designs will be the main focus of inspiration, making the designs look more contemporary and architectural. CONTACT hyunseonjeon@gmail.com http://uk.linkedin.com/pub/hyun-seon-jeon/6b/162/691 Credit: Metal heel & platform- Rob Fawcett Photographer: Ioana Vrabie- www.ioanavrabie.co.uk

BA (Hons) Fashion: Styling and Photography

London-based photographer Benjamin Bibriesca benbibriesca.tumblr.com/ benbibriesca@yahoo.com

MA Fashion Artefact

sexual humorous 강태석 This collection explores narratives of sexual human body and addresses the question of palpable sensations that manifest from the sexual instinct of a human being and the range of sexiness from subtle to extreme. contact 07834552140 blueguylove@naver.com website http://taesokkang.viewbook.com/album/untitled#19 stockist - http://shop.ra13.be/designers/taeseok-kang/ http://www.farfetch.com/shopping/men/eh-taeseok-kang/items.aspx#ps=1&pv=60&oby=5 365478260 https://www.wolfandbadger.com/shop/designers/taeseok-kang/

BA (Hons) Fashion Design Technology: Womenswear

| ABOUT BUCHANAN | Since graduating in 2013 Buchanan now works in the Design Development team on the Victoria, Victoria Beckham line as well as working on own label garments. | ABOUT THE COLLECTION | Empire of the Clouds is a dramatic futuristic representation of aviation achievements, throughout the past, present and future. Inspired by the true design innovation and achievement from machines of flight throughout the entirety of the concept. Focusing on model making to gain a unique perspective and develop an understanding of the overwhelming human drive, almost obsession, to achieve what we cannot do naturally, to fly. Passionate about research Buchanan has a meticulous attitude towards uncovering all elements in a concept. In this collection it enabled a distinctive perspective to a large subject, creating a concept based around model making and accessibility of a globally collective dream. Through innovative use of materials and conceptual pattern cutting, Buchanan has achieved striking shapes and confident structural lines, reflecting the impressive machines that inspired. Fascination with the utterly indescribable, near magical, machines that are so integrated, ordinary and standardised, motivated a need to highlight what a truly extraordinary achievement flight, both modern and historical actually is. The simple fact that more is known about space and our surrounding atmosphere than the depths of our own oceans, demonstrates so clearly what a shared and magnificent dream flight has, and always will be. | PRESS | Fashion156.com Awarded Most Successful 3-way Collaboration in Graduate showcase week for the BA13 Press Show collection. Millinery by Georgina Howling. BA (Hons) Fashion Jewellery LCF2013. Prints by Claire Kelly. BA (Hons) Surface Textiles LCF2013. http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-sarah-buchanan-claire-kelly-and-georgina-howling/ http://youthartsonline.org/flight-fashion/ http://www.lanciatrendvisions.com/it/article/empire-of-the-clouds-liberi-di-volare-nella-moda-con-sarah-buchanan http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ http://www.vogue.co.uk/fashion/autumn-winter-2013/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004256 http://www.notjustalabel.com/sarah_e_buchanan http://terrysdiary.com/image/59402573969 http://idolmag.co.uk/blog/london-college-fashion-13-ba-graduate-show http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 | CREDITS | EMPIRE OF THE CLOUDS Photography: GMGP Hair: Pace Chen Make-up: Melissa Wong Model: Fern@ Profile ACHIEVEMENT OF THE MACHINE Millinery by Georgina Howling. BA (Hons) Fashion Jewellery LCF2013. Prints by Claire Kelly. BA (Hons) Surface Textiles LCF2013. | C-BEAMS VIDEO | Director & Editor: Jack Chute Producer: Matt Hopkins Prod Co: The Progress Film Company Agency: Lionworks Studio Stills: Olly Hearsey MUA: Xoe Kingsley Hair Design: Simon Webster Music: Flying Lotus: Clock Catcher Four Tet: Unicorn progressfilm.co.uk/ lionworksstudios.co.uk/ | 1 & 1.1 & 1.2 | LIGHTNING Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 1.3 | LIGHTNING Photography: Olly Hearsey Photography Assistant: Adrian Bradbury MUA & Retouching: Xoe Kingsley Hair: Simon Webster Hair Assistants: Hannah de Frateschi & Lee Wells Model: Rebecca Arnold @ nevsmodels.co.uk | 2 & 2.1 & 2.2 | PHANTOM Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 2.3, 2.4 & 2.5 | PHANTOM Photography: Olly Hearsey Photography Assistant: Adrian Bradbury MUA & Retouching: Xoe Kingsley Hair: Simon Webster Hair Assistants: Hannah de Frateschi & Lee Wells Model: Rebecca Arnold @ nevsmodels.co.uk | 3 & 3.3 | TYPHOON Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 3.1 | TYPHOON Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Laura @ Select. | 3.4 | TYPHOON Photography: Olly Hearsey Photography Assistant: Adrian Bradbury MUA & Retouching: Xoe Kingsley Hair: Simon Webster Hair Assistants: Hannah de Frateschi & Lee Wells Model: Rebecca Arnold @ nevsmodels.co.uk | 4 & 4.1 & 4.2 | FALCON Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 5 & 5.1 | THUNDERBOLT Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 6 & 6.1 | TORNADO Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 7 & 7.1 | COSAIR Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First. | 8 & 8.1 & 8.2 | SPITFIRE Photography: James Rees - jamesrees.co.uk MUA and Hair: Pace By Pace Chen Creative Direction: Rob Phillips Model: Katerina P @ First.

