BA (Hons) Fashion Design Technology: Menswear

Concept : Ethnic Groups in Asia Nomad/Migration/Silk Road/Multi-culturalism/Globalisation/War Menswear Autumn/Winter 2013 Collection * SPECIAL THANKS TO SAGA FURS * ---------------------------------------------------- www.yan-huang.co.uk Contact: yanhuanginfo@gmail.com ---------------------------------------------------- EDUCATION London College of Fashion, University of the Arts London (BA) FDT Menswear September 2010 - June 2013 London College of Fashion, University of the Arts London Foundation Diploma September 2009 - June 2010 DongHua University (BA) Graphic Design September 2008 - June 2009 OTHER QUALIFICATIONS Saga Furs Design Centre Seminar Diploma February 2013 London College of Fashion, University of the Arts London Structured Lingerie (short course) September 2012 London College of Fashion, University of the Arts London Millinery-2 (short course) September 2011 - December 2011 London College of Fashion, University of the Arts London Millinery-1 (short Course) August 2011 EMPLOYMENT Studio intern for Justin Smith (millinery designer) 
 A/W 2012 collection, London Fashion Week - show room S/S 2012 collection December 2011 - March 2012 ------------------------------------------------------------- CREDIT -Editorial/Look book- Photographer: Ting Cheng Make-up Artist: Melissa Wong Model: David Kent @ AMCK -BFC- Photography: Justino Esteves Creative Director: Rob Phillips Beauty: Pace Chen Model: Ty at Select

BA (Hons) Bespoke Tailoring

I am going to graduate from BA (Hons) Bespoke Tailoring course in London College of Fashion. With an additional degree from previous university in Fashion design and Production mainly in woman's wear. Interned in Alexander McQueen Men's department for few months. Interested in Man's high street fashion and Tailoring. Good at Bespoke Tailoring hand craft skills, pattern cutting and computer work. Spoke in English, Cantonese, Mandarin and little Italian. Suitable to work under pressure, good at communication and learn Fast. Please feel free to contact me by e-mail, w.ho15@fashion.arts.ac.uk d296059569@yahoo.com.hk wendy_ho_0701@yahoo.com.hk or by phone +44(0)7411600161

BA (Hons) Fashion Design Technology: Menswear

K, [HyungTae Kim]. SS 14 - ON THE RUN at BRIGHTON FASHION WEEK. 8 LOOKS Coming more soon. E-MAIL klothing@hotmail.com "A/W 2013 Generation." A/w 2013 "The idea of K A/w 13 collection is to explore the sensitive relationship between youth-cultures and parental culture." My concept is to look at the contrasts between the themes of 'Father/Tradition, Youth/rebellious and Uniform/War. What inspired me were the memory and feelings I had when I was an adolescent boy. The memory of trying my Father's clothes is unforgettable. What remains deep inside of me is the feeling of warmth and comfort. To more accurately describe, it was like wearing a very warm blanket in a very cold and lonely winter. This feelings got stronger when I was trying his military jacket. I wanted to deliver that feeling of warmness of oversized khaki fabrics whilst having the adolescent boy's rebelliousness attitude that I had as I grow up, as his jacket getting smaller."Hyung tae Kim’s was also great – it was a very good season.” Backpacks featured strongly in a great deal of collections, particularly in Kim’s who presented low-slung oversized backpacks combined with large, long coats that looked reminiscent of ‘typical’ father’s clothing but with a younger fresher vibe" - Hilary Alexander Academic London College of Fashion 2009 -2012 BA(Hons) FDT Menswear FT Northumbria University 2006-2009 BA(Hons)FDT Fashion Design Foundation Degree Work Experience Reworked [london] 2009 - 2011 [VINTAGE, ARMY CLOTHE REWORKED SHOP] ASSIATANT Diorasa 2007-2008 [Tailor shop] TAILOR ASSISTANT Press: http://www.glamourmagazine.co.uk/fashion/catwalk/AW2012/ReadyToWear/london/london_college_of_fashion_-_ba/full-length-photos -http://www.gomoneyways.com/?p=65953 -http://jaci-mag.blogspot.co.uk/2012/07/untitled-ss-2013-mens-collection-acne.html -http://www.fashion.arts.ac.uk/2012/live/ -http://disordermagazine.com/lcfs-upcoming-talent/style/ -http://www.flickr.com/photos/53179772@N06/7490122378/ -http://fashionstyleology.com/hyung-tae-kim-k-aw-2013-lcf-ba-show/ -http://blogs.fashion.arts.ac.uk/snapshot/2012/06/29/last-night-in-shoreditch/ -http://nowfashion.com/28-06-2012-london-college-of-fashion-2012-part-1-live-event-event-2256.html -http://www.tatler.com/bystander/events/2012/june/london-college-of-fashion-graduate-show#/7516/image/25 - http://www.catwalking.com/ -http://www.vogue.co.uk/fashion/autumn-winter-2012/ready-to-wear/london-college-of-fashion-ba/page/7# -http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-show-2012/ Contact. Mobile: +821045646049 E-Mail: klothing@hotmail.com Facebook : http://www.facebook.com/kclothes Twitter: https://twitter.com/klothing

