BA (Hons) Cordwainers Accessories: Product Design & Development

Jessica Hearnshaw is an Accessories Designer based in London who's focus is around the design and craftsmanship of high quality conceptual leather goods. This collection’s focus is on accessories that have a integral relationship to what they contain. That are as fascinating to unwrap, as a gift is to open. Inspired specifically by traditional japanese packaging which has a strong minimalist aesthetic. A key notion of japanese packaging is that the gift and the act of unwrapping the gift, is just as important as what is inside. This art form would wrap a given object in whatever materials lay at hand. The outcome was often not only practical for storage and transporting the object but also produced a simple beautiful shape free of all excess and extravagance ----------------------------------------------- Credits: Images 1 - 5: Art Director: Benjamin Thapa, Photographer: Giulia Zucchetti, Model: Max @ Profile, Stylist: Irene Manicone, Makeup: Nichola Mai Images 6 - 9: Art Direction & Photographer: Benjamin Thapa Image 10 - 11: Photography: Anthony John Sayer Creative Director: Rob Phillips Beauty: Pace Chen Model: Rosemary Banks

BA (Hons) Fashion Design Technology: Surface Textiles

INSANE IN THE MEMBRANE “We felt the degeneration of our own bodies and the erosion of our self-confidence. We were horrified at the thought of what we might become after a year or two of confinement and therapy on Ward 81.” Folger, Ward 81. ‘Insane in the Membrane’ is a contemporary textile based collection re-instating the desire for craft in clothes, with inspiration deriving from abandoned Mental Hospitals and the patients that had been within. __________________________________________ Education: University of the Arts London, London College of Fashion -BA(Hons) FDT, Surface Textiles 2010-2013 University of the Arts London, London College of Fashion -Foundation Diploma 2009-2010 __________________________________________ Skills: Design Development Fabric analysis colour analysis Tanaka embroidery machine Irish and Cornely embroidery machines CAD/CAM embroidery design laser cutting screen printing Adobe programs __________________________________________ Experience: Jane Bowler April 2012-September 2012 POSITION:Textile collaboration Fannie Schiavoni: July2010-October 2011 POSITION: Studio Manager Take That ‘Progress Live’ Tour, 2011 WORKING FOR: Moritz Waldemeyer POSITION: Production seamstress and electronics assistant http://vimeo.com/27194426 ‘Rihanna Rated R exhibition’ at the O2, London 2011 WORKING FOR: Paul Lilley (Curator at The Great British Music Experience) POSITION: Costume assistant Imogen Heap ‘Propella Seeds’ music video 2011 POSITION: Assistant to Stylist (Fannie Schiavoni) and Artistic Director (Simon Henwood) http://www.youtube.com/watch?v=y7FhBiF5_ls&ob=av2e __________________________________________ All foils are sponsored by Foilco http://www.foilco.co.uk Quilting in collaboration with WorkWise (A charity based company with a craft department that provides rehabilitation for adults who are recovering from varied forms of mental heath problems) http://workwise.org.uk __________________________________________ Insane In The Membrane Photo Credits: Model: Kirsty Robson Photography and Creative Direction: Diana Beavers __________________________________________ ISKO Project Credits: Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Gemma at Select __________________________________________ elliesweeney10@googlemail.com 07515774917

BA (Hons) Technical Effects for Performance

Presenting itself in the form of a white ford van, 'Transit' is a surprise pop up bar. A hidden botanical experiment serving fruity cocktails as nectar straight from the hummingbird's beak, sweet sugary treats and poisonous plant shots for the brave. An Eden after the apple. Art director and set designer making props, ornaments, sculpture and models, for Theatre, Themed Events, Exhibitions, Private Parties, Retail, TV, Film and Fashion. Characteristically ambitious, inventive designs that catch the eye. E: dannyhardmanhyland@gmail.com T: 07795803710

