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Alexandra Druzhinin

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Photographer James Rees, Creative Direction Rob Phillips, Beauty Pace Chen

BA (Hons) Fashion Jewellery

Alexandra Druzhinin is a London based jewellery designer. A 2013 graduate of London College of Fashion, with a degree in BA (Hons) in Fashion Jewellery. Also a qualified goldsmith jeweller she creates avant-garde and original jewellery and accessories in a variety of materials such as leather, Perspex, resin, base and fine metals. Alexandra was commissioned to create a collection of silver and gold nose rings and brass insects for fashion designer Fyodor Golan which was shown at London Fashion Week AW2012. Her graduate collection was inspired by the cupolas of Moscow's St.Basil's Cathedral and the art of paper engineering. The collection is made out of laser cut Perspex and metal. Each piece has a built in mechanical element which allows the jewellery to change its form. email: alexdruzh@gmail.com https://www.facebook.com/pages/Alexandra-Druzhinin/151328091629598 Press: http://culthub.com/2012/02/london-fashion-week-aw12-13-fyodor-golan/ http://fashionbite.co.uk/2012/02/17/london-fashion-week-day-1-fydor-golan-bora-aksu-so-far/ http://www.ldnfashion.com/london-fashion-week/fyodor-golan-autumn-winter-2012/


Isabelle May Tollitt

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Death and Decay- Dorian Gray

BA (Hons) Hair and Make-up for Film and TV (Top Up)

Originating from a strong Fine Art background, I have a keen eye for attention to detail. I took my love of art into the world of make-up, currently pursuing a career as a make-up artist in the film and TV industry. I am skilled in Wig-making, Hairdressing, Period, casualty/special fx make-up, including Body painting and Prosthetics. Contact- izzy2580@hotmail.co.uk 07535522596

Alice Roberts

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Sea Dancer Set. Photographer-Tamas Olajos, Model-Charlotte at Sprit Model Agency,MUA& Hair-Yen Voang,Location-Photolocations.com

BA (Hons) Fashion Contour

A unique, creative, innovative and extremely capable individual. The experience which she has gained involves good communication, specialist knowledge and excellent organisation skills. Has got the Marks and Spencer Graduate Scheme Lingerie Assistant job which she will be starting in September.

Lizzie Biggs

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Mary Katrantzou

BA (Hons) Fashion Illustration

I am inspired by colour, movement and textures. Although competant with hand drawn imagery, my main style of illustration is hand painted textures combined with digital manipulation. I aim to create imagery which fuses traditional methods but produces a futuristic and stylish outcome. At the moment I'm working voluntarily for All Walks Beyond the Catwalk as their in house graphic designer. I've created flyers, a newspaper, posters and certificates for Diversity NOW! a national student competition. I also art directed and illustrated their 2012 Christmas card, which i will continue to do each year. To receive the card and latest news sign up at allwalks.org. cargocollective.com/lizzieannebiggs lizzieannebiggs.tumblr.com Contact: lizzie121@msn.com

SeungMi Kim

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Side view

BA (Hons) Cordwainers Footwear: Product Design & Development

SeungMi Kim BA(Hons) Cordwainers Footwear: Product Design & Development SeungMi Kim expects to become a creative and modern brand that will represent contemporary shoes. Mainly, it is inspired by a variety of art theories, issues or arts work that is reinterpreted in a modern way. The value of the brand will be enhanced through combing work with special skills and each design has a significant meaning. “Changes in form, illusion and technology” This main concept of the A/W 2013-14 is ‘Cubism’ which was inspired by cubism painting and sculpture. It is based on cubism theory; the main objective is to reproduce the surface through three-dimensional view and the basic perspective rule is abandoned and shows the same object in different sides. These were combined with my design, which resulted in a modern conceptual and fashionable shoe. I used 3D printing, which was hidden rather than showing on the outside to give change to the shape of the shoe. To create an optical illusion a point colour was used. On the whole, the collection shows dramatic elements of materials, colour and design. - Contact detail - sui.seungmikim@gmail.com 07738333109