BA (Hons) Fashion Contour

A proactive lingerie designer, who gets satisfaction working in fast paced environments. She has recently gained valuable experience working full time for Bordelle as a production assistant, broadening her interest from design to the technical and manufacturing aspect of lingerie. This collection, inspired by the structural outlines of Bauhaus and iconic elements of 1950’s design, poses to launch a new development within the loungewear market. Belle Loungewear, created and designed by Isabelle Zeretzke, enters the world of luxury loungewear with products that are clean, elegant and timeless. With the use of the highest quality cashmeres, jerseys and silks, the collection holds true to the brands ethos of creating luxury loung- ewear that feels comfortable but looks forward in fashion for the 21st Century multi-tasking woman. For enquiries please contact: Isabelle Zeretzke i.c.zeretzke@gmail.com 07717294126

BA (Hons) Fashion Design Technology: Womenswear

My final collection "Nostalgia" was inspired by research and deconstruction of my family's old clothes. I wanted to translate the spirit of my family into this collection. I used various techniques in my work - smocking, foiling, embroidery, devore.

MA Fashion Design Technology (Menswear)

There is a fresh interpretation in Ancient Egyptian Culture in Kay Kwok’s menswear collection--fake eternity. with the inspiration of Ancient Egyptian Religious and Cosmology-the mysterious story behind Sphinx, the relation between the process of mummy erosion and the system of Ancient Egyptian’s constellation like Ancient culture of Solar,Lunar & Stellar story. the Designer has combined the ideas to create prints by playing shades, light and flame aiming to pushing digital printing into a new area with the twist of classic menswear tailoring.
 Printed Neoprene fabric is widely used on the collection because of its fleshy hand-feel.

 with the uniqueness and freshness of his menswear , the collection was nominated for the Collection of The Year Award 2012. Contact: Kaykwokfashion@gmail.com facebook.com/KayKwok.London twitter.com/TszFungKwok weibo.com/kaykwok

BA (Hons) Fashion Design Technology: Tailoring

Designer focusing on strong tailored pieces. With her unique and exclusive approach to tailoring, Emma-Kate addresses the needs of the modern woman, creating timeless pieces which are practical yet innovative and enjoyable for everyday wear. In this most recent collection she takes the idea of officewear to a new dimension. The female form evolves through Emma-Kate’s conspicuous silhouettes. They aim to transform ... the body, the character, the attitude. http://www.linkedin.com/pub/emma-kate-cummings/3a/a2a/4a3

BA (Hons) Fashion Design Technology: Womenswear

Holley Potts BA (Hons) Fashion Design Technology: Womenswear http://showtime.arts.ac.uk/HolleyPotts WEBSITE: www.holleypotts.com holley.potts@hotmail.co.uk As a designer, I feel that most art forms should be integrated with practicality and this should also apply to fashion. SS/13 - Combining Fashion Illustration with Fashion Design. Looking at Marching Cubes (a computer generated algorithm) and contrasting this with nature and old cartoon sketches formed my illustrations. Designing a set of five tops; same cut, different fabric, I overlaid my illustrations on top to synchronise these together. ± SS/13 COLLECTION TOPS + ILLUSTRATION - Holley Potts PHOTOGRAPHY - Tamzin Haughton HAIR + MAKEUP - Scarlett Burton STORM MODEL - Annie Walker-Trafford STYLIST - Elle Baron VIDEOGRAPHER - Calvin Hayes ± AW/13 - Researching how chemical substances were originally used medicinally, but now widely taken for recreational use, I looked at today’s underground music scene. Taking inspiration ranging from the early Opium Dens. The vivid hues of the high and the dark greys of the lows gave me a colour distortion which is reflected in my silk digital prints. ± AW/13 COLLECTION LOOKBOOK PHOTOGRAPHY - Tamzin Haughton HAIR + MAKEUP - Marie Bruce MODEL - Rachel Christianos STYLIST - Rita Shi ± AW/13 COLLECTION LINE UP PHOTOGRAPHY - Hanna Hillier HAIR + MAKEUP - Amber Pitkin MODEL - Amber Pitkin ± INTERNING Richard Nicoll May 2012 - July 2012 Giles Deacon November 2011 - March 2012 Selfridges: Marketing Department July 2007 - August 2007 ± ACHIEVEMENTS The Shoreditch Fashion Show 2013 Photography by Vytautas Dranginis ± FEATURED Bright Young Things 2013 - http://www.clothesshowlive.com/page.cfm/link=130 Kaltblut Magazine - http://www.kaltblut-magazine.com/april-illyj-and-pipa/ The Savy Dresser - http://thesavvydresser.wordpress.com/interview/

