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Lizandra Cardoni

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Tuxedo Jacket - Armored Woman

FdA Tailoring

My passion for tailoring started when I was working in the advertising industry back home in Brazil, and I felt very inspired to update/modernize the daily garments of the modern woman. The modern woman who loves herself above all, she does not miss nor has time for futility, she is the one that works, she believes that work magnifies her ambitions. She is independent sentimentally. She is the one that is courageous, a companion, confidant and a lover. She is one that can be both strong and sweet, messy and beautiful, the modern woman is not afraid of anything or anyone, looks life squarely in the face, speaks what is on her mind and what she feels. In addition to that, while still working as an account manager in an advertising agency, I decided to express my ideas and through that I have developed my own fashion collection of white shirts – Womenswear which has required discipline and initiative for self-learning through extensive research. In order to enhance my skills in this area, I decided to study Tailoring at London College of Fashion. I am currently doing my second year, and I feel I have made the right decision changing my life so drastically, however my background is well reflected in my work and has aided me in developing a collection. It is important, if not essential to know you costumer profile and play around that. Also Inspired by cinema, arts and photography, as a tailoring designer I have developed a wide range of technical skills including research, design process, fabric knowledge, pattern cutting, sewing and Adobe Photoshop, Illustrator and InDesign. In my last collection my idea was to represent the women from the Middle East through the eyes of three local Middle Eastern contemporary photographers. I believe the women in this project very much compliment my initial starting point of inspiration and I wanted to explore the juxtaposition of independent and dependent individual however retaining the sense of strength and femininity. Their power is related with the heart and this is the organ which is the strongest one. The heart is the carrier of the brains messages to her body and needs to have protection in her chest where anything and everything is held. The collection reflects, in fabrics the concept juxtaposition. This can be seen in the use of heavy and light cloth, shine and matte, the same as her sensibility, power and femininity


Katalin Aradi

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Liana Corset with 3D printed piece. Photo: Joanna Natalija Gourley. Hair: Haruhide Isazaki. MUA: Mimi Manari. Model: Ana Chi

BA (Hons) Fashion Contour

Brand: ‘katalinarady’ The brand’s first capsule collection, Spirit, is designed for Autumn/Winter 2013/14. This collection is expected to make a strong first impact on customers and quickly establish an emotional connection. It creates a highly recognisable and memorable image for consumers. Spirit’s signature will be a new design aesthetic on lingerie sets; clear and innovative lines are executed to underline the brand’s ethereal and surreal qualities. The description of the brand is emotional reaction: neo romanticism reacting to this century’s technological revolution. The collection is designed for the 21st century woman bringing back the idealised, sensitive and fragile aspect of women. The overall message of the brand is to promote a refined and re-feminised woman; emphasising the power of sensual beauty. It represents shades and emotions, the fragile beauty and the dreamlike, theatrical, neo romantic mood. The Gift (2000). The scene where the main character, played by Cate Blanchett, is dreaming was an inspirational part of the film. A dreamlike background with lilies and trees, and her 19th century night gown impacted on the mood of the designs, and provided a definite picture; it also helped to link the ideas together. The see thorough montage of her silhouette and the trees immediately brought the concept of light, airy fabrics and modern vein like techniques. The garments are designed to extend the beauty of the body three-dimensionally and express fragile emotions on the outside as a continuous extension of elements, which reaches out from the physical body. The shadow idea transformed into the structure of tree tops and how they intertwine to become a surface, giving the impression of an amazing lace created by nature. Designer: ‘Katalin Aradi’ The designer’s USP is the driving ambition to the best and professional approach to concept and design development; very experienced in hand and machine sewing, pattern cutting and constructing garments. Experienced in couture sewing techniques therefore her eye for detail skill is very strong. CAD skills involve Illustrator, Photoshop, InDesign, Autodesk 3ds Max and Sensable Freeform. She is a quick learner and a good team member. Her interest in contemporary art and haute couture is very strong and she would like to deliver these in her designs and set her aspirations to. Contact details: Email: katalinarady@gmail.com Mobile: +447801880101 LinkedIn: Katalin Aradi Facebook: http://www.facebook.com/katalinarady Twitter: @katalinarady Pinterest: http://pinterest.com/katalinarady/

