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Jennifer Bronz

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Final major project - illustration 1

BA (Hons) Fashion Design Technology: Womenswear

Education: Oct 2013 - ongoing BA(hons) Fashion Design Technology Womenswear (LCF) Sept 2011 - June 2013 FdA Fashion Design Technology: Designer Pattern Cutter (LCF) Sept 2010 - June 2011 Fashion Portfolio (LCF) Work Experience: Jan - March 2013 Designer studio assistant at "Beautiful Soul London" 2009 - 2013 Buyer assistant for a boutique in Switzerland


Ana Duarte

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ANIMAN Collection

MA Fashion Design Technology Menswear

Menswear designer with a special focus on knitwear, leather and technological fabrics; illustrator with five published books. anaduarte@anaduarte.co.uk

Lauren Teasdale

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Morphogenetic Movements (2011)

BA (Hons) Active Sportswear

Currently studying in her final year of Active Sportswear after a placement year spent at Eternity Football in Manchester and Nike EHQ in The Netherlands. LinkedIn Profile: http://www.linkedin.com/pub/lauren-teasdale/63/608/502

Devika Rattu

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_FAUNA+FLORA_ print:devika rattu_ dress:sofia ilmonen_ photographer:kasia wozniak_ models:sophia at select and katharina at M+P_

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2014 Devika Rattu ______________________________FLORAL DECAY Devika Rattu is a Surface Textiles Designer specialising in Print through traditional screen-printing and digital printed textiles. Her work explores printing and dyeing techniques with a modern twist by distorting and warping her artwork to create something distinctly unique. Her Spring/Summer 2014 collection Floral Decay is a high-end womenswear collection, which stemmed from the idea that man-made cites are created by destroying natural landscapes. Then when man no longer has use for the structures, the invasion of nature and the decaying process takes over and creates something delicately beautiful, fragile and unique. Looking at the visual record of physical decay shown in the work of Marchand and Meffre’s ‘Ruins of Detroit’ the photography explores abandonment by people, society and the presence of past lives within the derelict buildings. The collection draws on traditional print processes of Devore and dyeing used in a contemporary way with unconventional fabrics. The techniques have been extensively refined to showcase a highly creative development of textiles. Both techniques required long periods of time to explore, test and perfect, creating a distinctive collection. The dyeing and printing process has been a fundamental aspect to the collection. The importance of colour is paramount to Devika’s vision through her collection, especially the transformation of her artwork into printed textiles. An integral part to the development of Devika’s work is her floral illustrations. Specialising in organic watercolour paintings rich in colour, distorted and warped to form graphic structural shapes, which won her a prize for Chelsea Flower Show competition and an annual membership to the Royal Horticultural Society. Then developed for the illustration competition Nina De Yorke and used to create an instillation for the 2013 LCF Press Exhibition. ______________________________EDUCATION London College of Fashion Ba (Hons) Fashion Design Technology_Surface Textiles 2010-2013 London College of Fashion Foundation Diploma in Art and Design 2009-2010 ______________________________WORK EXPERIENCE Anna Sui -New York- Pattern Making Intern July-September 2012 Giles -London- Sample Room Intern January-May 2012 Freelance Print Designer_ Mirjam Roudén -London- Design Intern April-May 2011 ______________________________ ACHIEVEMENTS Runner up_Chelsea Flower show t-shirt competition Annual membership for The Royal Horticultural Society Collaborative photo shoot, producing 2 dresses and a headpiece for Fauna & Flora
 Selected as participant for Illustration 2013
 Finalist for Nina de York Illustration Competition ______________________________SKILLS Adobe_ InDesign, Photoshop and Illustrator Screen printing_ discharge, devore, polychromatic, acid, procion_ sublimation Dyeing Digital Printing Domestic embroidery and knitting machines Drawings and technical drawings Pattern Cutting ______________________________CREDITS _FAUNA + FLORA_ Print_ Devika Rattu Dress_ Sofia Ilmonen Creative Director_ Rob Philips Photographer_ Kasia Wozniak Models_ Sophia at Select and Katharina at M+P Beauty_ Pace Chen Nails_ Lauren Michelle Pires _FLORAL DECAY_ Photographer_ GMGP Model_ Sophie at Select Beauty_ Pace Chen