MA Fashion Design Technology Womenswear

Fashion womenswear designer with Russian background with deep experience in complicated pattern cut and jacquard knit. nellikim.wordpress.com/ Lusus a la Libre: Dressed with a pinch of vita identita Fall 15 Image: Catharina Pavitschitz Hair: Yoshi Masuda Model: Premier Model Management With the help of those people I had managed to produce my collection on a professional level. Special thanks to Maria Zwerger and JW Machinery, Annalisa Venturelli and Daniela Cerfeda, Alessia Botta, Morena Nucci from Nalya S.P.A., Martine from the Lurex Company, Yoya Matsuki and Chris Simpson, Danielle Park and Clive Bradford. The collection was proudly supported by: Lampo zippers® Nalya SpA® Madeira® Lurex® Gutermann® Shindo® I am grateful to the people and companies who helped me during my enormous journey. for any collaborations, please contact me on email

MA Fashion Footwear

‘Conjoined Illusion’ The footwear collection ‘Conjoined Illusion’ is based on reflection, mirroring, visual illusions and conjoined twins. Every pair of shoes consists of four carbon fibre soles that are connected, conjoined in different ways. The idea of reflection, mirroring and optical illusions can be seen in the design of the uppers respectively in the design of the heels/platforms. Visual illusions and mirroring are arduously to understand for our brain. Our cognitive faculty gets irritated. If we look at objects from different perspectives they seem to change their shape, but they are still the same. The intention behind the designs is to somehow confuse, or disturb, or grasp the spectator for a long time. With my work I want to challenge the eyes and the mind. The collection ‘Conjoined Illusion’ shows that footwear can be a work of art but nevertheless conveys clearly the grace of a shoe. Carolin Holzhuber | Footwear Designer contact | http://carolin.holzhuber.at carolin@holzhuber.at facebook: https://www.facebook.com/CarolinHolzhuber?ref=br_rs Photography | Thuy Pham Product shoots | Louise Markey Carbon Fibre | in cooperation with http://www.peaktechnology.at/

BA (Hons) Fashion Textiles

NICOLE PASKAUSKAS ACHIEVEMENTS 2014 chosen to develop and sell products for the 'TEN STORES CHALLENGE' event supporting the charity 'Hopes and Homes', London 2014 Font and Textile design for PROTEST competition 2014 BFC fashion film and publication Headpiece and hair design 2014 Poster designed and exhibited for IFFTI 'power of fashion' conference, Tokyo, Japan. 2013 Distinction level of completion of FDA Surface Textiles foundation degree 2013 assigned role as manager of group project 2012-2013 assigned role of student representative EDUCATION London College of Fashion 2013- 2 year (full time) Distinction level of completion of the Foundation Degree in Fashion Design Technology: Surface Textiles The Fashion and Textiles Museum 2012- 3 day short course in Adobe InDesign Central Saint Martins 2011- 5 day short course programmes: Drawing And Painting for Textile Design, Fashion Drawing London College of Fashion 2011- 1 year (full-time) Access to Higher Education Diploma (Fashion) 2011- 5 day Short course programmes: Adobe Illustrator workshop, Womenswear1 and 2 St. Peter’s School, York 2010- 4 AS levels includingArt A, Drama B 2009- 10 GCSE’s including Art A* (100% mark) WORK EXPERIENCE 2013 Aug internship Lady Gonzalez accessories, London 2012 Aug-Jun internship Kitty Joseph Clothing (Part time), London 2012 Jan-Aug internship PPQ Clothing (Part time), London 2012 Mar two week placement PYNX Technology 2011-2012 neo2 Magazine Feb (London fashion week) Attending and note making key trends for fashion shows and presentations such as PPQ, Mark Fast, Matthew Williamson, Belle Sauvage, Meadham Kirchoff, Bora Aksu, Louise Grey, Kristian Aadnevik, Mary Katrantzou Holly Fulton, Michael Van Der Ham and others 2010 Oct-Feb internship Hannah Marshall (part time), London

