BA (Hons) Cordwainers Fashion Accessories: Product Design and Development

Final year accessories student.

BA (Hons) Make-up and Prosthetics for Performance

Why change a character when you can create a new one

BA (Hons) Cordwainers Fashion Accessories: Product Design and Development

RANI: A land of myths, legends, superstitions and tradition, India has always stood out for its unique culture. Its heritage, consisting of immense wealth and grandeur, palaces and forts, Maharajas and Maharanis are all part of a bygone era. The concept behind Rani is the re-invention and preservation of this age-old splendour of the Indian Royal courts. The accessories in this collection will be distinctive heirloom pieces that serve as medium of passing on the legacy of these forgotten customs and traditions down generations. It will provide an opportunity for today’s youth to connect with the extravagant, almost fairy-tale like transcendent world of olden day India.

BA (Hons) Fashion Contour

London based Contour Designer specialising in Lingerie, Nightwear and Bridal.

BA (Hons) Fashion Illustration

Photographer, illustrator, make-up artist http://dovile-shurpo.tumblr.com/ https://www.facebook.com/pages/Dovile-Shurpo/208606602566033

BA (Hons) Fashion Illustration

I work conceptually as well as visually and enjoy all aspects of researching. cargocollective.com/emmagriffin

BA (Hons) Fashion Design Technology: Womenswear

Menswear / Womenswear designer driven to achieve the optimum quality of work through strong organizational skills, attention to detail and dedication to the development of design. Experience| Acne Studios AB [Stockholm] Assistant Menswear Designer - Internship Main S/S 15 [March 2014 - Present] Acne Studios AB [Stockholm] Assistant to Fabric and Trim Developers - Internship Pre A/W 14, Main A/W 14 [October 2013 - March 2014] McQ (Alexander McQueen) [London] Assistant to Head/Assistant Designers – Internship Resort S/S 14; Main S/S 14; Pre A/W 14; Main A/W 14 [May 2013 - July 2013] Chalayan (Formerly Hussein Chalayan) [London] Assistant to Fabric Development/Chef D'atelier – Internship Mainline; S/S 2013; A/W 2013 - 2014 [March 2012 – October 2012] Kirsty Ward [London] Assistant to Kirsty Ward - Internship A/W 2012 - 2013 [January 2012 - March 2012] KOKON TO ZAI [KTZ] [London] Show Dresser [November 2011] Education| London College Of Fashion BA (Hons) Fashion Design Technology: Womenswear [September 2011 – Present] Carmel College – A Level – National Diploma [September 2008 – June 2011] Press| SEPTEMBER 2013// HUNGER TV http://www.hungertv.com/feature/young-blood-bryan-huynh/ AUGUST 2013// 1883 MAGAZINE http://www.1883magazine.com/photoshoots/debouched JULY 2013// PHOTOGRAPHER: IGOR BORISOV STYLIST: JULIE VIANEY http://www.lgalondon.com/uk/slides/stylists/julie-vianey/editorial/#9 http://us4.campaign-archive2.com/?u=e36ae82bbd0177f6f56b1283d&id=ce873f8866&e=929e5d15d3 JULY 2013 // LONDON COLLEGE OF FASHION ANNUAL http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 JULY 2013 // DIVERSITY NOW 2013 http://robphillipswork.com/Diversity-Now-2013 MAY 2013 // KALTBLUT MAGAZINE http://www.kaltblut-magazine.com/bare/ Credits| Fauna & Flora (Headwear) Photographer: Kasia Wozniak Creative Direction: Rob Phillips Nail Art: Lauren Michelle Pires Beauty: Pace Chen Models: Sophia at Select and Katharina at M+P

BA (Hons) Fashion Illustration

Hannah Smith is an Illustrator with a fascination with faces. She has a keen interest in trying to portray detail and depth in each illustration. Inspired by personality and capturing the emotion of the moment.