BA (Hons) Fashion Design Technology: Surface Textiles

© 2013 Victoria Rowley An energetic and open-minded print designer who obsesses over experimental applications and illustrative drawing. With a trademark delicate hand, exciting subjects are florid and evocative. 8=========D My recent work, in a rather farcical and juvenile manner, set out to explore themes of fleshy surfaces and sexuality. The influence of imagery from the photography of Pierre et Gilles, and film such as Henri-Georges Clouzot’s L’Enfer, and that of the German Expressionist genre, led me to respond to the graphic compositions and carnal imagery using harsh contrasts of colour; over-saturated and suffused. Abstract interpretations with screen printing using devore, discharge and procion techniques onto silk velvet and organzas, intended to replicate the real sensuality and lustre of the skin. Using alternative methods in response to my findings, enlarged and distorted images of glitter and wax as an initial layer to the composition, was adopted in keeping to the uncanny as a regular motif. Interacting more exaggerated motifs of pearlescent lemon and lavender colours, with dark harmonious earth shades to make the smooth textures advance, and to radiate in a hypnotic quality. Such frivolity having integrated into print development, seeming to convey a very stylistic aesthetic, I wanted further exploration to circulate around a discussion on taste. It was all the more enticing to use figurative, hand-rendered applications to fully utilize the provoking combinations of imagery I was sourcing. As a reaction against notions of good taste, bad taste is fully explored through archetypical motifs of the grotesque and the beautiful, with the writings of Umberto Eco being of key influence. The outraged Eco’s humorously dry take on objects of American ‘Hyper-real’, (almost perfectly fake ornamental replicas of icons in European arts/culture), inspired me to juxtapose the crude imagery with more traditional academic art. Florid pencil drawings of botanics and genitalia with leafy foliage have evolved into monstrous print placements. Ref. to the Cockasaurus below: cock·a·saurus [cok-a-sawr-us] n (Earth Sciences / Palaeontology) any large carnivorous bipedal dinosaur of the genus Cockasaurus, common in North America in upper Jurassic and Cretaceous times: suborder Theropoda (theropods) chracteristics: the body of a tyrannosaurus rex and the head of a penis. [from New Latin, from Greek cockannos tyrant + sauros lizard] ------------------------------ EDUCATION: 8==D University of the Arts London: 2013 London College of Fashion BA Fashion Design and Technology: Surface Textiles: Print 8==D University of the Arts London: 2010 Central Saint Martins College of Art and Design Foundation Studies Art and Design 8==D British Institute of Florence: Summer 2009 Charles H Cecil Studios Life and Cast Drawing: Short course ------------------------------ INDUSTRY EXPERIENCE: 8==D Peter Pilotto: Pattern Cutting Intern: January-February 2012. 8==D Hermione De Paula: Print Design Assistant: August-October 2010. ------------------------------ ACHIEVEMENTS: 8===D LCF School of Design and Technology Annual 2013 for the BFC 
8===D Selected as a participant for Fauna and Flora project 2013 8=D Producing T-shirt design entries for the Royal Horticultural Society
. 8=D Digital placement prints for a collaborative photo shoot with womenswear designers, Emily Bishop (dress) and Daniel Service (headpiece). 8===D 
 Selected as participant for Illustration 2013
 8=D Shortlisted for the „Nina de York“ Illustration Award“ 2013. 8===D LCF Press Show, Collaboration with womenswear designer, Christina Tiran, July 2013 8===D Nominated for 'Texprint 2013' ----------------------------- SKILLS: 8=D 
 Adobe Creative Suite, CAD: Colour Matters, Ethos software for laser cutting, pattern scanner. 8==D 
 Technical drawing 8===D 
 Strong hand drawing and Illustration skills, experienced with life drawing 
8====D 
 Specialized in print techniques/equipment: including screen printing (Acid, Discharge, Devore, Procion, Polychromatic), digital printing, Sublimation, fabric dying. 8=====D 
 
Basic knowledge of flat pattern cutting and industrial sample machining. 8======D 
 
Knitting: hand and (domestic) machine knitting 8=======D 
 Embroidery: hand and machine (irish, cornely, tanaka) FULL CREDITS: 8==============D FAUNA & FLORA; #1,2 Photographer: Kasia Wozniak Creative Direction: Rob Phillips Nail Art: Lauren Michelle Pires Beauty: Pace Chen Model: Sophia at Select HYPER-REAL; #3-7 Photographer: GMGP Beauty: Pace Chen Model: Sophie at Profile Models