Jessica Hearnshaw

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1. Lookbook: Bracelet - Shopper

BA (Hons) Cordwainers Fashion Bags and Accessories: Product Design and Innovation

www.jessicahearnshaw.com Jessica Hearnshaw is an Accessories Designer based in London who's focus is around the design and craftsmanship of high quality conceptual leather goods. This collection’s focus is on accessories that have a integral relationship to what they contain. That are as fascinating to unwrap, as a gift is to open. Inspired specifically by traditional japanese packaging which has a strong minimalist aesthetic. A key notion of japanese packaging is that the gift and the act of unwrapping the gift, is just as important as what is inside. This art form would wrap a given object in whatever materials lay at hand. The outcome was often not only practical for storage and transporting the object but also produced a simple beautiful shape free of all excess and extravagance ----------------------------------------------- Credits: Images 1 - 5: Art Director: Benjamin Thapa, Photographer: Giulia Zucchetti, Model: Max @ Profile, Stylist: Irene Manicone, Makeup: Nichola Mai Images 6 - 9: Art Direction & Photographer: Benjamin Thapa Image 10 - 11: Photography: Anthony John Sayer Creative Director: Rob Phillips Beauty: Pace Chen Model: Rosemary Banks

Sarah Mazza

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BFC 2013_Look 1_ Photographer,james rees; model, sarah dick at models 1

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2013 Sarah Mazza https://twitter.com/sarahmazzaknit http://www.notjustalabel.com/sarah_mazza https://www.facebook.com/SarahMazzaKnitwear http://www.utelier.com/profiles/379 ___Summary___ A Spring/Summer collection for 2014 for high end womens wear market, exploring the idea of body tattoos being an object of art and its importance relative to different religious beliefs, tribal ceremonies and how this has a strong relation to modern society and its subcultures. ___More information on the concept___ The tattoo world is vast with much information about its culture and this has influenced many artists of our present days. As a way of inspiring this collection, various tattoo design ideas have been explored while looking at the different cultures. Philippine Island tattoos seem to be part of the biggest focuses relating to knit design itself. Some of the trading products originated from this country were fine fabrics made by women with a variety of materials. Interestingly the same patterns were also found on the Philippine women’s tattooed hands. These tattoos as the fine fabrics details must have been rather delicate and this has been reflected into the collection. The overall idea of this project is to bring to light and to show the tattoo like pattern by transposing the concept into knitted fabric. To create this concept into the shape and silhouette of the garments it is was crucial to keep it fairly simple as the texture will bring most of the slick and elegant look . Tight fitting clothing is to resemble the way the tattoo is being worn on the body (almost like a second skin effect). Looking at some of the Philippine people we can identify a recurring theme of curved lines near the shoulders where it creates a unique effect of clothing seams However taking into account the body tattoo placements there was a lot of playing round with arm holes in the collection garments which relates to tattoo sleeve placements. Among the designs, the knit is see-through to show the skin beneath, ____About Sarah____ Sarah Mazza is a French designer based in Luton. From a young Sarah always wanted to do something creative. Having studied Textiles at A-Level, her passion for the fashion industry and knitwear in particular was born. Noticing a talent in her, her tutor taught her to knit outside of class and from then on she was hooked, taking every possible chance to practice and improve in her spare time. After gaining a place on the prestigious course at LCF, where she explored multiple textile techniques including embroidery and print, she decided to focus purely on her first passion. She love the way in which she can create her own fabric, shape and make it as individual as it can be. She has always liked using unusual materials and prefer to challenge herself by staying away from conventional wool. Sarah’s knit includes feminine and elegant hand crafted knit that is hand dyed and hand stitched together. Sarah was awarded the Knitwear Award on Fashion156.com in Graduate Showcase Week for BA13 Press Show. ___________________Languages________________ Fluent in French and English _______________PRESS_______________ Artical about the struggle international designer faces in London http://www.notjustalabel.com/editorial/international_designers_in_london http://socatchy.net/the-crazy-knit-lady-sarah-mazza/ Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004248 http://blogs.arts.ac.uk/fashion/2013/09/09/a-glittering-gala-for-the-future-of-fashion/ http://blogs.arts.ac.uk/fashion/2013/07/29/class-of-2013-sarah-mazza/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-sarah-mazza/ http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ http://blogs.arts.ac.uk/fashion/2013/07/19/fashion156-com-report-on-graduate-season-2013/ http://www.logos.info/en/news/sarah-mazza/ http://www.ameliasmagazine.com/fashion/london-college-of-fashion-ba-hons-graduate-catwalk-show-2013-review/2013/07/22/ http://www.apimages.com/metadata/Index/Britain-London-College-of-Fashion-BA-Show/84cceb40738741349519182b8e7d0dcf/28/0 http://www.ohdearism.com/2013/04/13/style-sarah-mazza-lcf-ba-collection/ http://janemarlestylist.tumblr.com/post/51740727194/http-www-joomag-com-magazine-frow-magazine-issue http://www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868 http://www.flickr.com/photos/eliz_pica/8754598523/in/photostream/ http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 http://ashleighbrowntextiledesign.tumblr.com/search/sarah+mazza http://www.fibre2fashion.com/news/fashion-educational-institute-news/newsdetails.aspx?news_id=148962 http://newfashions956.blogspot.co.uk/2013/10/sarah-mazza-ba-hons-fashion-design.html http://laspola.com/news.asp?id_news=4393&lingua=ITA Featured on Home Page of NOT JUST A LABEL , http://www.notjustalabel.com http://www.maglifico.com/sarah_mazza http://www.hellomagazine.com/celebrities/2014010716397/vogue-productions-strike-a-pose/ _________________CREDIT___________________ ___BFC 2013 ___ Sarah Mazza, Photographer, James Rees www.jamesrees.co.uk Creative Direction, Rob Phillips Beauty, Pace Chen, Melissa Wong Nail Art, Lauren Michelle Pires Model, Sarah Dick at Models 1 http://www.models1.co.uk/ ___LOOK BOOK Shoot___ sarah mazza photographer, Josh Chow Hair and MakeUp, Naoko Mabuchi Model, Ayesha Tan-Jones ___BEAUTY EDITORIAL___ Photography, Polin Kuprine Styling, Jane Marle Hair and Makeup, Louise Linder