Chrystel Livolsi

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Ready

MA Fashion Photography

I'm creating 'make-believe' frames with a sense of decorum and boldness. I like to discover great locations as well as shoot the ordinary to transform it into epic and amusing narratives. I also document the craft involved behind the luxury industry and performing artists. You can see some of my work at: www.superdeluxestudio.com I'm also the co-founder/editor of the art and fashion Super Deluxe Magazine. Get in touch if you'd like to contribute or be featured: www.superdeluxemagazine.com Last, you can find me on most of the social medias: fb, twitter, behance, pinterest, tumblr... More and more into making film, moving images and mixed media.

Rhona Phipps-Tyndall

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Maria's Clone, Metropolis 2nd year Collaboration Project

BA (Hons) Make-up and Prosthetics for Performance

A dedicated hard working makeup artist with skills in all areas of makeup and hair for performance. With three years experience from studying at LCF I have a great understanding of what is required from artists in the industry and have gained a valuable deal of experience through collaborative and independent university projects Experience Includes The Wig Store - June 2013 'No Good Dead Goes Unpunished' short film for Channel4 Random Acts - November 2012'Winds Of Change' short film for Channel4 Random Acts - November 2012 Vauxhall Fashion Scout, London Fashion Week - February 2012 'Aida' at The Royal Albert Hall - February/March 2012

Diana Barbosa De Oliveira

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The light dreamer

MA Fashion Design Technology (Womenswear)

Minimalism, elegance, a complex simplicity. Less is more!

Yining Shen

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Lips

BA (Hons) Fashion: Hair & Make Up

Hi guys, I've worked as a fashion MUA for about 5 years and my work has published in many magazines. I specialising in fashion, editorial , commerical, catwalks, events,photoshoots and celebrities. Please check my website and email me with any job request, thanks. Www.shiningshen-makeup.com Shining( Yining ) Shen xx

Elizaveta Novikova

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Please view look book for more imgs and information.

Graduate Diploma in Fashion Design Technology

Pattern Cutter, Womenswear Designer. http://www.linkedin.com/pub/elizaveta-novikova/50/a26/a06 http://my.lcffirstmove.co.uk/graduates/6930 --------------------------------------------------------- Education: Oct2012-On going Graduate Diploma in Fashion Design Technology Oct2011-June2012 BA(Hons): Fashion Design Technology Womenswear (London College of Fashion). Oct2009-Jul2011 FDA FDT in Pattern Cutting (LCF) Sept2008-June2009 Fashion Portfolio (LCF) Employment: Summer2010 Digital Print Bureau LCF Work involved assisting through the whole process after image has been send to print. Feb2011 and June 2010 Interpreter for delegates from Uzbekistan Textile University. Work involved translating from English to Russian and vice versa as well as accompany and introduce visitors to local vintage, antique and secondhand charity shops. Work expiries: Aug2012-Jan2013 SALONI London Design Intern. Work involved making technical packs, toiles, patterns and researching for inspiration. Please see my CV for more information. ----------------------------------------------------- Contact: nov.elizaveta@gmail.com -------------------------------------- http://larinne.blogspot.co.uk/2012/07/london-college-of-fashion-2012.html http://www.fashionrider.com/blog/153-anna-kerenina http://www.supplementaire.org/big-young-woman-by-federico-sorrentino-for-supplementaire-11/ -------------------------------------- http://www.elizavetanovikova.com/

Edward Curtis

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.

