MA Fashion Media Production

Exhibition/Screening -Fashion Popcorn Festival; at Picture House Cinema // Jan13 -MA LCF Exhibition; Victoria House Basement // Feb13 marianacattapreta.com info@marianacattapreta.com

FdA Fashion Marketing and Promotion Online

I completed a Fda in Fashion, marketing & promotions online in 2010 and I'm now working freelance focusing on social media and online fashion marketing, promotion and PR. I have a blog & website- Fashion Follows Her at http://fashionfollowsher.com/ please take a look and feel free to contact me. I'm also Editor at eStyler Magazine.

FdA Fashion Design Technology (Designer Pattern Cutter)

Tomoko Onimaru is attending London College of Fashion, FdA Fashion Design Technology, Design Pattern Cutter, Year 2. Born in Japan in 1988, she completed her BA Space Production Design, Fashion Design Course in Kyoto University of Art and Design in 2011. During FdA 1st year at LCF, she studied Surface Textile in Central Saint Martins, Short course, Textile Workshop. Tomoko Onimaru is a Womenswear Designer good at clean cutting, over box shaped silhouette and combing different texture of fabrics. Her signatures of design are elegant, clean, cool and functional detail. As well as she is central to create mood of elegance and cleanness for independent women, she puts importance on the detail function especially in term of the inside pocket so that people's life can be more comfortable and active without having bag. Also it is enable to protect your important stuffs inside of the garment. That's because she thinks that fashion should not restrict human body in daily life and during a travel. For the AW13 capsule collection named 'Clean Freak', she took inspiration from the nurse costume in 1960. She applied high neck collar, double layered collar, square shaped armhole and complicated belt line into her collection from the distinguishing old nurse costume using the combination of leather, silk and wool fabric. In her graduation work in Japan, she designed down jackets combined with biker jackets to create a new type of winter outwear which is light weight, easy to move, functional, and sophisticated. Now, she is working on SS14 inspired from the Balinese historical costume and lace garments that is wore in their daily life. This collection's concept is 'Luxury as comfortable'. She is trying to design luxury garments which is easy to wear in very hot environment such as resort place using cotton, lace and leather. Contact: onimaru.tom@gmail.com FdA Fashion Design Technology, Design Pattern Cutter

FdA Fashion Design Technology (Knitwear)

I am a knitwear student, i have always loved creating and drawing, i have a strong background and interest in textiles. Colour is something that i find particularly exciting and is a vital part of my work. I am very drawn to the idea of gender representation through clothes - whether it be boxy shapes that conceal the body, uni-sex clothes or highly genderised, this is something i wish to explore further during my time at lcf.

MA Fashion Design and Technology

According to the previous research and the two former projects, the design methodology of the collection is `using the linguistics knowledge and engineering method of Hans Bellmer’s graphic works to transform the female forms into high innovation collection’. This project is an innovative program that bridges the gap between digital technology and design aesthetics. It almost includes all the contemporary technologies in the fashion industry such digital print, creative textile innovation, CAD pattern cutting, 3D technology. At the same, also includes the manual parts from traditional technology. The unique project is the combination of various technical measures. email: sonyaxie1988@gmail.com

FdA Fashion Design Technology (Designer Pattern Cutter)

I study at london College of fashion on the FDA Designer pattern cutter course. I am in my 2nd year and have thoroughly enjoyed my time at London College Of Fashion. This course has given me the ability to create garments and has let my creativity to be shown through fashion.

BA (Hons) Fashion Illustration

WINNER OF THE SIMON BURSTEIN BROWNS FASHION ILLUSTRATION PORTFOLIO AWARD I have sketched front row at fashion week for Christian Blanken, Mulberry, Topshop Unique, Maria Grachvogel, David Koma, Mary Katrantzou, Caroline Charles, Benjamin Kirchoff, Simone Rocha, James Long, Corrie Nielsen, DAKS, Lou Dalton, E.Tautz LINKEDIN - http://uk.linkedin.com/in/jforchione WEBSITE - www.jamesforchione.weebly.com CONTACT - jamesforchione@gmail.com