BA (Hons) Fashion Design Technology: Surface Textiles

Copyright © 2013 Devika Rattu ______________________________FLORAL DECAY Devika Rattu is a Surface Textiles Designer specialising in Print through traditional screen-printing and digital printed textiles. Her work explores printing and dyeing techniques with a modern twist by distorting and warping her artwork to create something distinctly unique. Her Spring/Summer 2014 collection Floral Decay is a high-end womenswear collection, which stemmed from the idea that man-made cites are created by destroying natural landscapes. Then when man no longer has use for the structures, the invasion of nature and the decaying process takes over and creates something delicately beautiful, fragile and unique. Looking at the visual record of physical decay shown in the work of Marchand and Meffre’s ‘Ruins of Detroit’ the photography explores abandonment by people, society and the presence of past lives within the derelict buildings. The collection draws on traditional print processes of Devore and dyeing used in a contemporary way with unconventional fabrics. The techniques have been extensively refined to showcase a highly creative development of textiles. Both techniques required long periods of time to explore, test and perfect, creating a distinctive collection. The dyeing and printing process has been a fundamental aspect to the collection. The importance of colour is paramount to Devika’s vision through her collection, especially the transformation of her artwork into printed textiles. An integral part to the development of Devika’s work is her floral illustrations. Specialising in organic watercolours paintings rich in colour, distorted and warped to form graphic structural shapes, which won her a prize for Chelsea Flower Show competition and an annual membership to the Royal Horticultural Society. Then developed for the illustration competition Nina De Yorke and used to develop an instillation for the 2013 LCF Press Exhibition. ______________________________EDUCATION London College of Fashion Ba (Hons) Fashion Design Technology_Surface Textiles 2010-2013 London College of Fashion Foundation Diploma in Art and Design 2009-2010 ______________________________WORK EXPERIENCE Anna Sui -New York- Pattern Making Intern July-September 2012 Giles -London- Sample Room Intern January-May 2012 Freelance Print Designer_ Mirjam Roudén -London- Design Intern April-May 2011 ______________________________ ACHIEVEMENTS Runner up_Chelsea Flower show t-shirt competition Annual membership for The Royal Horticultural Society Collaborative photo shoot, producing 2 dresses and a headpiece for Fauna & Flora
 Selected as participant for Illustration 2013
 Finalist for Nina de York Illustration Competition ______________________________SKILLS Adobe_ InDesign, Photoshop and Illustrator Screen printing_ discharge, devore, polychromatic, acid, procion_ sublimation Dyeing Digital Printing Domestic embroidery and knitting machines Drawings and technical drawings Pattern Cutting ______________________________CREDITS _FAUNA + FLORA_ Print_ Devika Rattu Dress_ Sofia Ilmonen Creative Director_ Rob Philips Photographer_ Kasia Wozniak Models_ Sophia at Select and Katharina at M+P Beauty_ Pace Chen Nails_ Lauren Michelle Pires _FLORAL DECAY_ Photographer_ GMGP Model_ Sophie at Select Beauty_ Pace Chen

BA (Hons) Fashion Contour

Lingerie Designer & Technologist. A dedicated, motivated and creative perfectionist with a true passion for luxury lingerie, from design to production and sales. Knowledgeable about all aspects of lingerie including development and technical; having gained valuable experience through working with Agent Provocateur, Kiki de Montparnasse, Myla and Harrods; through placements and employment. The final collection is inspired by hidden secrets of New York discovered during the designers time immersed in the city during placement year. Unexpected sights and brief moments of beauty are represented through laser cut leather, lace and silk realisations. Contact: email: robynlouisa@gmail.com mobile: 07553069699 Photoshoot: Photographer: Benjamin Carr Evans Stylist: Katharina Geissler Model 1: Jessica Priestley Model 2: Kristina Guberman MUA: Hannah Powling