BA (Hons) Fashion Design Technology: Womenswear

'We Raphaelites' Press Release The collection is about the realisation of two stories. It’s about more than creating a singular strong visual, but how the collection has come from both sides of my process. The way approach a collection is a combination of haphazard experiments, putting an emphasis on using my imagination, but also how I can control it. For instance I enjoy simplicity just as much as I enjoy maximalist, these elements mainly stay separate, but through colour and technique, they start to merge, such as the how every seam is sewn together. I believe a collection is a complete reflection of you, as there is never one side, it was important for me to capture and exhaust both. Being idle, (as in lazy) was the catalyst for how I would approach this collection. Hid away in the British countryside last summer, I embraced this idyllic way of living. I also realised I wasn’t the only one too; I came to realise that most people enjoyed doing nothing, or doing things for leisure. Watching daytime TV and lying in bed were great sources of inspiration. Comparing this mood now to more historical times led me the painters of pre-Raphaelite brotherhood. They often captured this state of wonder and tranquillity in their paintings of everyday people in their natural surrounding. This is also visible in the photographs of ‘The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams’ by Allessandra Sanguinetti. With this mood, I began creating images, by mark making with chalks, paints and playing around with fabric. I continued with this approach all the way through, deciding colours as I went along. This sporadic way of working is reflected in the garments. Some capture this more literally than others; by the way the empty shell of a garment has been decorated with rolls of organza and prints. In others, this is more subtle, and found only in the stitching using a Victorian embroidery stitch. EDUCATION London College of Fashion - BA (hons) Fashion Design & Technology: womenswear Hereford College of Arts - BTEC National Diploma, Art & Design. WORK EXPERIENCE - Marc Jacobs - Assistant to Sample room & Pattern maker co-ordinator. Felder Felder - Studio Assistant Image Credits - 1 – 5 Edward Curtis. Photography, James Rees. Creative Director, Rob Phillips Beauty, Pace Chen, Models, Sarah Dick at Models 1, Alina at Select 6 - 19 – Nina De Yorke 20 – 22 & 24 - HULDRA. Edward Curtis. Photographer - Agnes Lloyd Plat. Model - Silke Seidler - street cast. Assistant - Sanner Kaia 32 - Edward Curtis, Identity Project. Photographer: Anthony John Sayer. Creaive Director, Rob Phiillips. Model, Edward Curtis


Victoria Rowley

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Illustration: Flaccid Flora: Nina de Yorke