BA (Hons) Fashion Design Technology: Womenswear

"The local outsider" The story is started from a 75 minute-long awareness-raising documentary about Lao Hmong and my personal feeling after a Paris vacation in 2012. "Hunted Like Animals" was filmed by refugees who fled from Laos to Thailand explain what the military inside of Laos did to them, while they were running and hiding, half starved, from the attacks by the soldiers ~ over 30 years after the Vietnam War ended Link:http://www.sommerfilms.org/documentaries/Hmong/index.php Have you ever trapped in gypsies gold ring scam? It makes me concern about the reason behind after I have met more then eight gypsies scam artist in one day. They are all suffering from extremely poor living standard, negative social stereotype and enforce removal from their home. In order to express my concern and intention to rise public awareness. " The local outsider" was born.A collection to promote ethnic harmony by rising awareness of two oppressed minority - Laos Hmong and EU-Roma. Me and Zoe Sterling have recently collaborated for the FMP photo shoot. Zoe's collection is based on 60s nostalgia and children's artwork. For details: http://showtime.arts.ac.uk/ZoeSterling Work: Christopher Kane (London) Pattern Design Department internship (Apr, 2012 - Jun, 2012) Zoe Bradley Design Ltd. (London) Studio Assistant internship (Jan, 2012 - Apr, 2012) Caro Carini Children wear (London) Sample making Assistant internship (Nov, 2011 - Dec, 2011) initial Fashion (Hong Kong) Design Assistant (Internship) (December 2009- February 2010) Bronfree Development (H.K.) Ltd Design Assistant (June 2007 - August 2007) Hong Kong Textile Ltd Design Assistant (June 2006 – Aug 2006) Achievement: 2011 Edwin jeans Denim Design Competition -Most Stylist Award 2010 Hong Kong Fur Design Competition2010 -Finalist (Full-Fur & Fur-Combination Categories) 2009 Hong Kong 2009 East Asian Games -Excellence Award (Fashion and Accessories Collaboration Project) Western Market Fashion Design Competition -Finalist New Glamorous from Nature Fashion Design Competition -Second -Runner up (HKJC & SaSa Cosmetics) Press: Shoreditch Fashion Show 2013 Booom gallery exhibition London College of Fashion Press Exhibition- Video iSko denim competition- selected student Website: http://yimhin.blogspot.com/ LCF First Move : http://my.lcffirstmove.co.uk/graduates/8319 Twitter - https://twitter.com/YIMMANHIN LinkedIn - http://www.linkedin.com/pub/man-hin-yim/69/4b3/903 yimhin@gmail.com Look book: Photography:GMGP photography, Tim Hill and James Aubrey Finnigan. Sequin Bags:Zoe Sterling Hair Stylist: Pace Chen Make up artist: Andrea Gomez Anzola The Local Outsider S/S 2014 Video: Art Direction: Rob Phillips & Man Yim Video: Valentina Dell'Aquila Model: Shareen Kaur Make up: Lucy Starke Hair Style: Suze Smethurst Set Design: Man Yim & Pui Yee Tong Fashion: Man Yim Music: Peaking Lights " All the sun the shines"

BA (Hons) Cordwainers Accessories: Product Design & Development

The Mikelis ethos is to provide consumers with a new experience, by stimulating thoughts and emotions as we break the boundaries of fashion and cross into conceptual art. Desiring to have an effect in society with romantic and daring designs. Products are statement pieces, which aim to awaken the desired beauty in the beholder. All cultures have practiced sacrifice in one way or another, some cultures with more vehemence than others. Almost every human being, whether religious or not, throughout history has “sacrificed” or “offered” something in return for a goal. Whether sacrificing time, or in the extreme case of human beings, the concept of sacrifice has been with us since the beginning of time. Today’s society is far too removed from the origin of the word sacrifice i.e sacred- because of the omnipresent individualism that is embedded in consumerism. Similar to the Aztec belief that they were each a part of a ‘greater cycle, a repeated and recreated universe in which successive worlds were born, lived and died. Their part in this evolution of the world was temporary and transient. They were spokes of a wheel, which continually turned, essential but tiny part of a larger system. As individuals they were insignificant but their shared activity perpetuated their whole world and sustained the gods. The Human Sacrifice is a collection of luxury artefacts and accessories, which bridge the divide between sculpture and product. The creative designs are realised through the use of striking materials, traditional craftsmanship and modern technology, each piece skilfully crafted by a London artisan at an in house production studio resulting in a truly exclusive luxury product. Christinamikelis@live.com IMAGES: Photographer: Riccardo Raspa Photographer Assistant: Konstantinos Noulis Stylist: Katarzyna Re Hair and Makeup: Helena Card Hair and Makeup assistant: Ruth Kelly Model: Alex Mikelis

FdA Tailoring

Joshua Jeffrey Millard, the Farmers son from Dorset has brought his rural routes to the city of London, where he has developed the ability through learning Bespoke and Production Tailoring techniques to give body to his fantasies. Fantasies of which correlate around the beauty of the female form and fuse his rural-urban layers of inspiration together to create unique, quality garments. ‘My ambition has always been to resuscitate the tradition of British pride and the attitude towards ones own appearance, in turn rejuvenating the spectacle of class and enabling my clientele to differentiate themselves from the masses’ He realises the importance of understanding construction when designing, hence from a young age he taught himself and practiced the skill of pattern cutting, and after finishing his A-Levels made the move to the metropolis of London in order to learn the fine art of tailoring, in both Bespoke and Production techniques. His relocation to London has made him susceptible to different cultures and given him an initial insight into the reality of modern life. This has resulted in a catalyst effect upon the maturity and complexity of his work, and with this effect occurring over an 18-month period he hopes to develop his technical ability even further on the BA Bespoke Tailoring degree he is to bridge onto this coming year.

