BA (Hons) Fashion Design Technology (Surface Textiles)

Shireeka Devlin is an Irish womenswear and textiles designer based in London. She is currently studying a BA (Hons) Degree in Surface Textiles for Fashion at London College of Fashion. She likes to create extremely wild and fun pieces that are wearable yet showstopping. She loves to use as much colour and print in her work as possible. Her silhouettes are inspired by menswear contrasted with really playful, feminine loud colours and insane prints inspired by everything in her daily life even if it’s something simple such as a poster of a monkey. Her latest collection ‘Trippin' Over My Dreams’, explores and translates the view ‘Things are not always what they seem’, in a light – hearted and playful way. The collection is based on optical illusion art. Influenced by a variety of optical illusion techniques and subtle 80’s fashion, the collection is fun yet sophisticated. Work experience Includes: Mary Katranzou: Design Assistant - February 2011 - March 2011 Masha Ma: Design Assistant - August 2010 - December 2010 Quantum Hoisery: Design Assistant - April 2007 Freelance Designer to Vidal Sassoon London: June 2011 - Present

BA (Hons) Fashion: Hair and Make-up (Top Up)

Fashion Makeup Artist 07541855662 chester_smallchai@hotmail.com Chester Yauwai was born and brought up in Malaysia. In 2006 he worn the Champion and passed the first level of lecture Make-up in Golden International Expert's Evaluation and his Art's work was called 'Angel' and published in Asia Magazine. Recently,he has been invited by the London Fashion Week for the guest and Medie Suit to explained the trend of Fashion research he has been done. Chester is currently living, studying and working in London as a Make-up artist and Beauty Expert. At the London College of Fashion, University of the Arts London, he's undertaking a BA in Fashion Hair & Make-up. Areas of Expertise : Fashion Portfolio, Fashion Research, Hair and Make-up, Face painting, Special Effect and Stage Make-up,Beauty Skin care, Studio shoot, Body Painting,Cultural Research

BA (Hons) Fashion: Design Technology (Footwear Design)

The work reflects conceptual meanings behind a series of neatly organised objects in various visual manifestos, where the main inspiration derives from the works of Ursus Werhli. Through mixing ordinary scattered elements into a minimal and controlled arrangement, there is a new perception of the original. It is a double take of imagery which becomes a personal documentation, similar creating a time capsule. Pieces are split apart or flatten out, only to construct an altered form. This is taking an existing object, transforming into a personal idea to the object. Decorative stitch details enhances the outlook of basic footwear silhouettes in the design. However, such details may have to be toned down to balance the shapes from the sole units. MDF takes form of the experimental stages of constructing the sole unit. The sections are made of series of laser cut shapes through the basic outline construction from Rhino. These panels that joins together creates the heel and other sole units. Acrylic is the final selection material wise as it is lightweight, fragile when it is in pieces but durable once they join up. Footwear Photo Credit - Photographer: Cliff Tan --- Right now, I am studying at London College of Fashion, specialising in Footwear Design plus seeking industry experience. Watch out for developments on my blog (either): - lisateng.com - lisa-teng.blogspot.com I'm always looking for new innovation on the go. I give a fresh spin to an existing concept. I'm willing to learn more along the way.

BA (Hons) Cordwainers Footwear: Product Design & Development

BRAND CONCEPT Mobility, Style & Comfort is the heart of Holiday footwear. The brand's ultimate goal is to establish a reputation for the perfect city holiday shoes - hence the name Holiday - for the women who are creative, independent and well travelled. DESIGN INSPIRATION "Homelessness is coming to be the destiny of the world... In fashion, in particular, we are all migrants, and there is no such place as home." - Martin Heidegger The designer wanted to describe the sense of rootlessness, which she more or less felt as a child growing up in two different cultures (Japan and England), and has influenced the brand and design concept to evolve heavily around the key theme of 'travellers'. Travellers of no permanent adobe, such as gypsies and nomads, inspired Hiroe with its simple and primitive methods of construction seen in their clothing and dwelling. She adapted the wet-molding technique into an original and unique construction which was achieved by unifying traditional shoemaking from various cultures, successfully characterizing the ambiguous sense of belonging to everywhere and nowhere, by deploying essences from 'everywhere' but the outcome to represent 'nowhere'. ABOUT THE DESIGNER Having a background in product design, Hiroe has keen eyes for details from stages of construction, and aims to produce honest designs at a high level of standard that is exciting and transcend trends. Hiroe has gained invaluable work experience at Celine, Chau Har Lee and Acne. She is currently seeking employment in the footwear/fashion industry. CONTACT hiroeharuki@hotmail.co.uk Thank you for your interest.