Jungju Kim

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STILL AIR

BA (Hons) Fashion Photography

Experience Juhee C (Editor & Stylist) Assistant/ Present -Allure Magazine editor Jan. 2011 – Feb. 2012 Bazaar Korea, Vogue Korea, Elle Girl Korea, East West Hong Kong, Avenuel London Reporter for Korean Magazines (published) Feb. 2012 – Dec. 2012 Elle Girl, Vogue Girl, Ceci Fashion Show & Photo-shoot Coordinator July.2011 Big Park (Park Yoon Soo London Label) - Second Coordinator Jan. 2011 Mina UK - Set Styling and Project Researcher Feb. 2012 Big Park (Park Yoon Soo London Label) - Show Producer & Coordinator July.2012 Vivienne Westwood Levis Campaign - Coordinator & Photography Technician July.2012 Vivienne Westwood & Nylon Korea Collaboration – Project Producer & Coordinator London Fashion Week Photographer (published) Feb. 2012 – Feb. 2013 Bazaar Korea - Show& Backstage Sketch Photographer Feb. 2013 - Sep. 2013 Nylon Korea - Street Photographer Jun. 2013 Graduation Fashion Week - Back Stage Photographer Assistant of Vivienne Westwood London Mar. 2013 Vivienne Westwood Eyewear Advertisement 2013 s/s May. 2013 Vivienne Westwood advertorial 2013 f/w Education Sep. 2010 - Jun 2013 LONDON COLLEGE OF FASHION FASHION PHOTOGRAPHY Mar. 2007 - Feb. 2010 SEOUL NATIONAL UNIVERSITY OF TECHNOLOCY VISUAL COMUNICATION DESIGN Dec. 2009 - Mar. 2010 WESTBOURN ACADEMY LANGUAGE SCHOOL Mar. 2003 - Feb. 2006 KYUNGNAM ARTS HIGH SCHOOL FINE ART Facebook JUJUKIMKO Email jujukimko@yahoo.com

Hyun Seon Jeon

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Harmony

BA (Hons) Cordwainers Footwear: Product Design & Development

Hyun Seon Jeon BA (Hons) Cordwainers Footwear: Product Design and Development HYUNSEONJEON is a contemporary footwear designer brand that creates architectural, conceptual and unique designs for women. The designer highly focuses and gets design influences from architectural shapes with clean-cut lines. Every design features its own uniqueness, delivering innovation and feminine look whilst still being simple with aspects of commerciality / ready to wear. This collection is for Autumn / Winter 2013-14 and it consists of 10 different styles. The concept of this collection is architecture, mainly consisting of Gaudi’s works in addition to some other groundbreaking architecture. Both traditional and contemporary architectures are looked at for inspiration. The collection is inspired from the concept in terms of shape, pattern, material, colour, and heel shapes. The shapes in the designs will be the main focus of inspiration, making the designs look more contemporary and architectural. CONTACT hyunseonjeon@gmail.com http://uk.linkedin.com/pub/hyun-seon-jeon/6b/162/691 Credit: Metal heel & platform- Rob Fawcett Photographer- Ioana Vrabie

Jorn Olsthoorn

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SANDAL / COMPOSITION NO. 3 / A fully handmade, welted and stitched sandal with python detailing.

BA (Hons) Cordwainers Footwear: Product Design & Development

E / jorn_olsthoorn@hotmail.com T / +44 (0)7 50 30 23 137


Lindsey Tait

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Photographer: Flo brooks - Stylist : Aitziber Iragui - Hair & MU: Maria Magdalena - Model: Sophie Rose