BA (Hons) Cordwainers Accessories: Product Design & Development

My collection is a ode to modern sportswear and the street-style culture within London today whilst merging it with the luxury accessories industry primarly using leather. The key phrase being ‘Street elegance’. It is a modern luxury accessories collection and brand which has a modern sportswear undertone. My collection embodies the casual cool street-style of the London girl. Photography and Art Direction-Yasameen Noorian, Model- Leela Noorian Styling-Mercedes Dinham Mercedesdinham@gmail.com

BA (Hons) Cordwainers Accessories: Product Design & Development

Open for projects and collaborations specialising in leather handbags. My work is based on origami and the colours and textures seen in butterflies. The materials of the collection consists of leather and laser cut Perspex held in place by silver screws. Industrialism and nature is translated through the use of materials; two opposing ideas. The perspex represents fragility and the screws gives an industrious feel to it. The mood of the collection takes inspiration from minimalism seen in the clean lines and three dimensional forms. Contact: evie.558@googlemail.com

Graduate Diploma in Fashion Design Technology

Pattern Cutter, Womenswear Designer, http://www.linkedin.com/pub/elizaveta-novikova/50/a26/a06 http://my.lcffirstmove.co.uk/graduates/6930 --------------------------------------------------------- Education: Oct2012-On going Graduate Diploma in Fashion Design Technology Oct2011-June2012 BA(Hons): Fashion Design Technology Womenswear (London College of Fashion). Oct2009-Jul2011 FDA FDT in Pattern Cutting (LCF) Sept2008-June2009 Fashion Portfolio (LCF) Employment: Summer2010 Digital Print Bureau LCF Work involved assisting through the whole process after image has been send to print. Feb2011 and June 2010 Interpreter for delegates from Uzbekistan Textile University. Work involved translating from English to Russian and vice versa as well as accompany and introduce visitors to local vintage, antique and secondhand charity shops. Work expiries: Aug2012-Jan2013 SALONI London Design Intern. Work involved making technical packs, toiles, patterns and researching for inspiration. Please see my CV for more information. ----------------------------------------------------- Contact: nov.elizaveta@gmail.com -------------------------------------- http://larinne.blogspot.co.uk/2012/07/london-college-of-fashion-2012.html http://www.fashionrider.com/blog/153-anna-kerenina http://www.supplementaire.org/big-young-woman-by-federico-sorrentino-for-supplementaire-11/ -------------------------------------- http://www.elizavetanovikova.com/