MA Fashion Design and Technology

a student, a designer, a Thai, a fashion admirer. Graduated with a Master Degree in Fashion Design and Technology (menswear), right after graduated with Bachelor Degree in Fashion Design and Textiles (womenswear) from Thailand. With 5 years of experiences working and interning with leading UK and Thai designers, and participated in Bangkok International Fashion Week and ELLE Bangkok Fashion Week as a designer and stylist assistant. I am a self-driven, determined character who is inspired by new challenges and works cooperatively well in team. Drapery, deconstruction, and embellishments are the aesthetics I admire in design philosophy. As well as delicates and femininity glimpse that always prominent even in my constructivism designs.

BA (Hons) Fashion Design Technology: Menswear

I pursue the off-the-rack clothes than splashy avant-garde garments and put stress on the practicality of clothes. My design philosophy is to make modern, chic and futuristic garments. My concept is starting from the theory of a parallel universe. I was always longing to see another version of me in another world. In 2013, an earth in another universe, the western era still exists. Over a long historical period from the “Wild West” era to the present day, the division between the native Indians and Americans has disappeared. Just like individual cultures may harmonize and mix in history, their attire appeared to have mixed without distinction in this different universe. For instance, a person who has cowboy clothes on him might be wearing Indian pants and a person with Indian clothes on him might be wearing cowboy chaps. In this universe, many people are afraid of going out because of gang named ‘PROPER’. I am a sheriff with the purpose of catching a notorious gang of 6. I search out to block them with photographs of the wanted. In order to show these 6 gangsters, that is 6 lineups, I expressed it by including the Indian details on the basis of the silhouette of 1870’s in Western movies. I think that the clothes must give the feeling of the old west and at the same time, masculinity must be magnified in them minimally and futuristically. Contacts passionatejoe@gmail.com Facebook: http://www.facebook.com/properaspect

MA Costume Design For Performance

I began my career in fashion, passionate by the way clothing is a cultural personal reflection, and a key tool for communication. This MA aloud me to explore deeper into the sociological/psychological side of color and garments, and how its slight changes can be properly used to develop a storyline. As my Final Major Project I worked in the opera "Madama Butterfly" by Giacomo Puccini, as a contemporary dance piece. Making the "set" able to operate as part of the costume to represent how she is born, raised and trapped in a moral system and how that influences identity and freedom. For my film project, based on "The Cherry Orchard" by Anton Chekhov, I chose Magic Realism as my context, particularly Jan Saudek's visual language, which I found a perfect match for the decadent, familiar story with reminiscences of ingenuity and hope. My character, Gayev, was a grown Peter Pan, led to Neverwhere by his fruit drops and billiard games. For my on-stage project, based on the opera "The Cunning Little Vixen" by Leos Janacek, I researched on the Steam punk movement and aesthetics, to represent the duality of humanized animals, the brownish colors of the farm, and the fact that the hens are a flesh machine to be used until it breaks.

BA (Hons) Fashion Design and Development

Brand Image & Design Inspiration The brand’s ultimate target is to combine aesthetic and technology. The current conceptive fashion and interactive technique embedded garment, those most likely have prestigious technology involved, are still in the stage of bulkinesss, modernity and geometric silhouette. Technology has often been linked to Supermodern clothing, which is defined by ‘contemporary urban metropolis, responding physical and psychology demands of traditional spaces where modern life take place.’ (Bolton, 2002 p.7) In other words, most technological fashion products are structural and architectural inspired. However, there has yet to be a brand that merged technology with classic, flowing silhouette and femininity. The Unique Selling Point of the brand is to combine top edge technology and high-end classic ethereal style to create a new blend of conceptual contemporary fashion. This project is aiming to create a brand, which produces high-tech clothing that provides proper attention to both aesthetic and interactivity, by producing technological garments, which still contain beauty and wearability, CHlin is willing to bring conceptual creations to people’s life, rather than just pieces for exhibition. ------------------------------------------------------------------------------------------------ Personal Profile A passionate and skillful student with eyes of creativity and technical practicality. Having the background of majored in scientific territory during high school, and now trained creativity and aesthetic in London College of Fashion. Equipped with a wide range of IT skills from Adobe suites, including Photoshop, Illustrator, and InDesign, to Gerber Accumark and Optitex. At the same time proficient in technical skills as pattern cutting, machine sewing, digital print, and finishing for luxurious garments. Had interned at high profile brands, Preen and Temperley London as Studio Assistant. Interested in jobs that communicate design team and management department, bridging and balancing creativity and practicality. clin.jlin@googlemail.com