BA (Hons) Fashion Design Technology: Surface Textiles

An energetic and open-minded print designer who obsesses over experimental applications and illustrative drawing. With a trademark delicate hand, exciting subjects are florid and evocative. 8=========D My recent work, in a rather farcical and juvenile manner, set out to explore themes of fleshy surfaces and sexuality. The influence of imagery from the photography of Pierre et Gilles, and film such as Henri-Georges Clouzot’s L’Enfer, and that of the German Expressionist genre, led me to respond to the graphic compositions and carnal imagery using harsh contrasts of colour; over-saturated and suffused. Abstract interpretations with screen printing using devore, discharge and procion techniques onto silk velvet and organzas, intended to replicate the real sensuality and lustre of the skin. Using alternative methods in response to my findings, enlarged and distorted images of glitter and wax as an initial layer to the composition, was adopted in keeping to the uncanny as a regular motif. Interacting more exaggerated motifs of pearlescent lemon and lavender colours, with dark harmonious earth shades to make the smooth textures advance, and to radiate in a hypnotic quality. Such frivolity having integrated into print development, seeming to convey a very stylistic aesthetic, I wanted further exploration to circulate around a discussion on taste. It was all the more enticing to use figurative, hand-rendered applications to fully utilize the provoking combinations of imagery I was sourcing. As a reaction against notions of good taste, bad taste is fully explored through archetypical motifs of the grotesque and the beautiful, with the writings of Umberto Eco being of key influence. The outraged Eco’s humorously dry take on objects of American ‘Hyper-real’, (almost perfectly fake ornamental replicas of icons in European arts/culture), inspired me to juxtapose the crude imagery with more traditional academic art. Florid pencil drawings of botanics and genitalia with leafy foliage have evolved into monstrous print placements. Ref. to the Cockasaurus below: cock·a·saurus [cok-a-sawr-us] n (Earth Sciences / Palaeontology) any large carnivorous bipedal dinosaur of the genus Cockasaurus, common in North America in upper Jurassic and Cretaceous times: suborder Theropoda (theropods) chracteristics: the body of a tyrannosaurus rex and the head of a penis. [from New Latin, from Greek cockannos tyrant + sauros lizard] ------------------------------ EDUCATION: 8==D University of the Arts London: 2013 London College of Fashion BA Fashion Design and Technology: Surface Textiles: Print 8==D University of the Arts London: 2010 Central Saint Martins College of Art and Design Foundation Studies Art and Design 8==D British Institute of Florence: Summer 2009 Charles H Cecil Studios Life and Cast Drawing: Short course ------------------------------ INDUSTRY EXPERIENCE: 8==D Peter Pilotto: Pattern Cutting Intern: January-February 2012. 8==D Hermione De Paula: Print Design Assistant: August-October 2010. ------------------------------ ACHIEVEMENTS: 8===D LCF School of Design and Technology Annual 2013 for the BFC 
8===D Selected as a participant for Fauna and Flora project 2013 8=D Producing T-shirt design entries for the Royal Horticultural Society
. 8=D Digital placement prints for a collaborative photo shoot with womenswear designers, Emily Bishop (dress) and Daniel Service (headpiece). 8===D 
 Selected as participant for Illustration 2013
 8=D Shortlisted for the „Nina de York“ Illustration Award“ 2013. 8===D LCF Press Show, Collaboration with womenswear designer, Christina Tiran, July 2013 8===D Nominated for 'Texprint 2013' ----------------------------- SKILLS: 8=D 
 Adobe Creative Suite, CAD: Colour Matters, Ethos software for laser cutting, pattern scanner. 8==D 
 Technical drawing 8===D 
 Strong hand drawing and Illustration skills, experienced with life drawing 
8====D 
 Specialized in print techniques/equipment: including screen printing (Acid, Discharge, Devore, Procion, Polychromatic), digital printing, Sublimation, fabric dying. 8=====D 
 
Basic knowledge of flat pattern cutting and industrial sample machining. 8======D 
 
Knitting: hand and (domestic) machine knitting 8=======D 
 Embroidery: hand and machine (irish, cornely, tanaka) FULL CREDITS: 8==============D FAUNA & FLORA; #1,2 Photographer: Kasia Wozniak Creative Direction: Rob Phillips Nail Art: Lauren Michelle Pires Beauty: Pace Chen Model: Sophia at Select HYPER-REAL; #3-7 Photographer: GMGP Beauty: Pace Chen Model: Sophie at Profile Models

Lindsey Tait

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Photographer: Flo brooks - Stylist : Aitziber Iragui - Hair & MU: Maria Magdalena - Model: Sophie Rose

