MA Fashion Footwear

Woven high heels a gaze at traditions to resignify the ritual and beauty of craftsmanship. Craftsmanship embodies the hand and mind of the people who create it. It is a testimony to the beauty and inheritance of the traditions, being one of the duties that still remain with its distinguishing trait of being passed down through familial generations. Nowadays, the caliber of quality and details in traditional handcrafting is rarely seen. Within industrialization and mass production, craftsmanship has been less appreciated and its quality and details have deteriorated. This approach rejects the uniformity and repetitivness of mass production, where the imperfection of the craft process is usually thought of as a failure. Accordingly, weaving is the main theme of this collection, where craftsmanship has been rethought. Creating a contemporary image that invites us to visit the past in order to glimpse the future has been achieved by modernizing traditional techniques and accessing the latest technologies. The design process started by developing experimental pieces, conniving traditional footwear, weaved patterns and 3d printing. The aesthetic enhances the weightlessness of female body, creating the illusion of hanging from a net, tying the feet down and bearing the netting into a three dimensionality. It pursues long and thin shapes while the body’s expression plays to be restricted, appearing fragile and instable from a podium that empowers it. Since the costs are extremely high, the collection could not be completely made. I have decided to conclude my master’s project with a digital representation and keep working on them as a personal process with the collaboration of Eichenberger. Contact marlamarchant@gmail.com

MA Fashion Photography

contact@benjaminmallek.com

BA (Hons) Fashion Design Technology (Surface Textiles)

Fashion and the creative process is achieved by; striving to push the boundaries of work through developing new skills, whilst analysing elements of life today through evaluating social, cultural, political and historical factors. This is achieved by a visionary approach to the synergy between a comprehensive business awareness gained through relevant industry experience and an innate creative skill set to produce innovative textile solutions for fashion. Email: katie@katiebowkett.com Blog: www.katiebowkett.com

MA Fashion Design Technology (Menswear)

Stains&Scars The collection started from a kind of feeling that ‘stains’ can never be removed but stay as a part of you –this included two aspects: Stains and scars - to be tangible scars they are bloodstains, bruises, burns and surgery scars and also memories as scars – pain coming from indelible memories and how these shape our experiences and contribute to who we are as individuals. The project is focus on stains as a form of memories and personal identity to give stains meaningful metaphor and transferring them into illusions on garments. It also aimed to extend researches on various stains to find ugly beauty and using hand sculpture latex textiles to imitate scars. The collection intended to be made of natural fabric with print and plain textile together, such as wool, cotton and silk. About 60 percents of garments in the collection were planed to be digital printed. These include stains and scars images in meaningful illusions. Except digital printing and laser cutting which had been used in previous designs, Meanwhile, one piece of leather jacket with engraved roses was also in the collection. And the final collection has another new textile to display scars, which is a kinds of latex sheet with roses embossments. JOANZHANGYAO@GMAIL.COM Lookbook Photographer: Vincent Cui http://www.vincentcui.com/Vincent_Cui/Home.html Make up artist: Ann Lee http://www.annleemakeup.com/ Cover editorial by nadia tan & nayoung lim Catwalk photos by Chrise Moore/ CATWALKING.COM

BA (Hons) Fashion Design Technology (Menswear)

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MA Fashion and Film

– Greek-born Ellie Tsatsou is a freelance photographer and filmmaker, currently based in New York. After completing a BA in Communications in her homeland, Athens, she went on to study an MA in Fashion and Film at the University of the Arts, London, from which she graduated with a distinction. Her research interests focus on the aesthetics of avant-garde art of the 20th century while her personal projects explore and cherish togetherness, wilderness, kindness and intimacy. She has collaborated with and worked for Ryan McGinley, Nick Knight, Marie Schuller, Christopher Thomas Allen, Alice Hawkins, Julie Verhoeven for Chloé and Melissa, and Topman among others, while her projects and contributions have been featured in SHOWstudio.com, LOVE and Dash magazine. She currently focuses on a range of different personal and commissioned projects in between NYC, London and Athens, aiming to identify and portray freedom, honesty and affection. – Portfolio | Blog: www.ellietsatsou.com

MA Fashion Design Technology (Womenswear)