BA (Hons) Fashion Design Technology: Surface Textiles

Olivia Howick is a Surface Textiles for Fashion student specializing in embroidery and embellishment, with a passion for transforming unexpected materials into luxurious fashion embellishment. Her graduate collection: ‘Medicate Me’ is a high-end ready to wear womenswear collection, designed with the intention of retailing during Spring/Summer 2014. This collection demonstrates the collision of contemporary and traditional approaches to medicine, through the exploration of Native American culture and advances in scientific medicine.The collection draws upon a textile tradition, and transforms it to demonstrate a clinical aesthetic which will appeal to the contemporary consumer. Exploration of new materials, in particular the use of PVC, has allowed for highly creative and innovative textile development through embroidery processes, that reflect on traditional craftsmanship, whilst evoking a clinical and medicinal aesthetic. Transforming materials is becoming an increasingly important aspect of Olivia’s work. This collection saw PVC hose pipes cut, dyed and stitched to become PVC beadwork. Combining this with satin stitch work and screen printed fabric, Olivia likes to work with both traditional aspects to textile design as well more unconventional material. Integral to Olivia’s practice is her illustration and drawing. Specializing in highly detailed hand rendered work, her illustration style is graphic, yet rich in textile inspired texture and detail. Olivia was selected as a finalist for the Nina de Yorke fashion illustration prize, and has also been shortlisted to compete to illustrate for the Maria Luisa website. Olivia has been selected for the LCF Press Exhibition 2013 and will be exhibiting a sculptural textile piece which demonstrates the concepts surrounding her Final Collection, as well as showcasing new textile development. EDUCATION_ >London College of Fashion, University of the Arts London BA (Hons) Fashion Design Technology:Surface Textiles (2010-2013)>Manchester School of Art Foundation Diploma in Art and Design: Distinction (2009-2010) INDUSTRY EXPERIENCE_ >Alexander McQueen: April-July 2012[London],October 2012 [Paris]: Embroidery Intern>Jane Bowler: September 2012: Studio Intern>Emilio de la Morena: October 2011-January 2012 (part time): Studio/Textiles Intern>Markus Lupfer: May-July 2011(part time): Studio Intern>Beyond Retro:February-April 2011 (part time): Print and Textile Archive Intern EXTRA CURRICULAR+ACHIEVEMENTS_ >Work selected for the London College of Fashion School of Design and Technology Annual 2013 for the BFC, presented at the BFC Graduate Preview Day>Shortlisted for the BFC Chloe Design Competition>Selected as participant for Illustration 2013 -Nina de Yorke Fashion Illustration Competition Finalist -shorlisted for the marialusia.com fashion illustration competition -LCF School of Design and Technology Illustration Annual 2013 >Selected as a participant for the FLORA&FAUNA Project - producing T-shirt design entries for the Royal Horticultural Society -collaborative photo shoot, producing digital prints for a dress and headpiece SKILLS_ Adobe Photoshop,Illustrator and Indesign programmes Illustration specializing in hand rendered work Hand Embroidery and embellishment CAD/CAM: Wilcom software for digital embroidery CAD/CAM: Ethos software for laser cutting Specialized Embroidery equipment: craft machines including: irish/cornely/babylock/tanaka/industrial bernina Basic knowledge of flat pattern cutting and grading for womenswear Screen Printing Digital Printing Domestic Knitting Machine Technical Drawing PRESS_ Idol magazine May 2013: http://idolmag.co.uk/blog/olivia-howick-womenswear-collection Brooom fashion showcase, Redchurch Street May 2013: http://www.brooom.co.uk/ https://www.facebook.com/photo.php?fbid=336824743112821&set=a.330067753788520.1073741828.329427400519222&type=1&theater Madame Peripetie's Dream Sequence http://www.madameperipetie.com/>LCF SCHOOL OF DESIGN AND TECHNOLOGY ILLUSTRATION ANNUAL 2013: PAGES 19-22 http://issuu.com/london_college_of_fashion/docs/sdt-illustration_annual-2013-issu-h>LCF SCHOOL OF DESIGN AND TECHNOLOGY ANNUAL FOR THE BFC: PAGE 33 http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 FULL CREDITS_MEDICATE ME All Garments, Bags and Shoes: Olivia Howick Sunglasses: Sarah-Jane Cook at 'Spangled' http://shop.spangled.co.uk/ Photography: Maximus Barnett Model: Lucy at Next http://www.nextmanagement.com/ FULL CREDITS_FAUNA&FLORA Creative Director: Rob Phillips Photography: Kasia Wozniak www.kasiaw.com Model: Sophia at Select Beauty: Pace Chen www.pacechen.com Beauty assistants: Yura Do and Melissa Wong Nail Art: Lauren Michelle Pires http://laurenmichellepires.com

MA Fashion Design Technology (Menswear)

Yan Yu Cheung, Octo set as a metaphor of fashion alchemist in life. She fascinates in the new textile technique continuously season by season which is a scientist endeavour for the philosopher’s stone. She aims to create a trend called "antique innovation". It is a step backward from the historical technology to the new thing. Not just superficial digital technique can fulfill it. She also states that inheriting the history is a responsibility from a designer. In her MA Menswear Collection, all the boys are her alchemical homunculus. Since alchemy is a spiritual topic which is different from the shallow inspiration from photography or art work. The conscious and subconscious approach is the indispensable process from ancient literature in alchemy to relative design development. Interpreting the elusive concept in text to actual thing is conducted by understanding the balanced way in alchemy, no matter the change from metal to gold or the creation of philosopher’s stone. All the process they devised which proceeded by separation and reunification such as liquefaction, which transform solid to liquid in alchemy. Something was devoured and reformed theoretically. She made change on traditional cable stitch on knitwear, a chemical process by hand adopted on the surface to create a new image. Besides, original form of suit jacket faded on shirt or kimono, so as to create the imperfect chaotic stage of cheap metal gold making. The garment paused the combination from two substance into a compand in order to project an innovative cutting. "The interpretation of dreams is a great art." If you are curious how to develop the unique pattern cutting or her signature knitwear technique, Please click Octo’s personal website for portfolio Website : http://www.octocheung.com/ E-mail : info@octocheung.com

BA (Hons) Fashion Design Technology: Surface Textiles

Contact email: jdj.lin@gmail.com Deformity free is an Autumn/ Winter 2013 women knitwear high- end collection inspired by minority groups of people who has disability or illness that affects their appearances, in order make contrast and question nowadays’ “standard of beauty” created by the world’s society. In depth research further assisted the design development to explore the possibilities between a normal body carrying an abnormal feature garment- that represents the minority body shape, wearers are able to distort their garment optionally through the way they wish to wear it, result creates unexpected unique silhouettes after worn on body. The key concept of the collection: it is filled with deformity possibilities controlled by wearer, reflecting those who were naturally born impairment bodies can also be considered as a form of beauty within the fashion world and everyday society. ------------------------------------------------- Looks Complete Online View: http://issuu.com/jezlin/docs/jezlin2013 Credits- Designer + Stylist: Jess Lin Photographer + Stylist: Jeanette Tang Model: Emily @ M+P Models Make up Artist: Mutsumi Shibahara