BA (Hons) Cordwainers Accessories: Product Design & Development

A curious and diligent designer who takes inspiration from many sources including life experiences, anatomy, the fantastical and the unknown. The aim of lindseytait design is to use fashion and its influence as a channel to raise awareness of social issues and to make a difference. The brand is dedicated to having a social responsibility as well as producing superior quality crafted pieces that are one of a kind and make a statement. Striving for perfection, attention to detail is key as well as finding new and exciting ways to create, while incorporating traditional artisan techniques to produce beautifully finished products. Looking to modern technology to influence design and to push the boundaries of ‘fashion’, lindseytait design hopes to bring accessory design to new levels of what can be achieved. The graduate collection ‘skin deep’ is influenced by the issue of self-harm: the stigma associated with it and the restriction of the body to prevent harming. It was key that the pieces should be beautiful as well as provocative in order to raise awareness, yet still be products that can be worn with attraction rather than the ‘ugliness’ of self-harm. Using an intricate cherry-blossom pattern laser etched into the lining (which sits close against the skin) is significant as the cherry-blossom flower represents feminine strength and sexuality. This soft and beautiful leather etched lining is juxtaposed against the strong VegTan exterior that provides a shield-like mould around various parts of the body. Each piece is fully functional, despite being conceptual rather than commercial. Born in a small town in Northern Ireland, Lindsey showed a strong passion for art and craft from a young age, which soon flourished into a love for fashion design. While completing her Foundation Diploma, Lindsey’s keen attention to detail and interest in accessories became apparent, leading to her relocation to London to attend London College of Fashion. Lindsey intends to remain in London to continue growing as a designer and to also expand her knowledge of fashion design and construction into apparel – although her main focus still remains on creating innovative and provocative fashion accessories. Please contact for more information or for any enquires for collaborations or commissions. ------------------------------------------------------------------------------- Lookbook Credits: Photography: Chris Cove Model: Ines-Hermione Mulford @ Base Studio Assistant: Kiego Kato @ Studio197 BFC Credits: Photography: Justino Esteves Nails: Lauren Michelle Pires Creative Director: Rob Phillips

Antonia Beard

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Look 5

BA (Hons) Fashion Design Technology: Surface Textiles

I am a bright ambitious textile print designer, demonsrating strong technical skills, seeking to innovate through process, inspired by production. Driven by discovery, Working in the print studio teaches me something new everyday, pushing me to develop my work to the next level. My approach is very hands on and adaptable, not limitied to 9-5 I push my self to achieve top results. Challenging my self at every level gives me motivation. Final Year Collaboration ‘Play becomes party - party becomes work - work becomes play‘ ~ Bauhaus Motto A final year collaboration between menswear student, Adrien Chen, and surface textile student, Antonia Beard. Inspired by the Bauhaus spirit, they started their final year journey with the Bauhaus motto in mind. ‘No longer can anything exist in isolation. We perceive every form as the embodiment of an idea, every piece of work as a manifestation of our innermost selves. Only work which is the product of inner compulsion can have spiritual meaning.‘ ~ Walter Gropius After the fashion of Bauhauslers being true to themselves while researching and designing, Adrien and Antonia then delved into their own unique cultural background and life experience in searching for things that would best define themselves and their aesthetic. ‘Two crazy minds. One raging collection.’ The two first met during the second year collaboration project. The invaluable experience furthering their belief in team work in that they could focus on things that inspire them the most. So they decided to have some more fun together for their final year project. As a menswear student, Adrien has always been more interested in creating shapes and developing his idea on stand and patterns rather than the traditional drawing-then-making process. The shapes and silhouettes for the final year project were developed by playing around the Bauhaus geometric aesthetic and reinventing the traditional Chinese patterns. Being playful and unconventional are the only rules, but feel free to break. For the printing design side, Antonia combined the intensity of Bauhaus painting style and the excitement of light and music from her clubbing adventure to come up with strong and fanatical printing design. Being a proud prints student who believes in traditional handcraft and screen printing process, Antonia completed all the printing with her own bare hands. By overlapping her print design with painstakingly accuracy and with only cyan, yellow, magenta, she achieves something truly extraordinary. With both of them focusing on what excites and inspires them most and paying attention to each other’s progress, they’ve tried their best to realise their vision and ambition. This unique and raving mad menswear collection is the sum of their final year collaboration journey.