Designer Eva Cheng graduated from School of Design at The Hong Kong Polytechnic University in 2005. She has won 2011 Hong Kong Young Designers’ Contest Overall Winner Prize. Her collection, themed ‘Fragments of the Sky’ is inspired from cityscape and its shadow in Hong Kong. Moreover, she was among 2011 ’40 under 40’ creative talent recognition programme organized by Hong Kong design magazine ‘Prespectives’. Her MA Fashion design and technology graduation collection entitled ‘Open Wardrobe’. ‘Open wardrobe’ Concept The collection “Open Wardrobe” aims to encourage people to reveal their wardrobes and to treasure their existing clothes. In the twenty-first century, consumers can shop anytime online. Influenced by the overloading information of consuming goods throughout different media, fashion trends are sadly ephemeral. The twice a year seasons catwalk has become fourth a year by adding twice ‘resort‘ transition seasons in between. In which means, consumers reach fashion brands advertisements nearly everyday such as Facebook and Twitter or other social networking devices. They might easily become compulsive shoppers under the power of advertising. Consequently, it turns to be overconsumption of clothes. In the research study, some consumers might have already forgotten some of their clothings left in the wardrobe. The question of ‘the most memorial clothes’ was to investigate how the clothes evoke their memories. ‘The secret world of haute couture’ is a documentary programme in the UK in 2007, Betsy Bloomingdale intended to develop a way of memorable clothes. ‘Memory is the treasure house of the mind wherein the monuments thereof are kept and preserved’ (Fuller n.d.). Eva believes the linkage between memory and fashion in a way of expressing the importance of sustainability become essential in this research study. Therefore, this collection examines ways of extending the life cycle of clothes though attaching emotional values and how the colours and shinny fabrics work with storage system that could arouse people awareness of the neglected clothings/desire. As a designer, it is desirable to propose an attitude of appreciation to our consuming goods and in a sense of making customers understanding their participation in the consuming cycle with the natural resources, which might otherwise go unnoticed. I wish to show my gratitude as below: Credits: Photographer: Kevin Wong Shoes: Something thine wedding shoes Blog: http://aevacheng.blogspot.co.uk/

FdA Fashion Design Technology (Surface Textiles)

Living in a serene corner.

FdA Fashion Design Technology (Designer Pattern Cutter)

University of the Arts: London College of Fashion 2010 - 2012 FdA Fashion Design Technology: Designer pattern Cutter 2009 - 2010 Foundation Diploma in Art and Design

FdA Hair And Make-up For Film And TV

I am currently studying on a foundation degree in Hair and Makeup for Film and TV. I am passionate, hard working and ambitious and have learnt a number of new skills on the course. These include wig making, postiche, basic hair styling, specific material and product knowledge and application/ creation of prosthetics in foam latex and silicone. I thrive meeting and working with new people and am friendly and keen to expand on my new skills. I have been able to develop personally and professionally whilst studying. Advancing within this discipline is now key and I am seeking work opportunities in either the hair or makeup department.

BA (Hons) Fashion Design Technology (Menswear)

Menswear designer that focuses on texture, colour and innovative fabrics to create garments that integrate aesthetics and functionality.

BA (Hons) Bespoke Tailoring

Georgia is currently furthering studies to gain specialist skills as an undergraduate of BA (Hons) Bespoke Tailoring. Georgia previously studied Fashion Design and Technology in Australia and working as a freelance designer and Illustrator. Georgia imbues a sensual offering to craftsmanship that finds its place within tailoring and luxury products. Photographer: Chloe Orefice Models: Jacob@Premier; Francesca Hair and Makeup: Pace Chen Sponsors, with many thanks: Bernstein and Banleys Ltd Unit 7, Britannia Business Park, Comet Way, Southend-on-Sea, Essex SS2 6GE Davisha Textile Merchants 32 Wangarrata St Richmond, Victoria 3121, Australia

MA Fashion Photography

Fashion and portrait photographer. www.yuvalitheis.com http://www.facebook.com/yuvalitheisphotography info@yuvalitheis.com

FdA Hair And Make-up For Film And TV

I am a student makeup artist currently studying at London College of Fashion. I have a knowledge of many differents areas of makeup and hair, including special effects, prosthetics and wig making.