BA (Hons) Fashion Jewellery

Born in Israel, Liron Kliger is a London based jewellery designer who graduated a BA (HON) in Jewellery Fashion Design at the London College of Fashion. Liron developed a passion for jewellery design whilst completing a foundation in fashion design course at West London College, Liron developed a love for raw materials and desire to create unique pieces encompassing the form and essence of the material used. The primary influence on Liron’s work (apart from the raw materials) evolved from years spent living and travelling in cosmopolitan cities including Barcelona, Paris, Milan and Tel Aviv. Liron was exposed cultural idiosyncrasies which in turn influenced the way in which she combines / uses materials and their subsequent adaptation to her needs. Liron’s latest project developed from a fascination with snakeskin and infatuation with catwalk pieces; motivating her to create her own interpretation via snakeskin inspired bangles. Liron’s previous catwalk projects include a large feathered neck piece and oversized dice jewellery. In the foundation year of her BA Liron was awarded third place in the UK in a competition run by the Metro newspaper for her creation of a jewellery body suit utilising recycled materials. (http://www.westlondoncollege.com/courses/fashion_news.php) Copyright © Liron Kliger 2012 Press: http://www.westlondoncollege.com/courses/fashion_news.php http://www.westlondoncollege.com/courses/fashion_metro.php Featured in LCF press exhibition review http://fashitects.blogspot.co.uk/2012/06/lcf-press-exhibition-2012-part-1.html Featured in 'DOY Design On You' blog: http://designonyou.me/2012/06/25/jewels-design-liron-kliger/ Featured in 'Adorngirl' blog: http://adorngirl.com/london-college-of-fashion-ba-graduate-exhibition-2012/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/fine-print/?pid=835#picgallery Featured in IDOL magazine: http://www.idolmagazine.co.uk/fashion-interview/liron-kliger Featured in a fashion film 'beautiful killer' : http://www.youtube.com/watch?v=tyAkcpLVz8w Featured in the 'Word magazine': http://thewordmagazine.com/style/the-fashion-world-of-london-based-belgian-photographer-gael-delhaye/ Featured in 'Fashion156.com' http://www.fashion156.com/daily-blog/jewellery-liron-kliger-2/ Featured in business boom collective website: http://businessboomcollective.com/1224/liron-kliger/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/when-it-rains/?pid=921#picgallery Featured in Institute magazine Feb 2013: http://institutemag.com/2013/02/01/under-grey-skies/under-grey-skies3/ Featured in Miss Margaret Cruzemark Feb 2013; http://margaretcruzemark.blogspot.co.uk/2013/02/liron-kligers-cultural-idiosyncrasies.html?spref=fb Featured in 'Ethike': http://ethikee.blogspot.co.uk/2012/12/love-snake-inspired-bracelets-by-liron.html?showComment=1361372841669#c5703089216410025242 Featured in 'Fashion tips': http://coolandthebang.com/2013/02/04/fashion-tips/ Featured in Young British Jewellers website: http://youngbritishjewellers.co.uk/ Featured in Vogue Italia- march 2013 http://www.vogue.it/photovogue/Portfolio/26e917e3-b53a-408e-8a8a-b6d81725ba20/Image Featured in Joie de vivre blog: http://sophiessoiree.blogspot.co.uk/2013/03/hi-people-welcome-to-my-blog-of-all.html?spref=fb Featured in vimeo for KapriTV: http://vimeo.com/63507361 Featured in Edelweiss magazine: http://www.edelweissmag.ch/edelweiss/mode/sweet-india Featured in Paperchasers ink magazine issue two: http://issuu.com/paperchasersink/docs/paperchasers_ink_--issue_two Behind the scene video April 2013: http://www.youtube.com/watch?v=N12rKKOcdhU&feature=youtu.be Behinde the scene blog by Margaret Yescombe: http://www.margaretyescombe.com/behind-the-scenes-photos-colourful-studio-beauty-jewellery-photo-shoot/ Featured in 'The LC LEE brand' tumbler: http://thecfleecflee.tumblr.com/ Fashion show Pacha may 2013: http://www.youtube.com/watch?v=8T6-W_50G9E Featured in 'Urban coco' May 2013: http://www.urban-coco.com/fabryan-takes-on-malt-fashion-week/ Featured in 'Fashionstyleology' May 2013: http://fashionstyleology.com/liron-kliger-aw1314-look-book/?t=LIRON+KLIGER+AW13%2F14+LOOK+BOOK Featured in Notion magazine May 2013: http://www.planetnotion.com/2013/05/09/shoot-spots-vs-stripes-and-all-things-nice/ FaceON magazine photoshoot featuring my jewellery on fashionTV: http://www.youtube.com/watch?v=3BOa_JyG5SM Featured in KULTBLUT magazine May 2013: http://www.kaltblut-magazine.com/april-illyj-and-pipa/#.UZ8nIeg-wEA.facebook Featured in 'Rough cut' exhibition at 'DARKROOM-London' 6-12/06/2013 Featured in LCF news June 2013: http://blogs.arts.ac.uk/fashion/2013/06/12/jewellery-students-exhibit-at-darkroom/ Featured in 'Fancy- stylecanteen: http://www.fancy.com/stylecanteen Featured in a fashion film directed by Mauro Fiorito: ' You are about to meet yourself' June 2013: http://www.pittidiscovery.com/en/discovery/events/current/opencall/Fiorito.html http://dianepernet.typepad.com/diane/2013/06/fondazione-pitti-discovery-and-asvoff-celebrate-turkey-with-fashion-films-that-are-inspired-by-or-ab.html http://vimeo.com/66056279 Featured in 'Urban coco' magazine printed international issue, June 2013 Featured in 'Elegant magazine' printed issue USA July 2013 Featured in 'Institute magazine' July 2013: http://institutemag.com/2013/07/05/magic-touch/ Featured in 'Coco magazine' July 2013 (African zulu editorial page 5-13): http://issuu.com/cocomagazine/docs/part3 Contact me through: Email: liron_kk@yahoo.com Mobile number: 07773018951 https://www.facebook.com/LironKligerJewellery?ref=hl https://twitter.com/Liron_Kliger http://instagram.com/lironkliger http://pinterest.com/lironkliger/

