BA (Hons) Fashion Design Technology: Menswear
Menswear designer singyustarchan@gmail.com http://singyuchan.tumblr.com/
Sing Yu Chan
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Minkyung Kim
FdA Hair And Make-up For Fashion
Minkyung Kim London based Makeup & Hair artist Born in South Korea. London College of Fashion - Hair & Make-up for Fashion course Rasara Fashion Design Academy - Fashion Design Course Hans Beauty academy - Nail Technique Course Happy to work with magazine and beauty shoot. minkyungkim.mua@gmail.com
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Ran Ning
Graduate Diploma Fashion Design Technology
Based on the comparison between the imagined future from past and realistic present, I designed a high-end fashion collection that can react to changing of time and space to suit different occasions. It is a womenswear collection filled with 50s and 60âs essence and made of luminescent materials for Spring/Summer 2013. This collection is not about our future, it is about how our present would be in the vision of people who live in the past. Surface textiles that have new functions and decorative details provide greater potential for creative expression. After exploring a wide selection of exciting confluence of art, design, and technology, the idea of âGlow in the darkâ strongly interested me to continue researching and developing. E-mail: ginnyning@hotmail.com
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Emlyn Stevens
BA (Hons) Fashion Design Technology: Menswear
Final year menswear design student e.stevens5@arts.ac.uk emlynstevens@aol.co.uk
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Zishan Li
BA (Hons) Fashion Design Technology: Womenswear
It is a Cartoon project. Name: Zishan Li (Purple) Email: z.li3@arts.ac.uk lizishan7@gmail.com Sample Sale
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Guyhyun Jee
BA (Hons) Fashion Design Technology: Menswear
JEEGUI"FRAGMENT" A 14/15 autumn/winter season collection: investigating the concept that is âFRAGMENTâ, representing an incomplete human development and fragmented memories of human history, through different texture, fabric and diagonal pattern cutting. âFRAGMENTâ in futuristic modern society is a representation of seeking traditional and primitive authenticity within humanity that we lost, against the lifestyles of modern society, which is lacking freedom, sameness or uniformity by large-scale manufacturing. In this collection, key fabrics are fur against showing with metallic silver leather and high tech bonded fabric. Basically, fur symbolizes the human authenticity from primitive and folk imagery, so that the fur in the collection is combined and crafted with futuristic fabric. It is a strong hybrid type of collection. Guyhyun is a menswear designer, who studied at London College of Fashion BA Menswear. Fur sponsored by Saga Furs Zip sponsored by Lampo Italy Photography: Giovanni Mantins Model: Gregory France (This is Another Day) Hair & Make Up: Jerry Keszka ______________________press______________________ Fucking Young http://fuckingyoung.es/guyhyun-jee-fallwinter-2014-lookbook/#.U1Kmel7tGFc IDOL Magazine http://idolmag.co.uk/blog/guyhyun-jee-aw14-lookbook _________________________________________________ www.jeeguy.com Contact: jeeguyhyun@gmail.com g.jee1@arts.ac.uk
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Rebecka Elizabeth Fleetwood-Smith
BA (Hons) Fashion Textiles
BA Fashion/Textiles student specializing in knitwear. Protest 'Meet your Maker' collaboration with fellow LCF students photographed by Riccardo Raspa featured on : http://i-d.vice.com/en_gb/read/top5/2381/lcf-protest http://beljacobs.com/2014/04/23/protest14-lcf-students-create-fashion-for-change/#sthash.yT2nB8wh.Trs0XdkA.dpbs http://www.hungertv.com/feature/protest14/
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Nobuyuki Matsui
BA (Hons) Fashion Design Technology: Menswear
- Final major project -"Artection" Artection is the word combined Art and Selection means Darwin's theory of evolution. If âArtâ was a creature, how âArtâ is survived in this modern society? Multiculturalism, people cannot help selecting to conduct themselves. As Darwinâs theory of evolution, a âGoodâ thing has been preserved or supersede. This Collection is Autumn and Winter collection 2015, mainly based on combining Modern and Classic style to explore the âgoodâ garments. The investigation starts from the British traditional tailoring process. The main inspiration take from the traditional and modern architectures in Europe to understand how trend of the times following the ages, that are the minimal sophisticated silhouettes and decorative gorgeous appearances. The garments development used deconstruction and reconstruction to mirror the process old fashion building migh go through. Also, rage of fabris use tactile processes as laser cutting surfaces with high quality fabrics to comfort yet also providing sensual fragile beauty through touch. Using traditional and simple silhouette with twisted pattern cutting approaching garments in innovative textile aim at comfortable to wear in everyday life. Hope the garments with this precious feeling contribute toward Slow Fashion as sustainable and enjoyable fashion. Styled collection pictures will be uploading soon*** -FAD Competition- "Something Missing" Our concept began by looking at how we view disability, as though because of a disability or impairment â a person can be