MA Digital Fashion

For full details please visit our website at www.coeur.uk.com Items are available for purchase via the coeur online store. For sales and press inquiries please contact Peter at info@coeur.uk.com The new fresh and exciting menswear lifestyle brand will be launching spring 2012. The result of lead designer, Peter Jeun Ho Tsang, has combined luxurious silk jacquard fabrics, bold and beautiful colour, soft tailoring, and quirky design details to generate a playfully preppy collection. coeur is giving the modern day dandy a nod in the right direction - He is cool. He is confident. He is courageous. The debut collection infuses exclusive silk woven at one of England's finest fabric mills and features slim fit trousers, fitted blazers to quirky traditional bow ties. Every gentlemen should know how to tie a bow tie! Fed by inspiration from classic novels such as Brideshead Revisited, Great Gatsby, and Handful of Dust, the fantasy worlds from the 1920s where cricket whites, tailored hunting jackets, and summer linen suits are updated for current lifestyles. Working with the finest silk fabric mills in England, cœur’s exclusive designs are brought to life; providing a unique touch to each and every individual garment and demonstrating the power of beauty within silk. Blending bold patterns and colour with the traditional craft of silk weaving, the end results are not only strengthening the product ranges on offer, but also reinforcing the brand values, and thus becoming a strand of brand DNA to be built upon over time. Look out for more exciting things to come from coeur! We are also looking for sales and PR associates to represent the brand. coeur is a recipient of the Seed Fund from SEE at University of the Arts London. Twitter: www.twitter.com/coeur_uk_com LinkedIn Profile: http://www.linkedin.com/in/peterjeunhotsang Facebook Fan Page: http://www.facebook.com/coeurmenswear

MA Fashion Design Technology (Womenswear)

The main discussion in this project is “ The inability of humans to stay still.” I wanted to express a concept about returning to one’s original nature, looking at nomads, their life and the nature power of making clothes from a new angle, with an idea about time and memory. The nomadic life style, especially in Central Asia, is one focus in my research. Nomads’ everyday dress, accessories and daily essentials, the places they live and their hand-weaving technique also work as design references in this project. “Time & Memory” went through the collection construction. This idea is shown mainly through the manufacturing methodology in the project. Edges of the fabrics were loosed naturally during the manufacturing process. The seaming methodology is complex. I needed to use hand stitching in the whole collection in order to present the natural power of making clothes. Traces of machines are not seen in the project. Fringes were created in some parts of the seams on the garments. Yarn-dyed woven fabrics are important materials in the project and an organic colour scheme is used to emphasize the concept Contact: Suolivia1@gmail.com http://renlisu.tumblr.com/ Image Credit/ Photographer/ Raymond Tan

BA (Hons) Fashion Jewellery

DIFFUSION Jewellery Pieces Arrived! Email pikkalili@live.co.uk GALLERIES MOCO LOCO Galleries http://mocoloco.com/fresh2/2012/10/15/gallery-beautiful-objects-exhibition-at-the-aram-gallery.php THE ARAM GALLERY http://www.thearamgallery.org/next/ XHIBIT 2011 http://www.boidus.co.uk/?p=2755 DESIGN CATWALK http://www.designcatwalk.com/lili-colley-enlighted-jewellery/ SEE/SAW/SEEN http://www.seesawseen.co.uk/ DeTnK http://www.detnk.com/node/12050 DESIGN WEEK http://www.designweek.co.uk/whats-on/demystifying-beautiful-objects/3035438.article http://mocoloco.com/galleries/gallery/beautiful-objects-exhibition-at-the-aram-gallery/ PRESS DRAPERSonline http://www.drapersonline.com/blogs/unzipped/lcfs-college-shop-not-a-pencil-sharpener-in-sight/5041799.article Londonist http://londonist.com/2012/10/today-london-college-of-fashion-shop-opens.php GLAMUK http://glam.co.uk/2012/09/its-back-to-college-time/ COMPANY Magazine http://www.company.co.uk/fashion/news/london-college-fashion-pop-up-shop LDN Fashion http://www.ldnfashion.com/london-fashion-news/london-college-of-fashions-pop-up-college-shop/ Timeout Magazine WGSN http://wgsn.tumblr.com/post/30987031794 Elle UK.com http://m.elleuk.com/fashion/shopping-blog/the-lcf-college-shop-returns Viora Magazine http://www.vioromagazine.it/photogallery/ Dew Magazine http://www.dewmagazine.com/issuu/06newworld.html http://elegiac-circus.tumblr.com/post/31019347447/lili-colley http://pinterest.com/thedefiant/magazine-volume-1-5-future-bioculture-aw12-ss13/ - Style Bubble http://www.stylebubble.co.uk/style_bubble/2012/07/shoes-n-things.html · Tatler.com Catwalk review with emphasis on VIP and Celebs http://www.tatler.com/bystander/events/2012/june/london-college-of-fashion-graduate-show#/7516/image/1 - Vogue.co.uk http://www.vogue.co.uk/news/2012/06/29/london-college-of-fashion-ba-show - Evening Standard http://www.standard.co.uk/lifestyle/fashion/all-the-trimmings-london-fashion-graduates-prove-they-have-a-bright-future-7898848.html?origin=internalSearch - Fashion156.com http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-show-2012/ · Style Bubble Susie Lau’s influential fashion blog– Catwalk highlights: http://www.stylebubble.co.uk/style_bubble/2012/07/hackney-house-antics.html · Catwalk Queen Catwalk show review: http://www.catwalkqueen.tv/2012/07/london_college_6.html · Dash Magazine online Catwalk show review http://www.fashiondash.net/?p=3226 · Adorn Girl Fashion Blog: http://adorngirl.com/london-college-of-fashion-ba-graduate-exhibition-2012/ Exhibition review http://adorngirl.com/robert-wun-fashion-designer/ spotlight on Robert Wun http://adorngirl.com/london-college-of-fashion-ba-graduate-catwalk-2012/ Catwalk show review http://adorngirl.com/london-college-of-fashion-ba-2012-catwalk-backstage/ Backstage images · Luxsure French luxury magazine: http://www.luxsure.fr/2012/07/01/london-college-of-fashion-graduate-show-2012/ · Fashion Bite (Fashion blog) Catwalk show review: http://fashionbite.co.uk/2012/07/04/london-college-of-fashion-runway-show-class-of-2012/#more-11721 · Better Never Than Late (blog) Image Gallery of Backstage at Catwalk Show: http://bntl.co.uk/2012/07/03/backstage-lcf-press-show/ · Fashion Insight (Trade publication) Catwalk review http://fashioninsightfeatures.blogspot.co.uk/2012/07/london-college-of-fashion-ba-season.html · EStyler Magazine Image gallery of all designers: http://estylermagazine.com/interviews · The Upcoming (fashion and news blog) Catwalk show review: http://www.theupcoming.co.uk/2012/07/02/london-college-of-fashion-ba-and-fda-show/ · Now Fashion Catwalk show image gallery: http://nowfashion.com/28-06-2012-london-college-of-fashion-2012-part-1-live-event-event-2256.html