BA (Hons) Fashion Design Technology: Womenswear

gloria shizico yi is a london based artist, works on fashion, textile design, oil, drawing, film and mixed mediums. follow her fashion page on: https://www.facebook.com/pages/Gloria-Shizico-Yi-fashiontextile-deSigner/324675224280709 visit her art website: http://shizicoyi.wix.com/shizicoyi contact by email: shizicoyi@gmail.com or contact her through showtime "send a message" box on the right hand side. debut directing fashion shortfilm https://vimeo.com/70291077

MA Fashion Photography

Stephanie is a practicing photographer and visual artist, currently working in London, UK. She graduated in 2007 from the University of Maryland Baltimore County with a B.A. degree in Visual Arts/ Photography, as well as minors in both Art History and English. She is currently pursuing a M.A. degree at the University of Arts London, London College of Fashion. In 2009, she was selected as one of the first two Fine Artists in Residence at The Mansion at Strathmore in Bethesda, Maryland, and in 2010 she exhibited her first solo show at The Margaret W. and Joseph L. Fisher Art Gallery in Alexandria, Virginia. Often figurative, Stephanie’s work examines the interaction between photographer and viewer, and the manipulation and interpretations that can be extracted from this relationship. As an undergraduate, Stephanie was recognized as an Undergraduate Research Award Scholar for her photographic series, Recollections of Katrina: A Visual Exploration of the Subjectivity of Memory, and she was also one of the first visual artists at the University of Maryland Baltimore County accepted into the semester-long International Field Research program, resulting in her documentary project An Exercise in Visual Research: Swissness Pictured. Her work has been exhibited in several juried shows in the Washington, DC metropolitan-area and in London and has been published in European Photography, Creative Quarterly, UMBC Magazine, Structure Magazine, SPIN Magazine via http://www.SPIN.com, American Builders Quarterly, Strathmore News, The Retriever Weekly and Bartleby Creative Arts Journal.

Graduate Diploma in Fashion Design Technology

Pattern Cutter, Womenswear Designer. http://www.linkedin.com/pub/elizaveta-novikova/50/a26/a06 http://my.lcffirstmove.co.uk/graduates/6930 --------------------------------------------------------- Education: Oct2012-On going Graduate Diploma in Fashion Design Technology Oct2011-June2012 BA(Hons): Fashion Design Technology Womenswear (London College of Fashion). Oct2009-Jul2011 FDA FDT in Pattern Cutting (LCF) Sept2008-June2009 Fashion Portfolio (LCF) Employment: Summer2010 Digital Print Bureau LCF Work involved assisting through the whole process after image has been send to print. Feb2011 and June 2010 Interpreter for delegates from Uzbekistan Textile University. Work involved translating from English to Russian and vice versa as well as accompany and introduce visitors to local vintage, antique and secondhand charity shops. Work expiries: Aug2012-Jan2013 SALONI London Design Intern. Work involved making technical packs, toiles, patterns and researching for inspiration. Please see my CV for more information. ----------------------------------------------------- Contact: nov.elizaveta@gmail.com -------------------------------------- http://larinne.blogspot.co.uk/2012/07/london-college-of-fashion-2012.html http://www.fashionrider.com/blog/153-anna-kerenina http://www.supplementaire.org/big-young-woman-by-federico-sorrentino-for-supplementaire-11/ -------------------------------------- http://www.elizavetanovikova.com/