BA (Hons) Fashion Design Technology: Womenswear

My Concept is "How do people express themselves in suppression?" The three themes are Art Brut: art works from depression people and mentally ill, Prisoner's uniform and Criminal tattoo. It shows how people express themselves mentally and physically from the suppressed situations. -https://www.facebook.com/heather6224 -kyun6224@gmail.com -hpark70@arts.ac.uk KEY SKILLS Technical: hand drawing (including fashion illustration), sewing, 3D design (draping), 2D designs (pattern cutting) Computer Skills: Photoshop, Illustrator, InDesign, CAD, PowerPoint, Words Languages: Mother tongue Korean, fluent English, basic Spanish • Strong organizational and time management skills with a ‘can do’ attitude • Excellent team player and able to work under pressure • Acute sense of colour awareness • Great use of creative presentation and research development • Self-motivated, passionate, enthusiastic EXPERIENCE PETER JENSEN, Designer assistant, UK MAY 2012----JUNE 2012 • Pattern Cutting • Designing t-shirt images • Hand sewing, research • Assisting promotion process SEJUNG:Anthem, Designer assistant, Korea, Golf wear company July 2011----August 2011 • In charge of drawing flat patterns for look books by using CAD • Organizing market research and arrange presentation board • Fitting • Communication and interaction with press CARMEL design clothing, Designer assistant, UK April 2011----May 2011 • Drawing the final designs by CAD • Hand sewing, research, basic skirt designs • Adjusting fabrics and sequences • Assisting promotion process ART Academic, Full time art tutor, Korea June 2009----2010 • Getting inspirations from various exhibitions and encouraging students to develop their creative ideas • Teaching dessin, water-colour, conte, crayon, oil painting etc. to improve students technical drawing skills EDUCATION London College of Fashion. BA Fashion Design (Womens Wear). London UK September 2010----Present University of the Arts London. PAEP course. London UK August 2010----September 2010 Samsung Arts and Design Institute Fashion Design. (Womens Wear). Seoul, Korea March 2008----July 2010 Seoul Arts High school. (Fine Arts). Seoul, Korea Sep 2005----June 2007

BA (Hons) Fashion Illustration

Luke Paul Carney

BA (Hons) Fashion Design Technology: Womenswear

luxury tack.

BA (Hons) Cordwainers Footwear: Product Design and Development

No 10 Photography: James Rees, www.jamesrees.co.uk Creative Direction: Rob Phillips, www.robphillipswork.com Prints: Stella Corrall Plastics, http://www.stellacorrall.co.uk/ No 11 Photography: James Rees, www.jamesrees.co.uk Creative Direction: Rob Phillips, www.robphillipswork.com Prints: Stella Corrall Plastics, http://www.stellacorrall.co.uk/

BA (Hons) Fashion Textiles

Fashion Textile student with embroidery specialism Loving in drawing. Obsessed with colours and texture . Work reflects appreciation on delicate and detail embellishment Feminine and Elegance

BA (Hons) Bespoke Tailoring

Hand craft. Artisan. Authenticity.

BA (Hons) Technical Effects for Performance

I am a hardworking Technical Effects Student who is eager to broaden my experience in the performance industry Skill set: • Sculpting • Plaster, silicone and fiberglass Mold making • Armature building • Vacuum forming • Silicone seam work and painting • Plaster and Polyurethane Resin casting • Puppet making • Various fabrication techniques • Sculpting with use of a hot wire • Life casting • Hair Punching I enjoy the endless scope of creativity that is required in the technical effects industry. From a young age I have been inspired by creature creations and fantasy worlds that have had an lasting impact upon audiences.