Shanna Bent

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Alex Dress -reversible-

BA (Hons) Fashion Design and Development

[Look Book Images] Photography: Anai Bharucha http://anaibharucha.tumblr.com/ Beauty: Som J http://www.facebook.com/somijj Image Editor: Terrence Seah http://www.edfool.com/blog Model: Mila from Oxygen Models Management [Collection] Shanna Bent`s aw13-14 collection `INUNDATE` encompasses a minimalist tone with beautifully structured, twisted detailing. Unique pieces exuding modernity and classic shapes against a neutral palette of grey, navy and blue with a hint of colour introduced through an elaborate print. The reversible and multi-wearable aspects embrace the lifestyle of the busy modern woman, allowing her to “buy less and wear more” along with a combination of both light and heavy fabrics which permits the collection to be worn throughout all seasons in celebration of longevity and practicality. Photography of global flooding by Gideon Mendel and Robert Polidori were the root of inspiration for the collection which enthused further research into the causes of flooding and it`s after effects. Satellite images of hurricanes inspire the spiral and twisted shapes within the garments as well as the vibrant digital print made up from tangled multicolour ribbons which were off-cuts from initial toiling. These images not only inspired the garment shapes, but also their function in rejection of seasonal trends and the increase of disposable fashion resulting in waste and global pullution. Each garment is therefore designed as a separate in order to easily be worn with other garments, creating a new look each time thus minimising the need for consistent purchasing of new items. The collection consists a mixture of both reversible and multi-wearable garments, further allowing the consumer to style her outfit as she pleases, creating a new look each time. Each garment has been carefully considered and ensured to be versatile enough to appear as a different garment. The pieces are additionally stamped with signature detailing of contrast silk binded seams for longevity and hidden contrast zips as an extra feature against the predominately understated exterior. [Experiences] -Beautiful Soul Studio Intern (10th Aug `12- 1st Oct `12) -Agent Provocateur Press Intern (9th Jan `12- 6th July `12) -Roland Mouret Collection Development Intern (29th Aug `11- 6th Jan `12) -Stephane St Jaymes Studio Intern (29th Oct `10- 4th Jan `11) -Alexander McQueen Studio Intern (26th July 2010) -Black Hair and Beauty Magazine Stylist`s PA ( Feb `08) - Kaiz Agency Event Organiser Intern (6th Sep `07) [Education] Central Saint Martins (2008-2009) London College of Fashion (2009- Present)

Ellie Sweeney

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BA (Hons) Fashion Design Technology: Surface Textiles

A Fashion Textile student with an off-beat approach to surface design, creating innovative wearable fabrics and garments out of unconventional materials. INSANE IN THE MEMBRANE “We felt the degeneration of our own bodies and the erosion of our self-confidence. We were horrified at the thought of what we might become after a year or two of confinement and therapy on Ward 81.” Folger, Ward 81. ‘Insane in the Membrane’ is a contemporary textile based collection re-instating the desire for craft in clothes, with inspiration deriving from abandoned Mental Hospitals and the patients that had been within. __________________________________________ Education: University of the Arts London, London College of Fashion -BA(Hons) FDT, Surface Textiles 2010-2013 University of the Arts London, London College of Fashion -Foundation Diploma 2009-2010 __________________________________________ Skills: Design Development Fabric analysis colour analysis Tanaka embroidery machine Irish and Cornely embroidery machines CAD/CAM embroidery design laser cutting screen printing Adobe programs __________________________________________ Experience: Jane Bowler April 2012-September 2012 POSITION:Textile collaboration Fannie Schiavoni: July2010-October 2011 POSITION: Studio Manager Take That ‘Progress Live’ Tour, 2011 WORKING FOR: Moritz Waldemeyer POSITION: Production seamstress and electronics assistant http://vimeo.com/27194426 ‘Rihanna Rated R exhibition’ at the O2, London 2011 WORKING FOR: Paul Lilley (Curator at The Great British Music Experience) POSITION: Costume assistant Imogen Heap ‘Propella Seeds’ music video 2011 POSITION: Assistant to Stylist (Fannie Schiavoni) and Artistic Director (Simon Henwood) http://www.youtube.com/watch?v=y7FhBiF5_ls&ob=av2e __________________________________________ All foils are sponsored by Foilco http://www.foilco.co.uk Quilting in collaboration with WorkWise (A charity based company with a craft department that provides rehabilitation for adults who are recovering from varied forms of mental heath problems) http://workwise.org.uk elliesweeney10@googlemail.com 07515774917