FdA Hair And Make Up For Film And TV

Originating from a strong Fine Art background, i have an obsessive eye for attention to detail. I took my love of art into the world of Make-up, currently pursuing a career as a Make-up artist in the Film and TV industry, with the hope of specialising in Special Effects make-up, Wig- making and Body painting. I am skilled in Wig-making, Hairdressing, Period, casualty/special fx make-up, including Body painting and Prosthetics. Contact- i.tollitt1@fashion.arts.ac.uk izzy2580@hotmail.co.uk

BA (Hons) Fashion Design Technology: Surface Textiles

The concept for my collection 'A Multitude of Hybrids' derived from my culture; looking into the meanings behind Composite Hindu Gods and through further research into the myths and stories of Medieval Bestiaries. I was intrigued by the stories about all of these beautiful and mythical creatures and so began to focus my attention on the exciting textures used. Through expressive mark making i created print ideas that were reminiscent of the textures of these creatures. All prints were hand screen printed using a variety of techniques including discharge, colour discharge, pigment and foil. Discharge print technique holds great significance through collection to echo concept of reincarnation. The concept of hybrids was emphasised through the use of specialist Tanaka machinery to create embroidery on the front and back of each garment to merge fabrics together. Silhouettes were inspired by contemporary sportswear providing a youthful and urban feeling to contrast with the traditional craft processes used. Fabric and colour choices derived from initial sourcing in India to echo wealth of culture and contemporary sportswear to modernise traditional and almost expected combinations. Photography : Penny Tu (http://pennytu.tumblr.com/) Make up and Hair: Ellis Liu Styling assistant: Eunji Amy Shin (http://between-calm-and-passion.blogspot.co.uk) Model: Anna Palamarchuk Website: www.wix.com/archanaravivarma/archanaravivarma Contact: archanaravivarma89@gmail.com

FdA Fashion Design Technology (Designer Pattern Cutter)

I am a creative individual driven by the desire to excel. My work reflects my ability to solve problems and address issues creatively. I am inspired by grand scales and details. As a dentist, I find that I have a unique approach to many materials and techniques. I want to always keep going forward discovering new ways in which I can incorporate these into my work. Innovation in pattern cutting is what I aspire to. Using new materials to push my limits excites me. Both these things have come to fruition while studying on the FdA Designer Pattern Cutter course. I have worked successfully in a team as well as individually. I feel confident in my ability to contribute in a working environment.

FdA Fashion Design Technology (Designer Pattern Cutter)

I fancy experimenting with different fabrics and interesting trimmings, and colors. I am still working to refine my style through each project I am undertaking. I do enjoy the extravagant, playful and fun look.

FdA Cordwainers Fashion Accessory Design

Flora Leung is a graphic and accessory designer. She comes from Hong Kong and had a graphic design degree before coming to London. Before she obtained her first degree, she had directed a vintage luxury accessories store since 2004, and at the same time she also worked as a freelance designer and art director in advertising agency in Hong Kong. She believes in design not so much as an unit, but a sum of parts. When designing a handbag, we shouldn’t just design a bag, we design the ways of carrying, holding and opening. We design the relation between an object and life. She aims to create bold graphical, stylish, high quality accessories. Her signature design aesthetic is taking classical shape of traditional fashion accessory, yet adding quiet feeling of innovation under an elegant exterior on it. "Luxury lies not in richness and ornateness but in the absence of vulgarity. " - Coco Chanel GENERAL INSPIRATION: Postmodernism, art deco, Memphis, mod couture ,contemporary Bauhaus-inspired design, Cubist fashion. And some artists and graphic designer masters influence: David Hockney, Edward hopper, Max Huber Accessories achievements : - One of the finalists of design-a-bag competition in student group - One of the finalists of the fifth annual independent handbag designer awards in student group https://twitter.com/#!/MINGYAN167