BA (Hons) Fashion Design Technology: Womenswear

The inspiration behind this collection is connected to my Italian roots and my childhood memories. Exploring my Catholic heritage as well as religious beliefs and traditional celebrations, allowed me to create a modern and contemporary collection. The aim of my work is to celebrate the value of past memories, indispensable to establish the present and revive the future. The visual imagery I collected is mainly related to the Christian iconography as well as to the elderly people and their attitude to engage with religion in later life. The final outcome is the meeting point of juxtaposing elements: tradition and modernity, fluidity and severity, fragility and strength. The colors are mainly drawn from the Christian iconography and visual representation of the Virgin Mary: the choice of fun, bright and loud shades contributed to the creation of a bold wardrobe composed of voluminous silhouettes and an injected dose of modernity. The visual references I chose for my color palettes belong to a series of images called “infinita Gracias” taken from www.flickr.com, a sort of visual collection related to Christian symbols: electric blue, gold, orange, yellow and pastel pink were my main inspiration which enabled me to create an innovative and non-conventional winter palette. The bold and almost three-dimensional silhouettes are the result of my deep interest in structured, complex and detailed garments as well as my fascination of creative and innovative pattern cutting. My passion for collage also helped the creation and development of my garments and in the specific to the creation of the voluminous shoulder line, which is definitely the highlight of my work. The choice of cloths as well as the fabric manipulation helped my collection to reach a modern and contemporary finish line: bright orange and blue cashmere together with shiny stretch silks were emphasized by the addition of topstitching and quilting as well as mink fur details sponsored by Saga Furs. The aim of my final collection is to combine strong awareness in contemporary trends as well as fine technical skills. The revisited craft tradition of the quilting technique together with the exceptional choice of timeless fabrics such as wool cashmere, stretch silks and mink fur satin are the signature of my final work. My ideal customer is an independent and sophisticated woman, ready to present herself to the world in a non-conventional way. The voluminous shapes and intricate topstitching details clearly show a luxurious and exclusive taste. PROFILE Highly creative fashion designer with excellent hand drawing and visual skills. Dynamic and organised team player with well-developed written and verbal communications abilities, capable to quickly adapt within a high-pressured environment. Excellent customer service skills with a background in retail management. EDUCATION 2010 to date: London College of Fashion- London, UK BA in Fashion Design Technology Womenswear 2003-2005: Accademia Altieri- Rome, Italy IT Diploma in Fashion Design and Dressmaking WORK EXPERIENCE August - September 2013: David Koma - London January-August 2012: Richard Nicoll – London UK – Internship July-September 2011: Thomas Tait - London UK - Internship September 2011: Danielle Scutt - London Fashion Week UK ACHIEVEMENTS Lcf BA 2013 Press show candidate Saga Furs – Fur Sponsorship Candidate, Copenhagen, Denmark, 2013 Shortlisted for the BFC portfolio review, 2013 Shortlisted for Marialuisa.com Illustration Competition, 2013 Shortlisted for Nina De York Illustration Competition, 2013 Victoria & Albert Museum – Collection Flux presented at Fashion Festival, London UK, 2012 Shortlisted for "Chloe" competition, 2012 PRESS http://kit-magazine.com/post/issue-10/ http://issuu.com/magbrainstorm/docs/brainstorm11/69?e=0 http://www.gola.co.uk/borninbritain/lcf-college-shop/ http://www.pigeonsandpeacocks.com/2013/12/profile-valentina-la-porta/ http://www.robphillipswork.com/LCF-2013 http://schoolofreference.blogspot.co.uk/2013/08/valentina-la-porta.html http://www.thefashionconnector.com/designer_showcase/valentina_bio.html#.Ul5pNs24Fug http://carmenprocopiuc.blogspot.co.uk/2013/07/valentina-la-porta.html http://www.flickr.com/photos/73747906@N04/9490015406/ http://schoolhousefrocks.com/2013/09/25/valentina-la-porta/dc0f6cbb338268e8f00b09cdb156f5b2screen/#main http://schoolofreference.blogspot.co.uk/2013_08_01_archive.html http://www.ameliasmagazine.com/tag/valentina-la-porta/ http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013/ http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.trendstop.com/members/fashion-trend-stream http://www.youtube.com/watch?v=wj1fm39ha-o http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 https://www.facebook.com/brooomroom?ref=stream http://issuu.com/magbrainstorm/docs/brainstorm11