MA Fashion Artefact

sexual humorous 강태석 This collection explores narratives of sexual human body and addresses the question of palpable sensations that manifest from the sexual instinct of a human being and the range of sexiness from subtle to extreme. contact 07834552140 blueguylove@naver.com website http://taesokkang.viewbook.com/album/untitled#19 stockist - http://shop.ra13.be/designers/taeseok-kang/

MA Fashion Design Technology (Menswear)

THE SOUND OF HOMELESS(NESS) AW 12/13 ->>> WEBSITE LAUNCH EARLY 2013

MA Fashion and the Environment

Past : Present - material manifestations of memory - This MA project investigates relationships between fashion, memory, identity and experience, and is aimed at finding forms of fashion design and consumption that are meaningful, personal and sustainable. The project title is derived from a quote by T.S. Eliot: “Time present and time past are both perhaps present in time future, and time future contained in time past” The past is made explicit in the garments, while what we wear is an expression of our present selves and who we wish to be in the future. As we remember experience over ‘stuff’, clothing becomes a material manifestation of our memories. And by allowing the wearer to ‘manifest’ their own experiences into the garments i.e. through human hair embroidery, life is breathed into them: they become personal and meaningful. The collection attempts to answer the question: if the meaning of our clothing is currently formed through our personal memories and experience rather than through its inherent design, how can design in fact facilitate or explicitly visualize this manifestation of memory in fashion? The garments are made from organic silk hand-dyed with tea+iron (grey), organic cotton and salvaged materials. http://studioanglindo.wordpress.com anjaccrabb [at] gmail [dot] com Photography: Agnes Lloyd-Platt. Art Direction: Lily Silverton. Model: Vanessa Jobb at Premier. Styling: Jeanette Osterried.

BA (Hons) Fashion Design Technology: Womenswear

I am currently completing a degree in BA (Hons) Fashion Design Technology. I have trained and obtained a degree in Designer Pattern Cutter from University of The Arts London, London College of Fashion. I have also trained and obtained a Diploma in Fashion Apparel Designing from School of Fashion Technology (NIFT) in India. This broad training has given me in depth understanding of both the UK and international fashion. During this period I have acquired excellent skills in fashion designing and illustration. I have been using CAD for the past 6 years in a range of projects. I am extremely sincere, motivated and focused. I am passionate about producing high quality work. I appreciate, to get best results it is important to work as a team and recognize strengths of others and I have good team working ethics. I am extremely organized in my work and very focused with time management as I am aware of the importance of delivering on time in fashion industry. I am confident and will be good in dealing with customers with ease.I have been working as a Freelancer, build up clients and understood their needs. I participated in Illustration competitions like Company Magazine Fashion Illustration, Finalist 2010. I have developed a deeper understanding of fabrics, colours and most importantly silhouette during my education and training. I enjoy design development with 3D experiments on silhouette using pattern as well as drape. The project Hanging Out, by Full Spectrum Productions, took place at Victoria and Albert Museum. I made sketches for garment construction from original 1950’s patterns and developed illustrations worn by Marilyn Monroe, Elvis Presley and James Dean. This was a great opportunity to enhance my pattern skills and garment construction. I am passionate about achieving success. Achievements: Bangalore Fashion Week Summer Showers 2013 Press Exhibition Show LCF 2012 Finalist For British Fashion Council Illustration Awards 2012 Finalist For Nina De York Illustration Awards 2012 Exhibition- Hanging Out Project at Victoria & Albert Museum 2012 Barnardo's Charity Fashion Show 2010 and 2011 Finalist For Company Magazine Fashion Illustration 2010 Exhibition-Non Textile SOFT 2007 WEBSITE: http://www.upasnaprasad.com/ http://www.company.co.uk/magazine-hq/high_street_edit_illustration_comp http://www.hangingout.org.uk/fashion.htm (Illustration and garment construction) http://woupi.wordpress.com/2012/04/03/upasna-prasad/ http://www.papercutmag.com/editorials/2012/10/nostalgia-photographed-maria-dominika http://daily.bhaskar.com/article/FAS-exclusive-sneak-peek-at-blenders-pride-bangalore-fashion-week-2013-day-1-4159763-PHO.html?seq=4 Autumn/Winter Collection Coming soon...