BA (Hons) Fashion Design and Development

I am the Editor-in-Chief of Suitcase Magazine. I produce features and editorial content, and oversea all contributions from our team. SUITCASE entered the world on 17th May 2012 with a bang and an instant sell-out at Selfridges. Currently the market is flooded with fashion magazines with travel supplements or features, and travel magazines, but we pride ourselves on giving attention and energy to both simultaneously. SUITCASE is the brainchild of students, Charlotte Summers and Serena Guen, referred to by VOGUE as a “force of nature”, and both aged 22, they are the youngest owners of an international magazine. Labeled as the “magazine of the future” by industry experts. SUITCASE does not sell you a pre-packaged lifestyle, instead for £5.00 we show you what each destination has to offer allowing the reader to create a unique experience. Essentially we do the (un)packing, leaving you with the little gems to spark your interest and allow you to delve further because, let’s face it, no one likes (un) packing. SUITCASE highlights international creative talent and development, interesting cuisine and the latest hotspots to visit. This is achieved by a quarterly magazine in print, supported by a constantly updated website featuring the latest events and openings, and a specifically designed application for the iPad. Most importantly Suitcase always delivering the highest quality at the lowest cost. charlotte@suitcasemag.com http://www.suitcasemag.com/ http://suitcasemag.tumblr.com/ http://www.facebook.com/Suitcasemagazine https://twitter.com/#!/Suitcasemag

BA (Hons) Fashion Design Technology (Womenswear)

London based Womenswear designer, strong focus on craft enhanced by creative pattern-cutting. EDUCATION: London College of Fashion: BA (Hons) Fashion Design Technology: Womenswear University for the Creative Arts, Farnham,Surrey. Foundation Dipolma: Fashion and Textiles St John the Baptist Sixth Form: 9 A/AS Levels A-C WORK EXPERIENCE: Topshop: Design Role/ Assisting Tailoring Designers Jonathan Saunders: Pattern Cutting / Production Intern Tatty Devine: Studio assistant Davina Hawthorne: Studio assistant Originating from a desire to achieve both pattern and texture from my designs, I adopted the unique craft of patchwork. I looked at the Amish Lancaster quilts for colour inspiration and fused this colour saturated pallette with fresh pastels and fluros from the British 80's 'street' look. With contextual research exploring 70's fashions and fads (an era that has earned itself the title of 'Fashion's Wasteland' and the 'Decade style forgot), I found much enjoyment in analysing the fashion 'faux-pas' and novelty of Glam Rock dress, and the contrast with the mass-produced world of catalogue clothing. The technique of patchwork for me contains heritage, creativity and individuality ,patching each section of fabric together separately. My collection was made predominately of silks - taffetas, crepe de chines, sand-washed and satins. The use of the different types of silk cut on different angles, complemented by pattern and colour, is what I have found most enjoyable in making my collection. I have recently designed a range of digitally printed silk scarves to accompany my collection ,along with a selection of perspex patchwork visors for the LCF Press show ,which I have found exciting to design. The end result has been bold, impactful and vibrant! The intention of the collection has been achieved in the production of a range which is wearable in the most practical sense- yet stand-out in its colours and craft. PRESS: http://www.flickr.com/photos/kindesign/7466081660/in/photostream/ http://www.vogue.co.uk/news/2012/06/29/london-college-of-fashion-ba-show http://www.standard.co.uk/lifestyle/fashion/all-the-trimmings-london-fashion-graduates-prove-they-have-a-bright-future-7898848.html?origin=internalSearch http://instagram.com/p/MbWJQWuixJ/ http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-show-2012/ http://www.facebook.com/tanyalaceyofficial http://www.catwalking.com/GRADUATES/GRAD_12/BA_Shows/shows/LCF/shows/17-Rose%20Irwin/index.html http://www.luxsure.fr/2012/07/01/london-college-of-fashion-graduate-show-2012/ http://www.fashiondash.net/?p=3226 http://notjustalabel.tumblr.com/ http://www.instyle.co.uk/news/hot-new-talent-at-the-lcf-grad-show-02-07-12 http://nowfashion.com/28-06-2012-london-college-of-fashion-2012-part-1-live-event-event-2256.html http://www.theupcoming.co.uk/2012/07/02/london-college-of-fashion-ba-and-fda-show/ http://xxodigital.com/lcf-ba-2012/ http://www.gomoneyways.com/?p=65953 http://www.catwalkqueen.tv/2012/07/london_college_6.html http://fashioninsightfeatures.blogspot.co.uk/2012/07/london-college-of-fashion-ba-season.html http://fashionbite.co.uk/2012/07/04/london-college-of-fashion-runway-show-class-of-2012/ http://news444.com/a/1416349/lcf_graduate_talent_strikes_again http://pinterest.com/cutlerandgross/london-college-of-fashion-project-0734/ http://www.jotta.com/jotta/published/home/article/v2-published/2333/the-london-fashion-portfolio-london-college-of-fashion-s-ba-winners http://estylermagazine.com/interviews/30 http://www.tatler.com/bystander/events/2012/june/london-college-of-fashion-graduate-show#/7516/image/1