BA (Hons) Cordwainers Accessories: Product Design & Development

A curious and diligent designer who takes inspiration from many sources including life experiences, anatomy, the fantastical and the unknown. The aim of lindseytait design is to use fashion and its influence as a channel to raise awareness of social issues and to make a difference. The brand is dedicated to having a social responsibility as well as producing superior quality crafted pieces that are one of a kind and make a statement. Striving for perfection, attention to detail is key as well as finding new and exciting ways to create, while incorporating traditional artisan techniques to produce beautifully finished products. Looking to modern technology to influence design and to push the boundaries of ‘fashion’, lindseytait design hopes to bring accessory design to new levels of what can be achieved. The graduate collection ‘skin deep’ is influenced by the issue of self-harm: the stigma associated with it and the restriction of the body to prevent harming. It was key that the pieces should be beautiful as well as provocative in order to raise awareness, yet still be products that can be worn with attraction rather than the ‘ugliness’ of self-harm. Using an intricate cherry-blossom pattern laser etched into the lining (which sits close against the skin) is significant as the cherry-blossom flower represents feminine strength and sexuality. This soft and beautiful leather etched lining is juxtaposed against the strong VegTan exterior that provides a shield-like mould around various parts of the body. Each piece is fully functional, despite being conceptual rather than commercial. Born in a small town in Northern Ireland, Lindsey showed a strong passion for art and craft from a young age, which soon flourished into a love for fashion design. While completing her Foundation Diploma, Lindsey’s keen attention to detail and interest in accessories became apparent, leading to her relocation to London to attend London College of Fashion. Lindsey intends to remain in London to continue growing as a designer and to also expand her knowledge of fashion design and construction into apparel – although her main focus still remains on creating innovative and provocative fashion accessories. Please contact for more information or for any enquires for collaborations or commissions. ------------------------------------------------------------------------------ Lookbook Credits: Photography: Chris Cove Model: Ines-Hermione Mulford @ Base Studio Assistant: Kiego Kato @ Studio197 BFC Credits: Photography: Justino Esteves Nails: Lauren Michelle Pires Creative Director: Rob Phillips

Marta Cesaro

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Guardians of the Orb AW 13/14

FdA Tailoring

I grew up in a family divided between painters and academics where I learnt that there is always space for self expression. It is only a matter of understanding the most effective way to do it. That is the main reason I consider tailoring fundamental in my desing process, because it supplies a very clear means through which one can produce ideas. And it is a very fine one too. The combination between fashion design and tailoring is the key to my work's aesthetic: a point of view where there is a controlled evolution of modern silhouettes, with an equilibrate balance between shape experimentation and traditional crafting methods. A very rich and detailed design development lays at the base of my final outcomes. The creative process is for me a combination between the elaboration of a concept, a story to tell and a more instinctive experimentation through drawing, collage and photography. It is a constant tension among the visual and the intellectual that leads me through a continuous development of ideas. My strong background in history and literature, together with my passion for visual arts and music, are the engine behind my work, the source of my inspiration.

Anna Bezgubenko

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Term 1, Dungaree

MA Fashion Design and Technology

As an adult, one’s profession is in most cases an integral part of one’s identity. Be it to be able to provide for loved-ones or personal fulfilment in a career: What you do is who you are. In establishing one’s identity clothing plays an important role. Using work clothes as an example, one can observe for instance how vital a policeman’s uniform or a judge’s robe is for consolidating their respective identity and being respected in a profession. As an example to highlight and research correlations between one's profession identity and clothing his project focuses on dissectors and medical students from 1890 to 1930. Contact: anna.bezgubenko@gmail.com photography: Naa Teki Lebar, http://www.naateki.co.uk/ model: Samuel Oxford Nielsen, http://www.stormmodels.com/Oxford.html?boardId=1006

Emma Layland

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Moncler Gamme Rouge ss11

BA (Hons) Fashion Illustration

Contact: emma_layland@hotmail.co.uk http://cargocollective.com/emmalayland

SeungMi Kim

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Side view

BA (Hons) Cordwainers Footwear: Product Design & Development

SeungMi Kim BA(Hons) Cordwainers Footwear: Product Design & Development SeungMi Kim expects to become a creative and modern brand that will represent contemporary shoes. Mainly, it is inspired by a variety of art theories, issues or arts work that is reinterpreted in a modern way. The value of the brand will be enhanced through combing work with special skills and each design has a significant meaning. “Changes in form, illusion and technology” This main concept of the A/W 2013-14 is ‘Cubism’ which was inspired by cubism painting and sculpture. It is based on cubism theory; the main objective is to reproduce the surface through three-dimensional view and the basic perspective rule is abandoned and shows the same object in different sides. These were combined with my design, which resulted in a modern conceptual and fashionable shoe. I used 3D printing, which was hidden rather than showing on the outside to give change to the shape of the shoe. To create an optical illusion a point colour was used. On the whole, the collection shows dramatic elements of materials, colour and design. - Contact detail - sui.seungmikim@gmail.com 07738333109