Joshua Jones

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Editorial

Access To HE Diploma (Fashion Media And Communication)

Fashion photographer based in London. Contact- joshjones1@btinternet.com

Nayl Majid

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BA (Hons) Fashion Design Technology: Surface Textiles

| Education | University of the Arts London, London College of Fashion -BA(Hons) FDT, Surface Textiles 2010-2013 BTEC National Diploma in Fashion and Clothing -BTEC Diploma 2008-2010 | Careers | 2013 V&A MUSEUM – FREELANCE DESIGNER Creative designer on a documentary film on David Bowie for V&A Museum and CCN London. Creative designing and making costumes for the whole cast and styling. Airing July 2013 | Experience | 2012 SARAH BAADARANI – DESIGN STUDIO ASSISTANT 4 Months Supervisor: Davina Hobbs. Hand embroidery Production A/W 2012, Sampling for S/S 2013. Creative process fabric manipulation, finishing’s, lace and embroidery development. And sourcing fabric, materials and beads required for the collection. Worked directly with Sarah Baadarani on specific products she required. 2012 ALEXANDER MCQUEEN – WOMENSWAER ASSISTANT 2 Months Creative process fabric manipulation, finishing’s, fabric and trimming development for Resort 2013. 2011 OSMAN – DESIGN STUDIO ASSISTANT 2 Months Hand embroidery bespoke and production dresses. Fabric and design research for S/S 2012 collection. | Skills | Hand Embroidery Specialized machinery CAD Embroidery Irish machine Lacer cutting Smocking Tanaka Screen-printing Dyeing Sublimation printing Devore Screening Flock Foil Pattern cutting Draping Photoshop Fabric Development Finishing’s Development English Arabic Dutch ________________________________________ +44(0) 7825 380 581 n-majid@hotmail.co.uk ________________________________________

Natalie Brown

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Leather Lucasz Accessory Natalie Brown Photographer Paul Bevan. Make up and Hair Luka Watabe. Model Suzanne Smethurst.

MA Digital Fashion

My practice led research is concerned with creating neckwear for contemporary fashion, using both machine and hand making. When I first saw the laser cutter mysteriously, rhythmically moving by a seemingly ghostly hand, I was enchanted. I now regularly use the laser cutter to draw and cut fabric to aid the design and making process For more information please email Natalie Brown Website: www.nataliebrownaccessories.com http://www.nationalgallery.org.uk/learning/inspired-by-the-collection/flight-drawing-interpretation http://flightdrawinginterpretations.com/ Also available from Not Just a Label: http://www.notjustalabel.com/natalie_brown To view animation see: http://www.youtube.com/watch?v=j1BC744XZ44 Press Cutting: p://www.emergingfervour.com/fashion/emerging-designers/natalie-brown/ Creative Boom Digital Design Industry magazine: http://www.creativeboom.co.uk/news/london-college-of-fashion-ma-showcase/ Video selected on World News Site February 2010: http://article.wn.com/view/2010/02/19/London_fashion_week_lures_the_politicians/ To see Marta Tomecka's animation of Natalie's work see:http://martatomecka.com/ Photography: http://simonclemengerphotography.com


Aditi Sane

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Look 2 / Aditi Ganesh Sane / Photography: GMGP / Make up : Pace Chen / Knit : Fay Mccaul / Fabrication : Aditi .G. Sane