MA Fashion Artefact

sexual humorous This collection explores narratives of sexual human body and addresses the question of palpable sensations that manifest from the sexual instinct of a human being and the range of sexiness from subtle to extreme. contact 07834552140 blueguylove@naver website http://taesokkang.viewbook.com/album/untitled#19

MA Fashion Photography

Website: www.rebeccalitchfield.com Email: rebecca@rebeccalitchfield.com Publications Chaos Front Row Monthly Scene Lumine Style Time Out Sublime Stylist Gothic Beauty Croydon Guardian Newyorktimes.com Vogue.co.uk Professional Photographer Time Out Belio Actitudes Wasabi Fashion Cult Vogue Italia New York Times German Gothic Practical Photography Dazed & Aroused Book Black Hair Digital SLR User Digital Photographer Practical Photographer What Digital Camera Nano Reveal Daydreams Creative Review Nano Magazine Skin Two Disco Cube Awards Runner up Beefeater 24 London Xposed Winner of Editorial Category Professional Photographer of the Year 2010 Professional Photographer Magazines 'Professional Photographer of the Year 2009' Exhibitions MA Fashion Photography Exhibition, Mall Gallery, Jan 2010 D&AD Design Exhibition, London, July 06 BA Graphic Design Exhibition, Truman Brewery, June 06 Brief Encounters Exhibition, The Delphina Gallery, London Bridge, Nov 05

BA (Hons) Fashion Design and Development

Young london designer spreading positive social statements through her creative body of work. Her graduate range is called 'Fashion Vs Abuse' & has been inspired by the alarming rates of abuse within society today. The clothing has been designed with protective elements including buckles, animalistic feathers, custom crystallised rebellious spikes and the colour palette stripped down to a tonal nude spectrum. The headgear implies that women have no say when being abused & the harness restricts your body movement. The 'armoured crab' jacket is designed to enhance your confidence & the 'fleshed body' plays on female vulnerability. Alongside the clothing she developed a fashion technology product which is a combined rape/SOS alarm fashion accessory that works by sending a Bluetooth signal to your smartphone to send out a danger alert to a family member using its GPS technology to locate you. It also gives abuse victims confidence to walk the streets again as well as women walking home at night. Currently working on Collection Riot PRESS Celebrity Commissions Amelia Lily for The X Factor finals & UK Tour Little Mix for The X Factor finals Alexandra Burke for her album launch JLS 4th Dimension Tour Published Editorials: VOLT Magazine SCHON! Magazine Papercut Magazine Fault Magazine Disorder Magazine The Ballad Of Magazine IDOL Magazine VISION China Interviews & Features: Grazia Daily: http://www.graziadaily.co.uk/fashion/archive/2011/07/05/meet-the-grazia-fash-factor-gimp-girl-designer.htm IDOL Magazine http://idolmag.co.uk/fashion-interview/nikita-karizma Bunnipunch Blog: http://bunnipunch.blogspot.com/2011/09/nikita-karizma-with-message-in-fashion.html The Playground: http://www.theplayground.co.uk/fashion/artist.php?aID=775&c_page=0 Stamp mag feature http://www.stampmag.co.uk/nikita-karizma/ iFashion Magazine http://www.ifashionmagazine.com/interview-nikita-karizma www.nikitakarizma.com nikita@nikitakarizma.com

BA (Hons) Fashion Design Technology (Surface Textiles)