BA (Hons) Fashion Design Technology: Womenswear

'We Raphaelites' SS14 Edward Curtis’s Spring Summer 2014 Collection is about the collision of simplicity and maximalism. Comparing today’s modern mood with historical painters of the pre-Raphaelite brotherhood was a key dialogue for this collection. The state of wonder and tranquillity in pre-Raphaelite paintings of everyday people in seen in ‘The Adventures of Guille and Belinda and the Enigmatic Meaning of their Dreams’ by Allessandra Sanguinetti were compared, contrasted and collaged with the pop art works of Lichtenstein, Koon’s and Bruce Ingram. Via a process of haphazard experiments, using illustration, manufacture, finish, drape work and fittings as creative catalysts, Edward refined his unusual finds into a contemporary summer collection of 12 intense looks. Using a free hand expressive illustration style, Edward closely studied his random, varying sized drawing lines forms, textures and finishes to explore and use as design tools. The juxtaposition of clean graphic paints with rough mark making and powdery organic chalk smudges, guided Edwards pattern cutting, choices of colours, fabrics and prints. Unsatisfied with the regularity of most manufacturing details, Edward incorporated different techniques such as faggoting for seams, rolls of fabric for exaggerated shapes and decoration, duel net sandwiched rouleau’s that become new fastenings at the neck and wrist either hanging like marshmallow meters or tied into chic, sculptured bows. The silhouettes are dedicated to a free, micro sexy hemline and mix between a softer, looser hourglass form and a wide, curved, neck to wrist silhouette. Short midi tops fall lower to the front and sensually, provocatively curve the contour lines revealing the lower back arch. Sashes and ties languidly grow from garments either draping to the floor or fetishticly and organically moulding the body. The illustration mark makings are turned into prints, that appear to be just strewn, arbitrary over garments and even panties. Panties under dresses that you are intentionally given glimpses of. This is a collection of personal passion and artistic freedom. Through the naivety of play and euphoria, the tranquillity of posture and grace of gesture and raw expressive lines comes a masterfully controlled, elegant and thoroughly modern collection. These are eye-catching fashion statements, bold, confident and sexy pieces to play in, designed to create striking silhouettes when posing! EDUCATION London College of Fashion - BA (hons) Fashion Design & Technology: womenswear Hereford College of Arts - BTEC National Diploma, Art & Design. WORK EXPERIENCE - Marc Jacobs - Assistant to Sample room & Pattern maker co-ordinator. Felder Felder - Studio Assistant Image Credits - First two rows (runway)- VOGUE.CO.UK 0 - Photography by James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Laura O’Grady at Select Model Management (Verve) Project ‘Design Denim’ supported by’ ISKO™ - Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Gemma at Select Model Management 1 – 5 Edward Curtis. Photography, James Rees. Creative Director, Rob Phillips Beauty, Pace Chen, Models, Sarah Dick at Models 1, Alina at Select 6 - 19 – Nina De Yorke 20 – 22 & 24 - HULDRA. Edward Curtis. Photographer - Agnes Lloyd Plat. Model - Silke Seidler - street cast. Assistant - Sanner Kaia 32 - Edward Curtis, Identity Project. Photographer: Anthony John Sayer. Creaive Director, Rob Phiillips. Model, Edward Curtis