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2013 Devika Rattu ______________________________FLORAL DECAY Devika Rattu is a Surface Textiles Designer specialising in Print through traditional screen-printing and digital printed textiles. Her work explores printing and dyeing techniques with a modern twist by distorting and warping her artwork to create something distinctly unique. Her Spring/Summer 2014 collection Floral Decay is a high-end womenswear collection, which stemmed from the idea that man-made cites are created by destroying natural landscapes. Then when man no longer has use for the structures, the invasion of nature and the decaying process takes over and creates something delicately beautiful, fragile and unique. Looking at the visual record of physical decay shown in the work of Marchand and Meffre’s ‘Ruins of Detroit’ the photography explores abandonment by people, society and the presence of past lives within the derelict buildings. The collection draws on traditional print processes of Devore and dyeing used in a contemporary way with unconventional fabrics. The techniques have been extensively refined to showcase a highly creative development of textiles. Both techniques required long periods of time to explore, test and perfect, creating a distinctive collection. The dyeing and printing process has been a fundamental aspect to the collection. The importance of colour is paramount to Devika’s vision through her collection, especially the transformation of her artwork into printed textiles. An integral part to the development of Devika’s work is her floral illustrations. Specialising in organic watercolour paintings rich in colour, distorted and warped to form graphic structural shapes, which won her a prize for Chelsea Flower Show competition and an annual membership to the Royal Horticultural Society. Then developed for the illustration competition Nina De Yorke and used to create an instillation for the 2013 LCF Press Exhibition. ______________________________EDUCATION London College of Fashion Ba (Hons) Fashion Design Technology_Surface Textiles 2010-2013 London College of Fashion Foundation Diploma in Art and Design 2009-2010 ______________________________WORK EXPERIENCE Anna Sui -New York- Pattern Making Intern July-September 2012 Giles -London- Sample Room Intern January-May 2012 Freelance Print Designer_ Mirjam Roudén -London- Design Intern April-May 2011 ______________________________ ACHIEVEMENTS Runner up_Chelsea Flower show t-shirt competition Annual membership for The Royal Horticultural Society Collaborative photo shoot, producing 2 dresses and a headpiece for Fauna & Flora
 Selected as participant for Illustration 2013
 Finalist for Nina de York Illustration Competition ______________________________SKILLS Adobe_ InDesign, Photoshop and Illustrator Screen printing_ discharge, devore, polychromatic, acid, procion_ sublimation Dyeing Digital Printing Domestic embroidery and knitting machines Drawings and technical drawings Pattern Cutting ______________________________CREDITS _FAUNA + FLORA_ Print_ Devika Rattu Dress_ Sofia Ilmonen Creative Director_ Rob Philips Photographer_ Kasia Wozniak Models_ Sophia at Select and Katharina at M+P Beauty_ Pace Chen Nails_ Lauren Michelle Pires _FLORAL DECAY_ Photographer_ GMGP Model_ Sophie at Select Beauty_ Pace Chen

BA (Hons) Fashion Design Technology: Womenswear

'We Raphaelites' EDUCATION London College of Fashion - BA (hons) Fashion Design & Technology: womenswear Hereford College of Arts - BTEC National Diploma, Art & Design. WORK EXPERIENCE - Marc Jacobs - Assistant to Sample room & Pattern maker co-ordinator. Felder Felder - Studio Assistant Image Credits - Top Left, middle and top right - Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen 2nd row left - Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen, Model - Laura O'Grady / select 2nd row right - HULDRA. Edward Curtis. Photographer - Agnes Lloyd Plat. Model - Silke Seidler - street cast. Assistant - Sanner Kaia 3rd row left - Photography by Eeva Rinne, styling by Emelie Hultqvist & Stelios Stylianou @ Un-Categorized, hair & make-up by Oonah Anderson using MAC, featuring model Tatiana @ Storm 3rd row middle - HULDRA. Edward Curtis. Photographer - Agnes Lloyd Plat. Model - Silke Seidler - street cast. Assistant - Sanner Kaia 3rd row right - Edward Curtis, Identity Project. Photographer: Anthony John Sayer. Creaive Director, Rob Phiillips. Model, Edward Curtis 4th row left - Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen, Model Alina @ Select 4th row middle - Photography by Eeva Rinne, styling by Emelie Hultqvist & Stelios Stylianou @ Un-Categorized, hair & make-up by Oonah Anderson using MAC, featuring model Tatiana @ Storm 4th row right - Edward Curtis, Identity Project. Photographer: Anthony John Sayer. Creaive Director, Rob Phiillips. Model, Edward Curtis 5th row left - HULDRA. Edward Curtis. Photographer - Agnes Lloyd Plat. Model - Silke Seidler - street cast. Assistant - Sanner Kaia 5th row middle - Photography Edward Curtis. Model Rosemary Lambert. 5th row right/ 6th row left - Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen, Model Sarah Dicks @ Models 1 6th row right - Project ‘Design Denim’ supported by’ ISKO™ - Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Gemma at Select Model Management Rows 7,8,9,10 - (runway)- VOGUE.CO.UK rows 11 - 15 – Nina De Yorke CONTACT - edwardcurtis08@gmail.com