Taylour Lourds

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Class Villain A/W LookBook.

FdA Fashion Styling and Photography

Originally from an Art & Design background, my work is an exploration of specialisms such as graphic design and illustration to create imagery with a hybrid multi media aesthetic. I like to work conceptually where within my work I often explore the themes of subculture, youth, identity, masculinity and femininity, Taking influences from music, film and the digital age with the feeling of sombreness. For collaborations you can email me @: lourdstaylour@gmail.com www.lourds.wix.com/taylourlourds

Nicole Paskauskas

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illustration4 big kid

BA (Hons) Fashion Textiles

NICOLE PASKAUSKAS ACHIEVEMENTS 2014 chosen to develop and sell products for the 'TEN STORES CHALLENGE' event supporting the charity 'Hopes and Homes', London 2014 Font and Textile design for PROTEST competition 2014 BFC fashion publication Headpiece and hair design 2014 Poster designed and exhibited for IFFTI 'power of fashion' conference, Tokyo, Japan. 2013 Distinction level of completion of FDA Surface Textiles foundation degree 2013 assigned role as manager of group project 2012-2013 assigned role of student representative EDUCATION London College of Fashion 2014 (full time) BA Top-up year in Fashion Design Technology: Surface Textiles London College of Fashion 2013- 2 year (full time) Distinction level of completion of the Foundation Degree in Fashion Design Technology: Surface Textiles The Fashion and Textiles Museum 2012- 3 day short course in Adobe InDesign Central Saint Martins 2011- 5 day short course programmes: Drawing And Painting for Textile Design, Fashion Drawing London College of Fashion 2011- 1 year (full-time) Access to Higher Education Diploma (Fashion) 2011- 5 day Short course programmes: Adobe Illustrator workshop, Womenswear1 and 2 St. Peter’s School, York 2010- 4 AS levels includingArt A, Drama B 2009- 10 GCSE’s including Art A* (100% mark) WORK EXPERIENCE 2014 April Internship, Kit Neale, London- assigned Textile Design work towards SS15 collection 2013 Aug internship Lady Gonzalez accessories, London 2012 Aug-Jun internship Kitty Joseph Clothing, (part time) London 2012 Jan-Aug internship PPQ Clothing, (part time) London 2012 Mar two week placement PYNX Technology 2011-2012 neo2 Magazine Feb (London fashion week) Attending and note making key trends for fashion shows and presentations such as PPQ, Mark Fast, Matthew Williamson, Belle Sauvage, Meadham Kirchoff, Bora Aksu, Louise Grey, Kristian Aadnevik, Mary Katrantzou Holly Fulton, Michael Van Der Ham and others 2010 Oct-Feb internship Hannah Marshall, (part-time) London