BA (Hons) Fashion Design Technology: Womenswear

ABOUT NIKITA AND TINA (MIUNIKU): Nikita (22) and Tina (24) Sutradhar are sisters. Tina studied business and fashion marketing while Nikita gained knowledge in fashion design and its technical aspects before coming to London to study Fashion Design at London College of Fashion together in 2010. They have been collaborating for the past 2 collections. Miuniku aspires to be a ready to wear, luxury clothing and accessories brand for women. The brand name comes from the nick names of the two designers (given to them by their parents). Miu-Tina and Niku-Nikita. It’s design aesthetic involves the mixture of minimal and maximal elements, and finds a balance between clean lines and graphic details. The collection 'Mundane Things' aims to make mundane, daily things interesting /exciting to the viewer. Nikita and Tina also showed the collection 'Mundane Things' at the LCF BA Press Show 2013 and were joint receivers of the Fashion Innovation Award. PRESS LINKS // http://showstudio.com/blog/post/lcf_presents_their_2013_ba_graduate_show Fashion Feature MIUNIKU (used magazine) http://usedmagazine.co.uk/post/2661 http://blogs.arts.ac.uk/fashion/2013/07/10/isko-design-denim-competition-winner-announced/ http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004191 http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-collections-2013/ http://blog.stylesight.com/tag/nikita-tina-sutradhar http://dossierjournal.com/style/fashion/its-perfectly-normal/ http://www.alwayssometimesanytime.com/sometimes/2013/06/interview-miuniko http://www.pigeonsandpeacocks.com/editorial/the-glorious-graduates/ http://africafashionweeklondon.com/africafashionweek/london-college-of-fashion-show/ http://theatlasmagazine.tumblr.com/post/49604509682/photographer-shelley-jones-hair-mua-adele http://thisispaper.com/MIUNIKU-Mundane-Things-A-W-13 http://www.pigmag.com/it/2013/06/03/buone-e-nuove-miuniku/ photo 8 - 10 : [Shoot Credits] Photographer: Brendan Peer Styling: Rebecca Sammon Hair: Soichi Inagaki Make-up: Natsumi Narita Models: Sarah Dick at Models 1 and Georgia Davies at Elite Work featured in Dossier Journal (online), Vogue Italia (in process), U+Mag, The Word Magazine, This is paper online magazine, Open lab magazine, Atlas magazine, Used magazine. EDUCATION // 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear - top up year 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2010: College: Raffles Design International Course Completed: Advanced Diploma in fashion Design (2 years) WORK EXPERIENCE // 2011-2013: Thomas Tait (s/s 2012) + (s/s 2013)+ (a/w 2013) Studio Intern - Pattern Making, Sewing, Hand Sewing, Toiling, Cutting out patterns, Preparing garments for production shipment. contact: infomiuniku@gmail.com / nikitasutradhar@gmail.com / tinasutradhar@gmail.com phone: 07429155738 / 07813451283 Website : www.miuniku.com

MA Fashion Footwear

A VERY SPECIAL THANK YOU TO Juliane, L.A. Flaunting is yours! ABOUT The design approach developed for my body of work included two major questions; First if it was possible for me to make a contribution to the traditional canon of men’s shoe design. And secondly if my products are able to draw a new aesthetic code relevant for contemporary fashion. The collection works with and against the categorized elements of traditional shoe design, manipulating the generic expectations of its audience through subtile but decisive alterations. The L.A. theme and research as a thematic foundation underlines the collection and is meant to give cohesion on a narrative base, in which Los Angeles functions as a desirous destination not an actual place. The Collection won Dato Jimmy Choo Award 2012 ITS Accessory Collection of the Year 2013 VISUAL WORK IN COLLABORATION WITH Photos: Jeanne Büchi Styling: Samir Hecham SUPPORTING INSTITUTIONS Hessische Kulturstiftung / Fine Art Grant Programme / Grant Worshipful Company of Cordwainers / Scholarship Dato Jimmy Choo Award / Bursary SPONSORS Institute For Creative Leather Technologies, Chris Barnard and Rachel Garwood, Director ICLT The University of Northampton Colorfoil Hot foiling supply’s Formech International Limited I AM broke, open-minded, multidisciplinary, efficient, focused, intelligent and honest. CONTACT www.leonardkahlcke.com uk.linkedin.com/in/leonardkahlcke/

BA (Hons) Costume for Performance

.As a self-motivated, hardworking costume designer, I am able to use initiative and possess excellent problem solving skills, continuously pushing my abilities to achieve the highest standards of work. I have strong skills in costume making, design and research. Inspired by both historical women’s and men’s wear, I am looking for a role in costume construction to gain experience and utilize skills learnt after graduating from London College of Fashion. Email: yuehting8@hotmail.com Contact: 07598171619