BA (Hons) Fashion Design Technology: Womenswear

‘VASANT UTSAV. Celebration of spring’ a/w 2013 "A celebration is a public performance that marks an important event in the life of a person or a group", (Smithsonian Institution, 1982:p.61). It is an event where something peculiar or particular can be remembered and practiced every year. According to Turner (1981), during celebrations people think and feel more deeply than in everyday life. They express the meanings and values of their societies in special, often vivid ways. Among these is the creation of beautiful or striking objects, which exist only because humankind celebrates its own existence. My collection is a representation of these rituals and habits, in particular the fashions and colours worn and how these affect the clothes and garments worn from day to day. I come from and Indian family where much importance was given to festivals and their celebrations. The one season as well as festival which fascinated me was spring with all textured and coloured outfits worn during the celebrations. To further comprehend the scope of the concept and to continue the visualization into textures, designs, silhouettes and shapes I took this fascination and decided that I would expand it to cover the celebration of spring and see what different outfits were worn by different countries during their spring festivals that included: Spring Break, Holi, Easter, Gangaur, Gangasar mela, Pongal, Pujillay, Nowruz and Pagan. ‘VASANT UTSAV- SPRING CELEBRATION’ WHIICH IS INSPIRED AND DEVELOPED THROUGH INTENSIVE RESEARCH OF STREET WEAR, FOLK WEAR AND PRODUCTS, CUSTOMS CARRIED ON DURING THIS CELEBRATION. IMPORTANCE IS PLACED ON HIGH QUALITY FABRICS. METHODS SUCH AS FELTING AND SPECIALISED MACHINE KNITTING, GLASS BEADING HAVE BEEN INCORPORATED IN GARMENT MAKING. 'ADITI GANESH SANE' IS A READY TO WEAR WOMENSWEAR CLOTHING BRAND,THE AESTHETIC AND FEEL OF THE BRAND HAS A BALANCE BETWEEN ORGANIC AND MODERN ELEMENTS, INFLUENCES FOR SIHOUTTES ARE DRAWN FROM JUXTAPOSING ETHNIC AND WESTERN CLOTHING. Womenswear Designer , Designer Pattern Cutter and Textile Designer Education: 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear 2010 - 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2006 - 2009: College: S.N.D.T University Course Completed: B.Hsc in Textile and Clothing (Apparel designing) Work Experience: •Interned at ‘Felicity Brown’, for 2 months (cut, stitched, dyed and hand finished garments for spring/summer 2012 ‘London Fashion week’).London 2012 •Designed Uniforms of Personnel of Lounge/Pub ‘ORO’, Mumbai, India as a ‘Free lancer’ 2010. •Worked as a Co-Fashion Designer for 2 months at a Designing Firm ‘Nikasha’, Mumbai, India 2009. •Worked as a Fashion Designer/ Merchandiser for 4 months at ‘Amber and Shirrin’, Mumbai, India 2009. •Completed Internship as a Fashion Designer/ Merchandiser in esteemed firm for 40 days ‘Amber and Shirrin’, Mumbai, India 2009. Press and Achievements: Shortlisted by 'Fashion strikes' for stage 1 to showcase my collection at Royal justice court,London 2013. http://www.davideranieri.com/en/fashionphotostyling-interview-designer-aditi-ganesh-sane-london/ (Interviewed by italian stylist Grazia lelo withPhotographer David Ranieri for website publication , London 2013) Finalist for Nina de York Illustration award 2013 Featuring on Italian magazine ‘MIRABILIA’ , Issue no.1 2013 Skills: Pattern cutting Fashion Illustration Merchandising Textile Craft Traditional Embroideries of India Hand finishing and embroidery Fabric tie and dye IT : Adobe Photoshop Adobe Illustrator Adobe In design Corel Draw Microsoft Powerpoint Microsoft Word Windows Movie maker Contact: sane_aditi@yahoo.co.in Phone: 07875491499

Katalin Aradi

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Liana Corset with 3D printed piece. Photo: Joanna Natalija Gourley. Hair: Haruhide Isazaki. MUA: Mimi Manari. Model: Ana Chi