MA Fashion Artefact

The aim of this project is to study how social and cultural everyday life issues can be translated within fashion context to present a fresh point of view, in this case by bringing new attention to tradition. The collection concept is current, personal and helps me evolve through an exploration of my cultural heritage. This project is a way to show there is an opportunity in a crisis for improvement. It can be expressed using one’s own cultural resources. It reflects confusion and disappointment among people especially in Greece and its youth. Youth needs to appreciate its cultural heritage and not to reject it by imitating foreign stereotypes. The economic crisis is a vital factor creating confusion but at the same time needing solutions. The new interpretations of Carnival values and symbolisms will be used as a medium to suggest solutions through the use of non conventional materials. The collection shows the transformation of a modern citizen to a Carnival daemon through 8 stages. It will present the need of the modern man to escape and go back to his roots for solutions. There is an emphasis on the cow bells sound and the movement of people in disguises. The bells are a very important element since they are used to wake up the forces of nature and disperse the evil. The accessories produced challenge and push the boundaries of fashion with the mixture of different materials and textures together. Hardware materials (brushes and pendant drill cups) are used outside their everyday life context creating decorative surfaces - optical illusions of constructed 3D textile using diverse objects. Softer materials contradict the roughness of the hardware textures creating a similar effect such as religious trimmings. Photography • Photographer: Nikolas Ventourakis • Model: Claudia Devlin (Premier Model Management) • Hair Stylist: Stelios Chondros • Make up artist: Kristina Ralph Film • Performer : Eleni Papaioannou • Make up artist: Ye Peiwen • Hair Stylist: Naoko Mabuch • Designer: Melissanthi Spei • Music: George Kontantoulakis • Director: Andrew Oates • Editing: Harry Winteringham melissanthispei.com melissanthispei.tumblr.com melissanthispei@gmail.com

BA (Hons) Hair and Make-up for Film and TV (Top Up)

Special Effects, Prosthetics, Film & Fashion Make-up; Wigs & Hair Styling http://www.imdb.com/name/nm3508045/ http://www.imdb.com/title/tt1597763/ http://www.youtube.com/watch?v=4U_YAKMbPRo • Feb 2013: Hair & Make-up Artist, ‘The Money Shop & Credit Action: Budgeting Your Money’ (Short) by Gabriel Henrique Gonzalez , FWD Creative Communication Company • Jan 2013: Hair & Make-up Artist Assistant, ‘The Final Leaves of Winter’ by Jennifer and Gary Faulkner, Tyran C. Poole Production • Nov 2012: Wig Assistant, Wig Artist: Tamara Walsh, ‘The Magistrate’ by Timothy Sheader,National Theater • Oct 2012: Hair & Make-up Artist, ‘Act/OR’ (Feature/Low Budget) by AnnaMaria Berentz, Stathi Twins Production • Aug-Sep 2012: Wig & Hair Assistant (Volunteer), London Paralympics Games Opening & Closing Ceremony • May-Aug 2012: Wig & Hair Assistant (Volunteer), London Olympic Games Opening & Closing Ceremony • Feb 2012: SX Make-up Artist Assistant, Meadcham & Kirchhoff, London Fashion Week • Nov 2011: Hair and Make-up Artist Assistant, ‘Miss Mia Meows’ (Student) by Maurizio Von Trapp, London College of Communication

MA Fashion Photography

Freelance Fashion photographer. Working in the field of fashion and music. Website: http://www.jngourley.com/ Photo Vogue Profile: http://www.vogue.it/en/photovogue/Profilo/cef06f22-a201-4ea1-9260-07259b717638/User Art + Commerce/ PhotoVogue Image Archive Profile: http://photovogue.artandcommerce.com/artist-detail.php?artist_id=4476 Email: jnatalija@yahoo.co.uk

MA Fashion Media Production

In his work Philipp Humm examines the conflict of the body and space and the constraints deriving from this. There is a special emphasis on the digital and the alleged errors that come with it. Feel free to refer to www.philipphumm.com as well and please don't hesitate to email me via contact@philipphumm.com