Yuliya Kyrpo

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Harris Tweed Project

BA (Hons) Bespoke Tailoring

Tailoring is very mathematical and so is beauty as it lies in the golden ratio. Although rules are made to be broken, you have to know them to know what and how to break and whether they need breaking at all.

Jordan Storm Louise Maxwell

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Mia in Coat

BA (Hons) Fashion: Design and Marketing

Currently updating. www.jordanstormlouise.com

Louise O'Keeffe

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Valentino Lace Shoe

BA (Hons) Fashion Illustration

Louise O’Keeffe is a freelance illustrator & print designer and a recent graduate of London College of Fashion in BA hons Fashion Illustration. She comes from a richly artistic background including fine art, textiles and fashion design and specializes in fashion and portrait imagery. She is very interested in character and identity and tries to portray a sense of personality through her work. She predominantly works in watercolor and likes to play with mixing accuracy and detail with the fluidity of ink. Her work is very feminine and painterly with a strong interest in colour. Although Louise’s work is mostly hand rendered, she has recently began illustrating using other devices such as the iPad. She has interned with Victoria Grant Millinery and was a runner up in the Zoe Jordan LFW Doodle competition. Her work has been exhibited in the Paris College of Art Exhibition November 2013, The Shoreditch Fashion Show April 2013 and Raw Talent 2013. Louise often illustrates live at events and fashion shows with clients including Harvey Nichols, Triumph International, Juicy Couture and Vauxhall Fashion Scout. Louise has the honor of being included in the handful of creative females selected by Triumph International to be part of their “Women in Making” campaign for the past two seasons now. Here she acts as a brand ambassador where does a variety of live illustrating for them as well as holding fashion illustration workshops for the press and public. This season she also designed the new “Women in Making” logo. Clients include: Harvey Nichols Triumph Lingerie Juicy Couture The House of Scarlet Revival Accessories Cosmetics A La Carte Pitch London Interflora Flowers The Future Vintage Magazine Vauxhall Fashion Scout Coverage in: Stylist Magazine - 2 April 2014 Red Magazine - April 2014 Tatler Bystander - March 2014 Elle UK Magazine - April 2014 The Telegraph Magazine - Saturday 9th November 2013 Elle UK Magazine - November 2013 Twenty6 Magazine Fashion 156 Daily Blog RAW Talent 2013 Shoreditch Fashion Show 2013 OffBeat Made in Shoreditch The Future Vintage Magazine Website: www.louise-okeeffe.com Facebook:www.facebook.com/LouiseOKeeffeIllustration Twitter: @LouiseOKeeffe2 LinkedIn: uk.linkedin.com/in/louiseokeeffe/ Instagram: louise_okeeffe Email: info@louise-okeeffe.com "Louise has been a pleasure to work with throughout the Women in Making campaign, Her extraordinary sketching skills made her a huge hit at our Spring/Summer launch where she beautifully captured the collections and mood of the event. Louise has also been an exceptional teacher at our workshop sessions, dealing with the public, press and everyone inbetween with utmost professionalism, her nurturing nature has been a pleasure to work alongside and the feedback from all participants has been fantastic. I would wholeheartedly recommend Louise for future projects!" Jess Dudley - Brand Marketing Manager at Triumph International

annise rain

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The bright and the dark sides of Simargl, pagan god of ancient Slav