thought of to be lacking in some way, have something missing. We wanted to change the way disabled people are viewed, and have based our research around finding ways of understanding the impact that the loss of a sense can mean to a person, and how to compensate for the loss of one sense and the strengthening of another. We focused on sight, loss of sight or sight impairment, and how blind or partially sighted people often find that other senses become more important to them, such as touch. We tried to imagine how to represent this in a fashion collection. Visually, we decided to reduce the colour palette to greys, to limit the fabrics in colour, but to increase the tactility of the fabrics, through surface texture. Our garment development used deconstruction and reconstruction to mirror the process a disabled person would go through, learning to live with their disabilities. Creating new forms out of old, finding new ways of doing things and new ways of living. Our fabrics use tactile processes, such as, laser cutting and embroidery based on Braille, and surfaces to comfort yet also providing sensual beauty through touch. Our garments for menswear are based on tailoring techniques, some are oversized pieces which allow the wearer space whilst also the confidence of well-cut clothing. We hope we can remind the viewer that to be disabled does not limit, does not mean that something is missing. But instead, to remind us, and the wearer, that each of us is unique, and our difference is what makes us special. -Press- http://www.pigeonsandpeacocks.com/2014/04/five-minutes-with-fad-award-winners-moe-takahashi-and-nobu-matsui/
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Sam Shepherd
BA (Hons) Fashion Illustration
Sam Shepherdâs opulent artistic representations of beauty and fashion are inspired by his fascination with the arts, literature and music. The compelling visuals juxtapose beauty with decay and social aspirations with corruption and satire; it is these concepts that form the foundation of Samâs work. Rich and vibrant materials and colours are used to create stunning images, the proportions of which are manipulated to focus the audience upon specific aspects that Sam wishes to highlight. The incorporation of embroidery juxtaposes an ascetically pleasing image with an element of unravelling. The loose threads suggest vulnerability and transience. This aspect of fashion illustration is developed further through the fragile characters that lack control or direction. Furthermore, Sam reflects upon his fascination of insects that have been in corporate into designs. This reflects the 19th century fascination regarding entomology and art nouveau inspired imagery. There is an element of irony as insects â like ourselves - live in complex communities, to a greater or lesser extent they clean up after us. Sam has worked for House of Holland as an embroidery and embellishment intern for the incredibly successful autumn/winter 2013 collection. In addition, he created a visual representation look book for Martine Rose spring/summer 2013 collection. He has also created beauty portraits for the Colour and Culture exhibition for á la carte cosmetics, curated by Ryan Lanji. Over the past three years, the London School of Fashion has supported and helped to develop Samâs visual style. Sam aims to continue to develop a visual brand, which illustrates the inspirational nature of fashion whilst playfully deconstructing the reality.
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Xunfeng Shan
BA (Hons) Fashion Design Technology: Menswear
It is partially a collaborative project with textile knit. It is dedicated to developing innovative material by using knitting process and new practical application of placement rather than showcasing of knitting pieces in a menswear collection.
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JiaXin Gao
BA (Hons) Fashion Design Technology: Womenswear
work uploading . CONTACT : fashionwomenswearj@gmail.com
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Oksana Anilionyte
BA (Hons) Fashion Design Technology: Womenswear
Oksana Anilionyte I would like to thank Saga Furs for a wonderful sponsorship. Collection is based on idea of a soft control. The collection is an investigation into inter-relation of minimalism and modern women. I found my inspiration in Michelangelo Antonioni films LâAvventura (1960), La Notte (1961), Eclipse (1962) and Il deserto rosso (1964). His films concentrate on how the modern world influence people and their feelings. Personal feelings, doubts, moods are substance of the films. The works and processes of Robert Morris, Tony Cragg and Daniel Arsham sculptures and abstract painting of Dale Frank served as the initial inspiration for the silhouette, colour, texture and details of the collection. The aim was to mix different techniques and inspirations to reach new and unexpected levels. I embraced the complexities and simplicities by different techniques to reinvent a version of femininity. Robert Morris felt sculptures led to create new ways of using seams to express the fluidity of line. The collection is a lot about the lines that are so pure, so clear, that they convey simplicity in their perfection. The purity is combined with texture that comes from tufting embroidery and soft fur to create a new level of feelings that garments create when touched. A dialogue between time and timelessness runs through the