BA (Hons) Fashion Design Technology: Womenswear

website : www.stineriis.com International Press Contact : Marlo Saalmink – Public Relations press@marlosaalmink.com www.marlosaalmink.com Stine Riis’s F/W 2011 ready-to-wear collection ‘Decadence & Decay’, is an investigation into the inter-relation between form and decay. Her collection incorporates a range of luxurious fabrics (wool, silk, patent leather, fur) to examine time’s invisible hand in transfiguring sculptures. In a media saturated society, mindlessly chasing “newness” regardless of merit, Stine Riis’s creations champion a fine-hewed beauty whose allure intensifies with the passing of time. These are not clothes that exist in a moment of time but rather stretch to illuminate the passing of lifetimes. The works and processes of Robert Morris and Donald Judd have served as the initial inspiration for her processes. By immersing herself in these artists seminal works, she has been enlightened to the complexities inherent in the simplest of things. Through a deliberate compulsion, she has attempted to transcend perfunctory looking to instead see the actual thing itself, rather than the illusions presented by things. These revelations are made manifest in a collection that is entirely harmonized within the garments themselves and in the collection as an entirety in regards to colors, shapes, and mood. A graduate of London College of Fashion, Riis intends to push beyond the temporal nature of fashion to offer her customer wearable pieces which transcend trends.

BA (Hons) Fashion Design Technology (Surface Textiles)

Innovative fashion knitwear designer focused on creating sculptural avant-garde pieces.

MA Fashion Design Technology (Menswear)

Yan Yu Cheung, Octo set as a metaphor of fashion alchemist in life. She fascinates in the new textile technique continuously season by season which is a scientist endeavour for the philosopher’s stone. She aims to create a trend called "antique innovation". It is a step backward from the historical technology to the new thing. Not just superficial digital technique can fulfill it. She also states that inheriting the history is a responsibility from a designer. In her MA Menswear Collection, all the boys are her alchemical homunculus. Since alchemy is a spiritual topic which is different from the shallow inspiration from photography or art work. The conscious and subconscious approach is the indispensable process from ancient literature in alchemy to relative design development. Interpreting the elusive concept in text to actual thing is conducted by understanding the balanced way in alchemy, no matter the change from metal to gold or the creation of philosopher’s stone. All the process they devised which proceeded by separation and reunification such as liquefaction, which transform solid to liquid in alchemy. Something was devoured and reformed theoretically. She made change on traditional cable stitch on knitwear, a chemical process by hand adopted on the surface to create a new image. Besides, original form of suit jacket faded on shirt or kimono, so as to create the imperfect chaotic stage of cheap metal gold making. The garment paused the combination from two substance into a compand in order to project an innovative cutting. "The interpretation of dreams is a great art." If you are curious how to develop the unique pattern cutting or her signature knitwear technique, Please click Octo’s personal website for portfolio Website : http://www.octocheung.com/ E-mail : info@octocheung.com