Copyright © Stephanie Ghoussain 2012 I am a surface textiles designer specialising in digital printed textiles, computer aided design and embroidery techniques. I use textiles, specifically print as a storytelling tool; colour, shape and texture punctuate my collections in playful combinations. Drawing is key in my design process, along with 3d experimentation, collage and redrawing from photographic manipulations. My aesthetic is free and fluid with sobering elements of geometry from traditional Middle Eastern textiles. My recent work is inspired by Edward Said's concept of "Orientalism" - the portrayal of stereotypical Middle Eastern identities in the western media and the representation of ethnic identities through an orientalism "lens". The prints for this collection portray a landscape of ethnic bodies: as lines they are dislocated. Facial and bodily shapes like Dali's figures, merge into each other and melt into the earth to create a distorted and exaggerated, foreign landscape - this has become the "middle east", perceived historically and contemporaneously in art and literature. The aestheticisation of the concept has come from my process of research and exploration of the theme of distorted ethnic identities. The faces of ethnically diverse women in London have been photographed through concave ad convex lenses to create exaggerated proportions and distortions of their physical identities. These photos have been further distorted using web cams and digital software. I have drawn from these images in a style that is free and fluid, black and white to begin with and then re-coloured, again offering another distorted perspective of reality. The silhouettes for my collection consider what a world post-orientalism would be like. Oversized in proportion and layered with printed fabric the wearer is covered in story upon story, reinterpreted, and re-portrayed from various angles of the orientalism lens, the body’s own curves and proportions are obscured, individual history is replaced by a story of colonial history and images of ideological colonisation. Post apocalyptic feelings of isolation and anxiety or fear of the ethnic other come into play with the mood. As people perceive the ethnic other through an orientalism lens that convolutes identity with stereotyped visions seen in orientalist art and mass media, they only succeed to isolate themselves through de-familiarity with the rest of the world and its diverse beauty. Education: Fashion Design and Technology BA Surface Textiles, awarded First Class Degree with Honours Awards and achievements: Finalist for the Nina De York Illustration award 2012 LCF Press Show 2012 Internships: - Alexander McQueen - Christopher Kane Press: Fashion Bite: http://fashionbite.co.uk/2012/07/04/london-college-of-fashion-runway-show-class-of-2012/ Vogue: http://www.vogue.co.uk/news/2012/06/29/london-college-of-fashion-ba-show Tatler: http://www.tatler.com/bystander/events/2012/june/london-college-of-fashion-graduate-show?id=7516&image=1#/7516/image/41 Catwalking.com: http://www.catwalking.com/GRADUATES/GRAD_12/BA_Shows/shows/LCF/shows/11-Stephanie%20Ghoussain/index.html Evening Standard: http://www.standard.co.uk/lifestyle/fashion/all-the-trimmings-london-fashion-graduates-prove-they-have-a-bright-future-7898848.html?action=gallery&ino=14 Fashion 156: http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-show-2012/ Beautiful Shopping: http://www.gomoneyways.com/?attachment_id=65976 Idol Magazine: http://idolmag.co.uk/blog/london-college-fashion-ba-talent-breaks-mold Now Fashion: http://nowfashion.com/28-06-2012-london-college-of-fashion-2012-part-2-live-event-event-2257.html Change Fashion: http://changefashion.net/fashionshow/2012/07/09151555.html Email: s.ghoussain1@fashion.arts.ac.uk

BA (Hons) Fashion Design Technology: Womenswear

Post-Eschatologist is a collection visualizing a hypothetical ending. It is a reaction to the paranoia surrounding the Mayan 2012 doomsday phenomenon and more importantly a response to recent conflicts with Government and turmoil caused by social upheaval and rioting. If the world were truly to end, what cultures and values would we lose, and more interestingly, what would re-emerge? The key concepts are primitive protection, ethnic utilitarianism, and poetic fragility. This collection looks into how people have dealt with hardship in the past in post-war eras, evidence of military presence translates into the tough and rugged steel buckles and belt loops found in harnessed garments. The clash of the hardware with surrounding delicate silks and unraveling edges evoke a feeling of the utilitarian uniform deteriorating into elegance scarred from a harsh, bygone era. Gauze cut on the selvedge gives a nod to the days of rationing and armor-like, geometrical jade beading on knitted net merge ancient Mayan ritual with ammunition shells. The juxtaposition of emergency mylar-fused fabric, protective neoprene backed wool, and distressed gauze is a prediction of what might be to come. Spliced furs from varying textures, colours, and lengths create forms reminiscent of wild animals but with new, unfamiliar, and almost impossible characteristics suggesting new a species. Taking hints from the past, Post-Eschatologist brings melancholic emotions and ceremonial cultures into modern day with sensitivity towards materials, texture, and proportion.