FdA Fashion Styling and Photography

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La Tanya Brown

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Head Piece Made From Copper Piping and Hair Weave and Faux Fur Scarf - Designer/ Stylist: La Tanya Brown

BA (Hons) Fashion Design Technology: Womenswear

London Based Fashion Designer & Stylist. Brand Ethos La Tanya Brown.com is an interactive online brand that offers a range of luxury goods. We don’t discriminate against race, age, gender or sexuality we have that special something for all sizes big and small. We believe a happy person is a beautiful one and when wearing luxury everyone's happy. Follow us on the journey - come along for the ride - join the party - we're a very open minded down to earth bunch - all geeks, rejects and misfits welcome. For more info just ask.... Phone:07428126642 www.latanyabrown.com Twitter@La_Tanya_Brown Linkedin: www.linkedin.com/in/latanyabrown1 For direct contact please use the link via this page. ***PLEASE NOTE ALL GARMENTS ARE MADE FROM FAUX FUR!!***

Minkyung Kim

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portfolio7

FdA Hair And Make-up For Fashion

Minkyung Kim London based Makeup & Hair artist Born in South Korea. London College of Fashion - Hair & Make-up for Fashion course Rasara Fashion Design Academy - Fashion Design Course Hans Beauty academy - Nail Technique Course Happy to work with magazine and editorial shoot. minkyungkim.mua@gmail.com

Hattie Buzzard

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sculpting yarn through felting [work in progress]

BA (Hons) Fashion Textiles

Knitwear specialist textile designer with a strong fascination with the qualities of colour - and how these can affect our emotions, feelings and experiences of our attire as well as our environment. Work explores personal fascinations including the qualities of items, clothing and objects exempt from obsolescence. As well a curiosity of people's relationships and connections with their clothes and possessions. Achievements - Winner of the London Region SDC (Society of Dyers and Colourists) Colour Competition 2013 - Represented LCF at the SDC London Colour Competition 2012 Education - London College of Fashion - BA Fashion Textiles (Knitwear specialist) 2011-2014 [expected]


Valentina La Porta

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Valentina La Porta. Creative Director: Rob Phillips, Photography: James Rees, Beauty: Pace Chen