BA (Hons) Fashion Design Technology: Surface Textiles

NOVA CHIU. ----------------------------------------------------------------------------- NOVA CHIU Paris Fashion Week Showroom: Thursday 28th February- Monday 4th March: 10:00 - 19:00 Tuesday 5th March: 10:00 - 17:00 Place: FASHION SCOUT PARIS SHOWROOM: 23 Rue du Roi de Sicile Paris 75004 Closest Metro: St Paul RSVP Press: Portia Shaw portia@poppr.co.uk +44(0)207 637 3332 RSVP Buyers: Jeff Archer info@novachiu.co.uk ----------------------------------------------------------------------------- PREVIOUS EVENTS: LONDON FASHION WEEK CATWALK SHOW. Showcasing Nova Chiu "Bon Voyage" Spring/Summer 2013 Collection at Vauxhall Fashion Scout ------------------------------------------------------------------------------------------------ LONDON FASHION WEEK CATWALK SHOW AND EXHIBITION. Showcasing Nova Chiu AW2012 Collection at Vauxhall Fashion Scout *Vauxhall Fashion Scout Ones to Watch AW12-13 Winner* ------------------------------------------------------------------------------------------------ GRADUATION CATWALK SHOW. Showcasing Nova Chiu "Shangri-ladida" Collection at London College of Fashion *London College of Fashion's 2011 Collection of the Year* ------------------------------------------------------------------------------------------------ Concept of the Collection Spring/Summer 2013 is inspired by the creative duos travelling and road trips since their debut as part of Vauxhall Fashion Scouts- Ones to watch in February 2012. The duo behind Nova Chiu concentrated on creating a more wearable and versatile collection. With their past two collections pushing Avant Grade boundaries, the minimalist tone taken embodies a clean, flattering and functional collection with simple, yet beautiful structured shapes. Whilst on their journey’s Nova and Jeff took many images of the scenic landscapes including mountains, trees and rivers which they manipulated the colouring and printed on fabric such as; Silk, Satin, Cotton and Spandex. The collection uses a similar colour palette to Autumn/Winter 2012 with a plethora of colours including pink, blue, green, orange and purple. Nova Chiu manages to create timeless pieces with a unique appeal to make a strong statement this season. ------------------------------------------------------------------------------------------------ Company History The Nova Chiu brand is a fashion label developed in London, United Kingdom by Nova Chiu and Jeff Archer. The Nova Chiu brand focus' on textiles, print, and colour, The label embodies elements from ethnic cultures from China, Canada and Europe concentrating on classic silhouettes from London and New York. Born and raised in China, Nova Chiu came to London to study at the renowned London College of Fashion, a place she credits with propelling her into the fashion industry with all the right skill sets and knowledge to succeed. Nova graduated in July of 2011 won the prestigious award of Collection of the Year. After some deliberation, she decided to join partnership with her boyfriend Jeff Archer, who graduated from Helen Lefeaux School of Fashion Design in Vancouver and The International Academy of Design in Toronto. Their first project together was to show under Vauxhall Fashion Scouts Ones to Watch show at London Fashion Week Autumn/Winter 2012-2013. Since, they have shown their Spring/Summer collection with Fashion Scout in September 2012. Nova and Jeff are now a regular fixture at London Fashion Week, their work has been featured in the Evening Standard, Vogue, Harper's Bazaar, The BBC,The Independent, and i-D Magazine. Achievements: - Selected as a Great International Successful Story of London in a 2 page spread by London & Partner's, to be used by the Mayor of London in a promotional book celebrating the City of London in December of 2012 -Selected to show and exhibited at Vauxhall Fashion Scouts Ones to Watch Show. London Fashion Week February 2012 - Winner of the overall prize at Fashion Culture: The Polish British Fashion Show in Warsaw, Poland. February 2012 - Graduate Showcase: Vauxhall Fashion Scout (Freemasons Hall) London Fashion Week 16th Sept, 2011 - Winner of the BA Show 2011 Collection of the year at London College of Fashion, and awarded First Class Honours. June/July 2011 - Graduation Collection (Shangri-Ladida) published on 8th and 13th June 2011 in the London Evening Standard and the Independent Newspaper; as well as featured on websites such as Vogue UK, BBC News and Harpers Bazaar UK, etc. - Finalist of 2011 British Fur Trade Competition. - Finalist of 2011 Nina De New York Fashion Illustration Competition. - One of the Winners of the British Fashion Council, Colleges Council Graduate WGSN Digital Presentation Award 2011 ----------------------------------------------------------------------------- INFO and SALES Contact: Website: www.novachiu.co.uk Email: info@novachiu.co.uk Facebook.com/nova.chiu Twitter @ NovaChiu PR Contact: POP PR UK 18 Great Portland Street London W1W 8QP Website: http://poppr.co.uk Call: +44(0)2076373332 Email: info@poppr.co.uk Check us out on Vogue UK: http://www.vogue.co.uk/brand/nova-chiu ------------------------------------------------------------------------------------------------ SS13 Photographers: Marc Aitken/ Fashion156/ Kean Diao

BA (Hons) Fashion Design Technology (Menswear)

North-east born menswear designer heavily influenced by his working-class upbringing combining classic menswear workwear focusing on the application of textiles with performance fabrics.