BA (Hons) Fashion Jewellery

Born in Israel, Liron Kliger is a London based jewellery designer who graduated a BA (HON) in Jewellery Fashion Design at the London College of Fashion. Liron developed a passion for jewellery design whilst completing a foundation in fashion design course at West London College, Liron developed a love for raw materials and desire to create unique pieces encompassing the form and essence of the material used. The primary influence on Liron’s work (apart from the raw materials) evolved from years spent living and travelling in cosmopolitan cities including Barcelona, Paris, Milan and Tel Aviv. Liron was exposed cultural idiosyncrasies which in turn influenced the way in which she combines / uses materials and their subsequent adaptation to her needs. Liron’s latest project developed from a fascination with snakeskin and infatuation with catwalk pieces; motivating her to create her own interpretation via snakeskin inspired bangles. Liron’s previous catwalk projects include a large feathered neck piece and oversized dice jewellery. In the foundation year of her BA Liron was awarded third place in the UK in a competition run by the Metro newspaper for her creation of a jewellery body suit utilising recycled materials. (http://www.westlondoncollege.com/courses/fashion_news.php) Copyright © Liron Kliger 2012 Press: http://www.westlondoncollege.com/courses/fashion_news.php http://www.westlondoncollege.com/courses/fashion_metro.php Featured in LCF press exhibition review http://fashitects.blogspot.co.uk/2012/06/lcf-press-exhibition-2012-part-1.html Featured in 'DOY Design On You' blog: http://designonyou.me/2012/06/25/jewels-design-liron-kliger/ Featured in 'Adorngirl' blog: http://adorngirl.com/london-college-of-fashion-ba-graduate-exhibition-2012/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/fine-print/?pid=835#picgallery Featured in IDOL magazine: http://www.idolmagazine.co.uk/fashion-interview/liron-kliger Featured in a fashion film 'beautiful killer' : http://www.youtube.com/watch?v=tyAkcpLVz8w Featured in the 'Word magazine': http://thewordmagazine.com/style/the-fashion-world-of-london-based-belgian-photographer-gael-delhaye/ Featured in 'Fashion156.com' http://www.fashion156.com/daily-blog/jewellery-liron-kliger-2/ Featured in business boom collective website: http://businessboomcollective.com/1224/liron-kliger/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/when-it-rains/?pid=921#picgallery Featured in Institute magazine Feb 2013: http://institutemag.com/2013/02/01/under-grey-skies/under-grey-skies3/ Featured in Miss Margaret Cruzemark Feb 2013; http://margaretcruzemark.blogspot.co.uk/2013/02/liron-kligers-cultural-idiosyncrasies.html?spref=fb Featured in 'Ethike': http://ethikee.blogspot.co.uk/2012/12/love-snake-inspired-bracelets-by-liron.html?showComment=1361372841669#c5703089216410025242 Featured in 'Fashion tips': http://coolandthebang.com/2013/02/04/fashion-tips/ Featured in Young British Jewellers website: http://youngbritishjewellers.co.uk/ Featured in Vogue Italia- march 2013 http://www.vogue.it/photovogue/Portfolio/26e917e3-b53a-408e-8a8a-b6d81725ba20/Image Featured in Joie de vivre blog: http://sophiessoiree.blogspot.co.uk/2013/03/hi-people-welcome-to-my-blog-of-all.html?spref=fb Featured in vimeo for KapriTV: http://vimeo.com/63507361 Featured in Edelweiss magazine: http://www.edelweissmag.ch/edelweiss/mode/sweet-india Featured in Paperchasers ink magazine issue two: http://issuu.com/paperchasersink/docs/paperchasers_ink_--issue_two Behind the scene video April 2013: http://www.youtube.com/watch?v=N12rKKOcdhU&feature=youtu.be Behinde the scene blog by Margaret Yescombe: http://www.margaretyescombe.com/behind-the-scenes-photos-colourful-studio-beauty-jewellery-photo-shoot/ Featured in 'The LC LEE brand' tumbler: http://thecfleecflee.tumblr.com/ Fashion show Pacha may 2013: http://www.youtube.com/watch?v=8T6-W_50G9E Featured in 'Urban coco' May 2013: http://www.urban-coco.com/fabryan-takes-on-malt-fashion-week/ Featured in 'Fashionstyleology' May 2013: http://fashionstyleology.com/liron-kliger-aw1314-look-book/?t=LIRON+KLIGER+AW13%2F14+LOOK+BOOK Featured in Notion magazine May 2013: http://www.planetnotion.com/2013/05/09/shoot-spots-vs-stripes-and-all-things-nice/ FaceON magazine photoshoot featuring my jewellery on fashionTV: http://www.youtube.com/watch?v=3BOa_JyG5SM Featured in KULTBLUT magazine May 2013: http://www.kaltblut-magazine.com/april-illyj-and-pipa/#.UZ8nIeg-wEA.facebook Featured in 'Rough cut' exhibition at 'DARKROOM-London' 6-12/06/2013 Featured in LCF news June 2013: http://blogs.arts.ac.uk/fashion/2013/06/12/jewellery-students-exhibit-at-darkroom/ Featured in 'Fancy- stylecanteen: http://www.fancy.com/stylecanteen Featured in a fashion film directed by Mauro Fiorito: ' You are about to meet yourself' June 2013: http://www.pittidiscovery.com/en/discovery/events/current/opencall/Fiorito.html http://dianepernet.typepad.com/diane/2013/06/fondazione-pitti-discovery-and-asvoff-celebrate-turkey-with-fashion-films-that-are-inspired-by-or-ab.html http://vimeo.com/66056279 Contact me through: Email: liron_kk@yahoo.com Mobile number: 07773018951 https://www.facebook.com/LironKligerJewellery?ref=hl https://twitter.com/Liron_Kliger http://instagram.com/lironkliger http://pinterest.com/lironkliger/