BA (Hons) Fashion Design Technology: Womenswear

The inspiration behind this collection is connected to my Italian roots and my childhood memories. Exploring my Catholic heritage as well as religious beliefs and traditional celebrations, allowed me to create a modern and contemporary collection. The aim of my work is to celebrate the value of past memories, indispensable to establish the present and revive the future. The visual imagery I collected is mainly related to the Christian iconography as well as to the elderly people and their attitude to engage with religion in later life. The final outcome is the meeting point of juxtaposing elements: tradition and modernity, fluidity and severity, fragility and strength. The colors are mainly drawn from the Christian iconography and visual representation of the Virgin Mary: the choice of fun, bright and loud shades contributed to the creation of a bold wardrobe composed of voluminous silhouettes and an injected dose of modernity. The visual references I chose for my color palettes belong to a series of images called “infinita Gracias” taken from www.flickr.com, a sort of visual collection related to Christian symbols: electric blue, gold, orange, yellow and pastel pink were my main inspiration which enabled me to create an innovative and non-conventional winter palette. The bold and almost three-dimensional silhouettes are the result of my deep interest in structured, complex and detailed garments as well as my fascination of creative and innovative pattern cutting. My passion for collage also helped the creation and development of my garments and in the specific to the creation of the voluminous shoulder line, which is definitely the highlight of my work. The choice of cloths as well as the fabric manipulation helped my collection to reach a modern and contemporary finish line: bright orange and blue cashmere together with shiny stretch silks were emphasized by the addition of topstitching and quilting as well as mink fur details sponsored by Saga Furs. The aim of my final collection is to combine strong awareness in contemporary trends as well as fine technical skills. The revisited craft tradition of the quilting technique together with the exceptional choice of timeless fabrics such as wool cashmere, stretch silks and mink fur satin are the signature of my final work. My ideal customer is an independent and sophisticated woman, ready to present herself to the world in a non-conventional way. The voluminous shapes and intricate topstitching details clearly show a luxurious and exclusive taste. PROFILE Highly creative fashion designer with excellent hand drawing and visual skills. Dynamic and organised team player with well-developed written and verbal communications abilities, capable to quickly adapt within a high-pressured environment. Excellent customer service skills with a background in retail management. EDUCATION 2010 to date: London College of Fashion- London, UK BA in Fashion Design Technology Womenswear 2003-2005: Accademia Altieri- Rome, Italy IT Diploma in Fashion Design and Dressmaking WORK EXPERIENCE August - September 2013: David Koma - London January-August 2012: Richard Nicoll – London UK – Internship July-September 2011: Thomas Tait - London UK - Internship September 2011: Danielle Scutt - London Fashion Week UK ACHIEVEMENTS Lcf BA 2013 Press show candidate Saga Furs – Fur Sponsorship Candidate, Copenhagen, Denmark, 2013 Shortlisted for the BFC portfolio review, 2013 Shortlisted for Marialuisa.com Illustration Competition, 2013 Shortlisted for Nina De York Illustration Competition, 2013 Victoria & Albert Museum – Collection Flux presented at Fashion Festival, London UK, 2012 Shortlisted for "Chloe" competition, 2012 PRESS http://www.robphillipswork.com/LCF-2013 http://www.thefashionconnector.com/designer_showcase/valentina_bio.html#.Ul5pNs24Fug http://carmenprocopiuc.blogspot.co.uk/2013/07/valentina-la-porta.html http://www.flickr.com/photos/73747906@N04/9490015406/ http://schoolhousefrocks.com/2013/09/25/valentina-la-porta/dc0f6cbb338268e8f00b09cdb156f5b2screen/#main http://schoolofreference.blogspot.co.uk/2013_08_01_archive.html http://www.ameliasmagazine.com/tag/valentina-la-porta/ http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013/ http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.trendstop.com/members/fashion-trend-stream http://www.youtube.com/watch?v=wj1fm39ha-o http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 https://www.facebook.com/brooomroom?ref=stream http://issuu.com/magbrainstorm/docs/brainstorm11

Flavia Abbud

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Cape for collection 'There is Still Time For an Outrage!' SS15

BA (Hons) Fashion Textiles

Print based textile designer, specializing in colour and mark making, and bringing aspects of the Brazilian culture into my designs.

Anjelica Dariah

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BA (Hons) Fashion Design Technology: Womenswear

WORK EXPERIENCE MARC JACOBS INTERNATIONAL- -May/June/July 2013 Full Time- -Sample Room Intern New York City RYAN LO- -September 2012 Full Time- -Design Intern London BEYOND RETRO- -April/May/June 2011 Full Time- -Production Intern London EDUCATION LONDON COLLEGE OF FASHION- -BA (Hons) Fashion Design Technology: Womenswear 2011-2014 RAVENSBOURNE COLLEGE OF DESIGN- -Foundation Diploma in Fashion 2010-2011 CONTACT: anjelicadariah@gmail.com

Jessica Newall

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Decay | Research

BA (Hons) Bespoke Tailoring

A dedicated tailoring student, currently studying at London College of Fashion. An individual with a wide range of technical skills including research, design, fabric knowledge, pattern cutting, sewing; both bespoke and production and Adobe Photoshop, Illustrator and InDesign, CAD/CAM and thrives working with all. Possessing a wide range of skills; the ability to analyse data with the use of industry and specific software, and a demonstrated understanding of trends, I combine commercial awareness with innovative ideas to ensure a fresh approach is maintained. Private Email: Jrosenewall@hotmail.co.uk

SUAN K

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BA (Hons) Fashion Design Technology: Menswear

Unisex, Uniforms and Layers. http://suank.net suan-kim@hotmail.com'No More Army' The title 'No More Army' represents a collection against military service. The outline was settled by travel Sarajevo, Bosnia and Herzegovina, where the Great War was started. As many places within Sarajevo destroyed by bullets and bomb, the city aroused negative side of military and evoked depressing First World War period, which supports how this concept was made. Combining army uniform with women's corset stands for the restraint as a corset has its history forcing women to have the same thin waist look, considered as the similarity to the treatment of soldiers, neglected identity and changed wearers look as a bunch of warrior.

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