BA (Hons) Fashion: Styling and Photography (Top Up)

I am a fashion photographer based in London, I am flexible with my work and I like trying new things. I now have my own photography studio in Biscuit Factory K Block, unit K106, Which means I can shoot in studio any day or any time of the week. Studio Details: Tower Bridge Business Complex, London, SE16 4DG, Biscuit Factory, K Block, K106. (nearest tube Bermondsey) www.studyo.co.uk http://www.facebook.com/studyo.co.uk https://twitter.com/Studyocouk Call me on 07733281238 for more info on studio. My details: Blog: http://bugraergil.blogspot.co.uk/ Twitter: @BugraErgil E-mail: bugraergil@gmail.com Cell: 07733281238

MA Fashion Design Technology (Menswear)

Na Di was graduated from London College of Fashion, MA Fashion Design Technology, Menswear. 2013. Born in Beijing in 1990, she completed BA course in Fashion Design in Northumbria University, and she studied Fashion Studies in Central Saint Martin College of Art and Design. During MA course at LCF, she deferred a year for placement at some fashion designer studios. Na Di's MA graduate collation has been selected on press show at Royal Victoria House on 15th Feb, 2013 during London Fashion Week. Na Di is a Menswear Design good at play around with prints and combined with traditional Menswear tailoring. Luxury, Bright and Colorful Prints with Classic silhouette is her main symbol of this collection. This Collection named: "Power and Beauty" it was inspired from Chinese realistic painting and Shan Wen Kai (Mountain Pattern Armor) in Ancient Tang dynasty. She applied flowers in Chinese realistic painting style and pattern of Shan Wen Kai as main ideas to develop in this collection. All Flowers that designer used in her designs were painted by her artist friend, and all Shan Wen Kai patterns were recreated by herself. Armor & Flower-Power & Beauty. At same time, Na Di got lots of inspiration from Hip Hop music, Jewelries and Traditional British Gentlemen's style. Designer wanted to express how interesting of combinations between Asian Histories and arts with Western Culture and Fashion. And, She wanted to use innovation ideas to recreate Asian histories, arts and Chinese culture heritage in Menswear Fashion. Contact Detail: Email Address: dina-tiga@hotmail.com Website: www.nadistudio.com

BA (Hons) Technical Effects for Performance

I am a highly motivated and hard working individual, I have a strong and positive work ethic and work well both individually and as a team member. The arts have always been a chief passion of mine, it is my opportunity to learn, explore and attempt new things where I always strive to push my creative boundaries. As a keen learner I immerse myself in anything related to technical effects, seeking any possible opportunity to develop my knowledge and skills and face new and exciting challenges