BA (Hons) Fashion Textiles

Conceptually driven Knitwear. I aim to create work that is culturally relevant whilst being technically innovative and intellectually vivid. -------HOW TO FEEL SAFE "There are an estimated 80,000 chemicals in use today in our environment, only 30% of which have been tested, either individually or in combination, for their effect on human health." - Arizona Centre for Advanced Medicine Final collection for A/W 2014. It was initially inspired by a personal reaction to chemicals, beginning in a toothpaste allergy and then expanding, mostly as a result of fear and paranoia. The paranoia lead to an exploration of what allergy becomes in its most extreme instance. There is such a huge clash in opinions and actions relating to where safety from chemicals lays. Many people who claim to be hypersensitive to chemicals, in a desperate attempt to escape what is hurting them, end up living sealed-off, hyper synthetic lives where everything is covered in plastic casings rather than returning to nature to seek out salvation from synthetic materials. As an example of this, there is experimentation within the collection of the combination of organic materials and yarns and ‘organic-look’ yarns, that give the aesthetic of being environmentally responsible, and that’s all. The collection aims to create an atmosphere of chemical awareness but at the same time be hypocritical. The garments in the collection are not exactly uni-sex but they are not necessarily gender specific; it is sex-less clothing. Taking the primary form of aprons and protective overalls in combination with 'infected' under-garments. They depict the sensitive, negative reactions that can potentially erupt in response to materials that are intended to protect you. Styled with ribbed safety gloves and white safety shoes. --------------------Technical Skills Textile surface and clothing design and development Dubied and Universal semi-industrial knitting machines, a variety of techniques (advanced) Knitting pattern mathematics Domestic Knitting Machine, punch-card and electronic, lacing carriage Painting Drawing Hand Knitting and Crochet (advanced) Photography, Digital and also film, film development and prints Adobe Photoshop, Illustrator and InDesign Microsoft Word, Excel and Powerpoint --------------------Education 2013-Present BA (Hons) Fashion Textiles, London College of Fashion 2011-2013 FdA Knitwear, London College of Fashion (Distinction) -on this course I learnt a huge amount of technical skills specified for knitwear with education on industrial, semi-industrial and domestic knitting machines as well as education on project and design development and garment construction involving the development of a cut-and-sew pattern to a knitting pattern and the use of linkers. This course lead me to continue my studies of knitwear design at London College of Fashion to BA level. 2009-2011 BTEC National Diploma- Visual Arts and Design, The BRIT School (Distinction) -this course was an exploration into a wide range of creative processes, including: photography, painting, drawing, illustration, sculpture, conceptual art, leading to a specialism in textiles – specifically knitwear design and knitted textile development -------FEMININE GROTESQUES This capsule collection was heavily influenced by an idea presented by Mary Russo in Female Grotesques: Carnival and Theory, focusing on a woman “making a spectacle out of herself”, which it seems is a specifically feminine danger; “the danger was of an exposure”. The collection drew inspiration from the ways in which a woman can create a spectacle out of herself, which seem to be primarily and most obviously relating to her body. Images such as, rippling thighs, fat stomachs, stretch marks, bulging veins, exposed underwear, really any sort of exposure. The collection explores a need for control in these sorts of circumstances through binding and strapping and then the more fetishistic “votaries of tight-lacing”, as researched though Valerie Steele’s Fetish: Fashion, Sex and Power. Fashion inspirations for the fetishistic element have some from bondage imagery as well as inspirations from designers such as Jean-Paul Gaultier who has repeatedly uses fetishistic binding and feminine exaggerations in his work, and also from some feminist artists such as Cathy de Monchaux for her use of strapping and overtly feminine imagery. Influences for the over stuffed and full areas of this collection came from the 1997 Comme des Garcons collection, Body Meets Dress. Influences for an emotional fullness and exaggeration have come from films exploring a feminine loss of boundaries and the creation of a female spectacle, such as; John Cassavetes –Woman Under the Influence and Gloria, as well as Erick Zonca’s Julia. The collection question perceptions of control, an intentional spectacle is empowering whereas a loss of control makes it vulgar and an embarrassing humiliation. I feel that this collection represents me well as a knitwear designer, and as someone who wants to challenge perceptions with their work. I want my designs to be representational of cultural ideas and theory especially based on human behavior and interaction. I am very interested in textural knitwear and like for the subject of my collections to have tactile elements for me to draw inspiration from for my knit techniques. I like to use quite a broad variation of techniques within knit collections and to try out ideas on different equipment to find what I think is most suitable.

BA (Hons) Fashion Design Technology: Womenswear

Work Experience: Celine - Fabric Intern (2013) Burberry - VIP Relations & Events Intern (2013) Elizabeth Saltzman - Fashion Assistant (2012- 2013) British Vogue - Fashion Intern (2012) Alexander McQueen - Womenswear Intern (2012) Antonio Berardi - Womenswear & Embroidery Intern (2012) Nicole Farhi - Production Intern (2011) LFW - Mulberry, PPQ, Mary Katrantzou, Ashish Education: London College of Fashion // 2011-2014 BA (Hons) Fashion Design Technology Womenswear London College of Fashion // 2010-2011 Art and Design Foundation Diploma Skills: Womenswear Design Accurate and Creative Pattern Cutting Illustration Print Design Smocking and Pleating Digital Photography Hand and Industrial Sewing PR and Styling Photoshop and Illustrator Embroidery Credits: Looks 1-6 Look Book Photographs Photographer Murad RM Model: Chloe Watson at Storm Make up: Philippa Miles Contact: rachel-lou@hotmail.co.uk

BA (Hons) Cordwainers Footwear: Product Design and Development

Creative and highly committed student aiming to broaden my knowledge of the luxury footwear industry, both in design and development. Seeking for job opportunities. Contact: sandra_djordjevic@me.com

BA (Hons) Cordwainers Footwear: Product Design and Development

East London based designer-maker, specialising in footwear. Seeking graduate opportunities in creative design. For more information or enquiries please email at: Design.Hissleer@gmail.com