BA (Hons) Fashion Design Technology: Womenswear

Statement | A London College of Fashion Womenswear Design student with a playful, humorous aesthetic, and a colourful outlook. Specific interest in contrasting unusual fabrics, textures and colour combinations, always creating juxtapositions and constantly challenging the eye. | Never too old to play dress up | The initial inspiration for this collection came from memories of my grandmother and her eclectic style, love of colour, print, hand made texture and all things maximal. Her individual style inspired an exploration deeper into the idea of personal identity and how clothes are used everyday to express feeling, personality and individuality. Particularly looking at this in terms of age and how age affects style and the ability to express oneself visually. This strong attraction to powerful individuality began an investigation into age and it's effect on style, identity and image. Looking closely at age gave a new insight into fashion and style and how this changes as we grow older, and the effect that society has on the ability to express identity through clothing the older we get. Researching into the effect that cheap mass production and fast fashion is having on our expression of individuality through clothing and the old idea of buying something to treasure instead of disposing of it when fashion moves on. This research unearthed some inspiring characters for whom despite their age everyday is an opportunity to play dress up. To be expressive visually and push boundaries that come with age and stereotype. To have the confidence and audacity to be completely themselves and only themselves, why be anything else? In particular 90 year old Ilona Royce Smithkin, who’s love and passion of expressing herself using colour inspired the idea of relishing colour and creating a powerfully colourful collection. A strong theme explored in this collection was the sense of idiosyncratic individuality, it was important to explore elements in a personal way and because of this the collection includes hand dyeing, with hand mixed dyes, hand spun wool and hand knitting, constantly referring back to an expression of individual style. The hand dyed and knitted garments are intergrated throughout the collection the soft, bubbly, fluffy uneven texture of the hand spun wool is juxtaposed with the slick shiny surface of metallic Lame`. Exploration of dyeing already coloured silk prints and creating these prints in new colourways creating a sense of personality. | Tea Party Photoshoot Credits | Make up - Virginia Bertolani Model - Kate Stephens Hair - Kim Wade Styling - Gianfranco Colla |Tablets of the Memory Fashion Film | Director / Designer : Felicity Gransden D.O.P. / Editor / Camera : Christopher Slater Model 1 : Kate Stephens Model 2 : Hannah Gilbert | Ladies of the Counterfeit credits | Director of photography - Colin Greenall Hair and Make up - Emily Franks and Hollie Lewis Models - Lo @ Union & Lexi @ Union Education- London College of Fashion BA (Hons) Fashion Design Technology: Womenswear | September 2012 to present | London College of Fashion FDA Fashion Design Technology: Designer Pattern Cutter | September 2010 - June 2012 | London College of Fashion Fashion Portfolio | September 2009 - June 2010 | Work Experience- Mary Katrantzou Studio Intern/ Show Dresser | August 2012 - September 2012 | Press & Publications - Issue 5 | Pigeons & Peacocks The Shoreditch Fashion Show 2013 http://www.nssmag.com/fashion/4495/felicity-grandsen-first-collection Skills- Pattern Cutting Adobe Illustrator Adobe Photoshop Adobe InDesign Drawing and Technical Drawing [Hand and using Illustrator] Illustration Manufacture [Domestic and Industry machinery] Website - http://www.felicitygransden.com/ LCF First Move - http://my.lcffirstmove.co.uk/graduates/7175 Twitter - https://twitter.com/FGransden LinkedIn - http://uk.linkedin.com/pub/felicity-gransden/6a/a83/445