BA (Hons) Fashion Design Technology: Menswear

JAMAICAN ME CRAZY'Don't want Jackie, Give dem Paul instead, Dem don't want di sweetness between di leg..' Banton, B . (1992) Boom Bye Bye. Jamacia: Shang Muzick Brogan Toyn’s S/S 2013  graduate collection, ‘Jamaican me Crazy’  contends against frequent homophobic dancehall lyrics, by creating ‘expressive’ street wear for the modern man.  Through the amalgamation of research, aggressive 90’s hip hop trends are combined with the promiscuousness of Jamaica’s dancehall Queens, consequently redefining common contemporary constructions of the male identity in contemporary fashion. Collaborating with textile designer Zoe Sterling, ‘Jamaican Me Crazy’ ignores familiar connotations of masculinity in order to create an unconventional sportswear S/S13 Menswear collection. Juxtaposing common culture with subcultures, Brogan creates clothes for men willing to push image boundaries beyond the norm of the day, instead hyper exaggerating them. Representation of the black gay male in contemporary fashion is relatively absent as patriarchal values still influence the majority. Although, commonly it has been long thought that it is a homosexual customer that consumes outlandish modern menswear trends. Something which has been allegedly underground , emerging in the 80s and 90's and documented in films such as Livingstones 'Paris is burning' is now becoming a trend. Queens. Proportions within ‘Jamaican me Crazy’ remain unbalanced due to the amalgamation of inspirations. Influenced prominently by the provocative outfits of the Jamaican dancehall Queens, the collection rearranges masculine shapes in order to reverse gender restraints. Referencing dancehall contemporaries in hip hop,  Brogan adopts classic street style proportions to conflict with risque silhouettes, crop tops vs. basketball shorts. Focusing heavily on the context of colour within menswear and in order to balance an overtly sexualized concept, a juxtaposition of colour has been enforce. Enhanced pastels compliment the risqué silhouettes as they distract from erotic undertones and encourage the energy of the dancehall. Unconventionally luxurious, Brogan does not use classic performance fabrics. Instead, collaborating with textile designer Zoe Sterling, sequins adorn nearly every look and increase the collections flamboyance. Rainbow furs creep along the edges of garments while tight crotches are emphasized by printed, metallic lurex fabrics. As ‘Jamaican me Crazy’ adopts outlandish street style and contradicts obvious urban aesthetics, sequined crop tops only emphasize this further. Sequin Print Textile Collaboration Zoe Sterling BA (Hons) Fashion Design Technology: Surface Textiles z.sterling1@arts.ac.uk http://showtime.arts.ac.uk/ZoeSterling WINNER .Winner of fashion design category and overall judges choice. All Walks Beyond the Catwalk - Diversity NOW! in association with i-D. http://i-donline.com/2013/07/diversity-now-winners-announcement/ Photography: Anthony John Sayer, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Flash, Textiles Print: Zoe Sterling WORK EXPERIENCE .Christopher Shannon, London Menswear Design Intern .Von Sono, London Design Intern .Fannie Schiavoni, London Jewellery Design Intern LCF 2013 ANNUAL http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 LCF 2013 MOVING ANNUAL https://www.youtube.com/watch?feature=player_embedded&v=wj1fm39ha-o PRESS http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004093 - IMAGES 1-9 http://wgsn.tumblr.com/post/50644377782/cosmic-we-love-lcflondon-student-brogan-toyns http://i-donline.com/2013/04/diversity-now-the-finalist-cut/ http://i-donline.com/2013/07/i-want-to-play-a-game/ http://noctismag.com/ http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://adorngirl.tumblr.com/post/54533706290/backstage-lcf-2013-graduate-show# http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html?ncid=edlinkusaolp00000003 http://www.pigeonsandpeacocks.com/editorial/the-glorious-graduates/ http://blog.stylesight.com/denim/isko-x-london-college-of-fashion JAMES REES CREDITS Photography: James Rees, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Joel P. ISKO PROJECT CREDITS Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Paul Farley at Select