Octo Yan Yu Cheung

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Runway photos on London Fashion Week AW13/14

MA Fashion Design Technology (Menswear)

Yan Yu Cheung, Octo set as a metaphor of fashion alchemist in life. She fascinates in the new textile technique continuously season by season which is a scientist endeavour for the philosopher’s stone. She aims to create a trend called "antique innovation". It is a step backward from the historical technology to the new thing. Not just superficial digital technique can fulfill it. She also states that inheriting the history is a responsibility from a designer. In her MA Menswear Collection, all the boys are her alchemical homunculus. Since alchemy is a spiritual topic which is different from the shallow inspiration from photography or art work. The conscious and subconscious approach is the indispensable process from ancient literature in alchemy to relative design development. Interpreting the elusive concept in text to actual thing is conducted by understanding the balanced way in alchemy, no matter the change from metal to gold or the creation of philosopher’s stone. All the process they devised which proceeded by separation and reunification such as liquefaction, which transform solid to liquid in alchemy. Something was devoured and reformed theoretically. She made change on traditional cable stitch on knitwear, a chemical process by hand adopted on the surface to create a new image. Besides, original form of suit jacket faded on shirt or kimono, so as to create the imperfect chaotic stage of cheap metal gold making. The garment paused the combination from two substance into a compand in order to project an innovative cutting. "The interpretation of dreams is a great art." If you are curious how to develop the unique pattern cutting or her signature knitwear technique, Please click Octo’s personal website for portfolio Website : http://www.octocheung.com/ E-mail : info@octocheung.com


Nikita + Tina Sutradhar // [ M I U N I K U ]

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Mundane things//Bath robe coat

BA (Hons) Fashion Design Technology: Womenswear

ABOUT NIKITA AND TINA : Nikita (22) and Tina (24) Sutradhar are sisters. They were born and brought up in Mumbai, India and have been interested in fashion and clothing since a young age. Tina studied business and fashion marketing while Nikita gained knowledge in fashion design and its technical aspects before coming to London to study Fashion Design at London College of Fashion together in 2010. They started to collaborate in the last term of their second year. This collection, Iridescence A/W 12-13 turned out to be quite successful, gaining response from several stylists and publications in magazines like Dossier Journal, U+Mag, Open Lab (New York), The Word (Belgium). It was also exhibited at Surgery PR’s A/W 13 press event. They are currently in the third year, and were encouraged by tutors to collaborate again for their Final major project. This 12 look collection is at it’s finishing stages at the moment and is inspired by mundane, daily things. ABOUT MIUNIKU: Miuniku aspires to be a ready to wear, luxury clothing and accessories brand for women. The brand name comes from the nick names of the two designers (given to them by their parents). Miu-Tina and Niku-Nikita. It’s design aesthetic involves the mixture of minimal and maximal elements, and finds a balance between clean lines and graphic details. Education // 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear - top up year 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2010: College: Raffles Design International Course Completed: Advanced Diploma in fashion Design (2 years) Work Experience // 2011-2013: Thomas Tait (s/s 2012) + (s/s 2013)+ (a/w 2013) Studio Intern - Pattern Making, Sewing, Hand Sewing, Toiling, Cutting out patterns, Preparing garments for production shipment. contact: nikitasutradhar@gmail.com or infomiuniku@gmail.com phone: 07429155738 Website : www.miuniku.com

Sarah Mazza

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BFC 2013_Look 1_ Photographer,james rees; model, sarah dick at models 1