BA (Hons) Fashion Contour

Brand: ‘katalinarady’ The brand’s first capsule collection, Spirit, is designed for Autumn/Winter 2013/14. This collection is expected to make a strong first impact on customers and quickly establish an emotional connection. It creates a highly recognisable and memorable image for consumers. Spirit’s signature will be a new design aesthetic on lingerie sets; clear and innovative lines are executed to underline the brand’s ethereal and surreal qualities. The description of the brand is emotional reaction: neo romanticism reacting to this century’s technological revolution. The collection is designed for the 21st century woman bringing back the idealised, sensitive and fragile aspect of women. The overall message of the brand is to promote a refined and re-feminised woman; emphasising the power of sensual beauty. It represents shades and emotions, the fragile beauty and the dreamlike, theatrical, neo romantic mood. The Gift (2000). The scene where the main character, played by Cate Blanchett, is dreaming was an inspirational part of the film. A dreamlike background with lilies and trees, and her 19th century night gown impacted on the mood of the designs, and provided a definite picture; it also helped to link the ideas together. The see thorough montage of her silhouette and the trees immediately brought the concept of light, airy fabrics and modern vein like techniques. The garments are designed to extend the beauty of the body three-dimensionally and express fragile emotions on the outside as a continuous extension of elements, which reaches out from the physical body. The shadow idea transformed into the structure of tree tops and how they intertwine to become a surface, giving the impression of an amazing lace created by nature. Designer: ‘Katalin Aradi’ The designer’s USP is the driving ambition to the best and professional approach to concept and design development; very experienced in hand and machine sewing, pattern cutting and constructing garments. Experienced in couture sewing techniques therefore her eye for detail skill is very strong. CAD skills involve Illustrator, Photoshop, InDesign, Autodesk 3ds Max and Sensable Freeform. She is a quick learner and a good team member. Her interest in contemporary art and haute couture is very strong and she would like to deliver these in her designs and set her aspirations to. Contact details: Email: katalinarady@gmail.com Mobile: +447801880101 LinkedIn: Katalin Aradi Facebook: http://www.facebook.com/katalinarady Twitter: @katalinarady Pinterest: http://pinterest.com/katalinarady/ Instagram: @katalinarady

Drue Bisley

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BLOW ME! SS14 (Still)

MA Fashion and Film

Drue Bisley

Nikita + Tina Sutradhar // [ M I U N I K U ]

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Mundane things//Bath robe coat

BA (Hons) Fashion Design Technology: Womenswear

ABOUT NIKITA AND TINA (MIUNIKU): Nikita (22) and Tina (24) Sutradhar are sisters. Tina studied business and fashion marketing while Nikita gained knowledge in fashion design and its technical aspects before coming to London to study Fashion Design at London College of Fashion together in 2010. They have been collaborating for the past 2 collections. Miuniku aspires to be a ready to wear, luxury clothing and accessories brand for women. The brand name comes from the nick names of the two designers (given to them by their parents). Miu-Tina and Niku-Nikita. It’s design aesthetic involves the mixture of minimal and maximal elements, and finds a balance between clean lines and graphic details. They are currently in their third year. The collection 'Mundane Things' aims to make mundane, daily things interesting /exciting to the viewer. Work featured in Dossier Journal (online), U+Mag, The Word Magazine, This is paper online magazine, Open lab magazine, Atlas magazine, Used magazine (in process). Education // 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear - top up year 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2010: College: Raffles Design International Course Completed: Advanced Diploma in fashion Design (2 years) Work Experience // 2011-2013: Thomas Tait (s/s 2012) + (s/s 2013)+ (a/w 2013) Studio Intern - Pattern Making, Sewing, Hand Sewing, Toiling, Cutting out patterns, Preparing garments for production shipment. contact: infomiuniku@gmail.com / nikitasutradhar@gmail.com phone: 07429155738 Website : www.miuniku.com

Jenny Evans

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'Conforming to Optimism' Final Outfit- Year 2 Term 3

FdA Tailoring

I'm very passionate about tailoring and am a keen observer. Submerging myself in art and findings from daily life, all form the basis of my ideas. Paying attention to the spirit of youth, I enjoy creating playful and uplifting outfits, to evoke our inner child: Catering for the carefree and cosmopolitan girl. My design work goes against the norms of classic tailoring. Playing to the senses in creating garments through a multiple of textures and colours.

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