progression of the minimalist aesthetic which is felt in fluidity of seam lines. The collection incorporates a range of luxury fabrics (cashmere, wool, silk, fur, leather) to examine the balance between textures, silhouette and a purity of line. Education and qualifications: 2009 to 2013 BA Fashion Design: Womenswear, London College of Fashion, University of the Arts London 2007 to 2012 BA Business Management and Administration, Vilnius University, Lithuania 2008 to 2009 Foundation Diploma in Art and Design, University for Creative Arts, Maidstone Industry experience: 2012 Aug â Sep Costume designer for Alice Evans film âRhydymainâ, London 2012 May â Aug Internship at Maison Martin Margiela, full-time, Paris ⢠Design development ⢠Pattern cutting ⢠Textile development ⢠Mood and colour boards 2011 Jan â Mar Internship at Lulu Liu, part-time, London 2011 Jan â Mar Costume for Alice Evans film âRusalkaâ, Royal College of Art, London 2010 Oct â Dec Internship at Giles Deacon, part-time, London 2010 Aug â Sep Internship at Alexander Mcqueen, part-time, London 2010 Jun â Oct Womenswear designer at Mingle & Co, part-time, London 2007 to 2008 Seamstress at GR Design, Vilnius, Lithuania Achievements: 2013 Jul London College of Fashion Press show 2013 Apr Shortlisted for Nina De York Illustration Competition 2013 Mar Shortlisted for Marialuisa.com Illustration Competition 2013 Mar Shortlisted for the BFC portfolio review, 2013 2013 Feb Graduate Collection sponsored by SAGA Furs, Denmark 2012 Dec CraftâFeel collection presented at Fashion Festival, Victoria and Albert Museum, London 2012 Nov Shortlisted for "Chloe" competition 2011 Dec Polychrominations Fashion Show, London College of Fashion, London 2011 Oct International Award at China Professional Fashion Design Contest, Shanghai, China 2011 Sep Top 20 tailor at BBC Young Tailor of The Year Competition, London 2010 Jun UAL Fashion Society Fashion Show, London 2007 Feb Golden Needle Fashion Contest, Lithuania Open for projects and collaborations oksana.anilionyte@gmail.com Press links: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004202 http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.artslondonnews.com/2013/05/16/lcf-student-talks-fashion/
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Arianna Luparia
BA (Hons) Fashion Design Technology: Womenswear
Education London College of Fashion BA (Hons) Fashion Design Technology Womenswear 2011-2014 London College of Fashion Diploma in Arts and Design 2010-2011 Liceo Internazionale Europeo Altiero Spinelli 2005-2010
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Natassa Stamouli
BA (Hons) Fashion Illustration
Natassa is mainly inspired by girls, forgotten teen idols and glitter markers. She has a keen interest in creative direction and styling and she likes making her fashion girl drawings act as parts of a bigger narrative. GIRL.IS.A.GUN is the title of a long-term project, that aims to visualize the girl culture of the millennial generation. GIRL.IS.A.GUN has a soul on its own and wants to be a publication that illustrates and discusses the girls of today as they are; their obsessions, their style influences, their sexuality as well as the idea of feminism in their lives. GIRL.IS.A.GUN MOOD BOARD: http://girlisagun.tumblr.com Illustrations and other stuff: http://girlsaregunsstuff.tumblr.com GIRLISAGUN.COM COMING SOON natassa.tag@gmail.com
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Min Ah Cho
FdA Fashion Styling and Photography
I'm Mina and Fashion Stylist based in London. I have an interest in conceptual theme, creative direction and so on. Feel free to contact, and always happy to collaborate together ! Email : machospace39@gmail.com / m.cho2@arts.ac.uk
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Jiyeon Kim
FdA Hair And Make-up For Fashion
JIYEON KIM make-up and hair artist based in London best.jy.kim@gmail.com
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Silja Liland
BA (Hons) Creative Direction For Fashion
Disco and Tuttifrutti balanced by Scandinavian freshness
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Olivia Macarte
FdA Fashion Styling and Photography
Freelance fashion photographer. Portfolio: http://oliviamacarte.4ormat.com Contact: livvi@macarte.plus.com
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Ansella Post
BA (Hons) Fashion Design and Realisation
I'm a final year Fashion Design student at LCF. The focus of my fashion designs are my prints. I like to tell the story behind my designs by my digital prints. Most of the prints are a combination of layers of my different sketches and art work.
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Agne Rozanskaite
BA (Hons) Fashion Illustration
I am currently in my final year at London College of Fashion, studying BA (Hons) Fashion Illustration. My work is a reflection of my inspirations, from nature to all things mystical. I create a different story with every illustration, as my mind wonders all over a blank canvas. I embrace the details in my illustrations but give my pencil freedom to wander wherever it wants. I also have some background in textiles & design which I like to experiment with in 3D form. From time to time, I like to weave my hands-on talents into my illustrations, from textiles to paper art. I strife to make beautiful things, yet my work is in constant transition. Contact: agne.ro@hotmail.co.uk
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