BA (Hons) Fashion Design Technology: Surface Textiles

Quest for Individuality A Spring/Summer collection for 2014 for high end womens wear market, exploring the idea of body tattoos being an object of art and its importance relative to different religious beliefs, tribal ceremonies and how this has a strong relation to modern society and its subcultures. ___________________Languages________________ Fluent in French and English _______EDUCATION AND QUALIFICATIONS ______ London College of Fashion 2010-2013 BA (Hons) Fashion Design Technology: Surface Textile, Knitwear St Georges VA School, Harpenden 2008-2010 A Levels Stopsley High School 2003-2008 GCSE ____________________Employment______________ CRAIG LAWRENCE (London) Knitwear intern ( 2011 - 2012) Sam Morray Design (london) print intern (summer 2011) NEXT (london) Sale consultant ( 2010 -2011) NEXT (Luton) Delivery ( 2009 - 2010) Theobald Sewing Machines (Luton) Shop assistant/ repair ( 2009 ) _______________PRESS_______________ http://www.ohdearism.com/2013/04/13/style-sarah-mazza-lcf-ba-collection/ http://janemarlestylist.tumblr.com/post/51740727194/http-www-joomag-com-magazine-frow-magazine-issue http://www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868 http://www.flickr.com/photos/eliz_pica/8754598523/in/photostream/ http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 _________________CREDIT___________________ ___BFC 2013 ___ Sarah Mazza, Photographer, James Rees www.jamesrees.co.uk Creative Direction, Rob Phillips Beauty, Pace Chen, Melissa Wong Nail Art, Lauren Michelle Pires Model, Sarah Dick at Models 1 http://www.models1.co.uk/ ___LOOK BOOK Shoot___ sarah mazza photographer, Josh Chow Hair and MakeUp, Naoko Mabuchi Model, Ayesha Tan-Jones. ___BEAUTY EDITORIAL___ Photography, Polin Kuprine Styling, Jane Marle Hair and Makeup, Louise Linder

Olivia Bates

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VIA - Final Logo Design

BA (Hons) Fashion Contour

I am a Lingerie Designer with experience in various design fields ranging from embroidery to branding. In addition, I have a personal interest in graphic design, illustration, interior /spatial design and textiles. I’m a versatile designer who is always on the hunt for new ideas, different solutions and innovative techniques to carry out any design challenges.

Liron Kliger

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Monochrome collection

BA (Hons) Fashion Jewellery

Born in Israel, Liron Kliger is a London based jewellery designer who graduated a BA (HON) in Jewellery Fashion Design at the London College of Fashion. Liron developed a passion for jewellery design whilst completing a foundation in fashion design course at West London College, Liron developed a love for raw materials and desire to create unique pieces encompassing the form and essence of the material used. The primary influence on Liron’s work (apart from the raw materials) evolved from years spent living and travelling in cosmopolitan cities including Barcelona, Paris, Milan and Tel Aviv. Liron was exposed cultural idiosyncrasies which in turn influenced the way in which she combines / uses materials and their subsequent adaptation to her needs. Liron’s latest project developed from a fascination with snakeskin and infatuation with catwalk pieces; motivating her to create her own interpretation via snakeskin inspired bangles. Liron’s previous catwalk projects include a large feathered neck piece and oversized dice jewellery. In the foundation year of her BA Liron was awarded third place in the UK in a competition run by the Metro newspaper for her creation of a jewellery body suit utilising recycled materials. (http://www.westlondoncollege.com/courses/fashion_news.php) Copyright © Liron Kliger 2012 Press: http://www.westlondoncollege.com/courses/fashion_news.php http://www.westlondoncollege.com/courses/fashion_metro.php Featured in LCF press exhibition review http://fashitects.blogspot.co.uk/2012/06/lcf-press-exhibition-2012-part-1.html Featured in 'DOY Design On You' blog: http://designonyou.me/2012/06/25/jewels-design-liron-kliger/ Featured in 'Adorngirl' blog: http://adorngirl.com/london-college-of-fashion-ba-graduate-exhibition-2012/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/fine-print/?pid=835#picgallery Featured in IDOL magazine: http://www.idolmagazine.co.uk/fashion-interview/liron-kliger Featured in a fashion film 'beautiful killer' : http://www.youtube.com/watch?v=tyAkcpLVz8w Featured in the 'Word magazine': http://thewordmagazine.com/style/the-fashion-world-of-london-based-belgian-photographer-gael-delhaye/ Featured in 'Fashion156.com' http://www.fashion156.com/daily-blog/jewellery-liron-kliger-2/ Featured in business boom collective website: http://businessboomcollective.com/1224/liron-kliger/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/when-it-rains/?pid=921#picgallery Featured in Institute magazine Feb 2013: http://institutemag.com/2013/02/01/under-grey-skies/under-grey-skies3/ Featured in Miss Margaret Cruzemark Feb 2013; http://margaretcruzemark.blogspot.co.uk/2013/02/liron-kligers-cultural-idiosyncrasies.html?spref=fb Featured in 'Ethike': http://ethikee.blogspot.co.uk/2012/12/love-snake-inspired-bracelets-by-liron.html?showComment=1361372841669#c5703089216410025242 Featured in 'Fashion tips': http://coolandthebang.com/2013/02/04/fashion-tips/ Featured in Young British Jewellers website: http://youngbritishjewellers.co.uk/ Featured in Vogue Italia- march 2013 http://www.vogue.it/photovogue/Portfolio/26e917e3-b53a-408e-8a8a-b6d81725ba20/Image Featured in Joie de vivre blog: http://sophiessoiree.blogspot.co.uk/2013/03/hi-people-welcome-to-my-blog-of-all.html?spref=fb Featured in vimeo for KapriTV: http://vimeo.com/63507361 Featured in Edelweiss magazine: http://www.edelweissmag.ch/edelweiss/mode/sweet-india Featured in Paperchasers ink magazine issue two: http://issuu.com/paperchasersink/docs/paperchasers_ink_--issue_two Behind the scene video April 2013: http://www.youtube.com/watch?v=N12rKKOcdhU&feature=youtu.be Behinde the scene blog by Margaret Yescombe: http://www.margaretyescombe.com/behind-the-scenes-photos-colourful-studio-beauty-jewellery-photo-shoot/ Featured in 'The LC LEE brand' tumbler: http://thecfleecflee.tumblr.com/ Fashion show Pacha may 2013: http://www.youtube.com/watch?v=8T6-W_50G9E Featured in 'Urban coco' May 2013: http://www.urban-coco.com/fabryan-takes-on-malt-fashion-week/ Featured in 'Fashionstyleology' May 2013: http://fashionstyleology.com/liron-kliger-aw1314-look-book/?t=LIRON+KLIGER+AW13%2F14+LOOK+BOOK Featured in Notion magazine May 2013: http://www.planetnotion.com/2013/05/09/shoot-spots-vs-stripes-and-all-things-nice/ FaceON magazine photoshoot featuring my jewellery on fashionTV: http://www.youtube.com/watch?v=3BOa_JyG5SM Featured in KULTBLUT magazine May 2013: http://www.kaltblut-magazine.com/april-illyj-and-pipa/#.UZ8nIeg-wEA.facebook Featured in 'Rough cut' exhibition at 'DARKROOM-London' 6-12/06/2013 Featured in LCF news June 2013: http://blogs.arts.ac.uk/fashion/2013/06/12/jewellery-students-exhibit-at-darkroom/ Contact me through: Email: liron_kk@yahoo.com Mobile number: 07773018951 https://www.facebook.com/LironKligerJewellery?ref=hl https://twitter.com/Liron_Kliger http://instagram.com/lironkliger http://pinterest.com/lironkliger/

Harrison Baines-Hilton

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final collection

BA (Hons) Bespoke Tailoring

My work focuses heavily on technical and traditional elements of bespoke tailoring while incorporating my own contemporary, personal sense of proportion and detailing to create unique wearable products. I currently work for Cad and the Dandy manufacturing basted fittings for jackets, trousers and waist coats, I am seeking further experience in more advanced tailoring; either cutting or manufacturing, I am also interested in roles that provide me with responsibility in design and fabric selection.

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