BA (Hons) Fashion Jewellery

London based jewellery designer Hue Tawn Chan graduated from London College of Fashion (2013) with degree in BA (Hons) in Fashion Jewellery. Fascinated by the creative intricacy of knots and developing the idea of cleverly interweaving metal strips around the body, this contemporary collection features 3-dimensional easy to wear, unique statement jewellery, including bangles, rings, nipple clips and brooch pins. All pieces in the collection are silver plated and handmade in London: Ranging from shape forming, polishing, and dip dying. For further enquiries please contact: huetawnchan@hotmail.co.uk IMAGES 1- 8: Ring and Bangle Collection Photographer: Davide Ranieri, Stylist: Grazia Ielo, MUA: Aria Hussain, Model: Marta 9-14: LCF Press Show http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004212 15: LCF Press Show Womenswear by Randolph Turpin BA (Hons) Fashion Design and Development http://showtime.arts.ac.uk/randolphturpin Photography: James Rees, Creative Director: Rob Phillips, Beauty: Pace Chen, Model: Laura O’Grady Select Model Management (Verve) 16: Nipple Clips Photographer: Ricardo Raspa, Creative Director: Rob Phillips, Model from Select 17-26: Graduate collection Photographer: Polin Kurpin, Hair and Make Up: Shining Shen, Model: Tia O'Donnell 27: 2013 School of Design Technology Annual Womenswear: Randolph Turpin, Photography: Hill & Aubrey, Model: Amber at Select 28: Dark Fairy Tale Collaboration See full magazine: www.joomag.com/magazine/frow-magazine-issue-1-2013/0389006001368895868

BA (Hons) Fashion Illustration

Katarina is a firmly established Print Designer offering excellent services in designing original prints for seasonal collections as well as exclusive collaborations and one-off projects. Her distinctive, bold graphics with a signature use of colour have been commissioned by a broad range of clients from top fashion houses through to major high street brands and online retailers. Some of these include Lily and Lionel, The Body Shop, Hunter Boots, Pigeons & Peacocks, Roger Vivier, Fortnum & Mason, Matches Fashion, Kay Unger and many more. Her work is a reflection of her diverse background and love for arts and culture. With a natural sense for shape and composition, Katarina creates designs that form a contrast between feminine delicacy and a strong dynamic edge. They allow the viewer to gradually discover elaborate details within the print over time. Professional expertise: •Collating seasonal trend information and preparation of design trend boards •Creating seasonal colour palettes •Positive, strong minded and adaptable to work in a fast paced environment •Proactively sourcing and creating new print ideas, identifying trends and predictions •Re-colouring and colour-matching existing artwork and designs •Ability to work on multiple projects at a time •Good communication and interpersonal skills •Excellent CAD skills For commissions, enquiries, or just to say hello: Email: info@katarinavoloder.com Phone: 07740291961

BA (Hons) Fashion Design Technology: Surface Textiles

Olivia Howick is a Surface Textiles for Fashion graduate specializing in embroidery and embellishment, with a passion for transforming unexpected materials into luxurious fashion embellishment. Her graduate collection: ‘Medicate Me’ is a high-end ready to wear womenswear collection, that demonstrates the collision of contemporary and traditional approaches to medicine, through the exploration of Native American culture and advances in scientific medicine.The collection draws upon a textile tradition, and transforms it to demonstrate a clinical aesthetic which will appeal to the contemporary consumer. Exploration of new materials, in particular the use of PVC, has allowed for highly creative and innovative textile development through embroidery processes, that reflect on traditional craftsmanship, whilst evoking a clinical and medicinal aesthetic. Transforming materials is becoming an increasingly important aspect of Olivia’s work. This collection saw PVC hose pipes cut, dyed and stitched to become PVC beadwork. Combining this with satin stitch work and screen printed fabric, Olivia likes to work with both traditional aspects to textile design as well more unconventional material. Integral to Olivia’s practice is her illustration and drawing. Specializing in highly detailed hand rendered work, her illustration style is graphic, yet rich in textile inspired texture and detail. Olivia was selected as a finalist for the Nina de Yorke fashion illustration prize, and has also been shortlisted to compete to illustrate for the Maria Luisa website. Olivia was selected for the LCF Press Exhibition 2013 and exhibited a sculptural textile piece which demonstrated the concepts surrounding her Final Collection, as well as showcasing new textile development. EDUCATION_ >London College of Fashion, University of the Arts London BA (Hons) Fashion Design Technology-Surface Textiles : First Class Honours (2010-2013)>Manchester School of Art Foundation Diploma in Art and Design: Distinction (2009-2010) INDUSTRY EXPERIENCE_ >Alexander McQueen: April-July 2012[London],October 2012 [Paris]: Embroidery Intern>Jane Bowler: September 2012: Studio Intern >Emilio de la Morena: October 2011-January 2012 (part time): Studio/Textiles Intern>Markus Lupfer: May-July 2011(part time): Studio Intern>Beyond Retro:February-April 2011 (part time): Print and Textile Archive Intern EXTRA CURRICULAR+ACHIEVEMENTS_ >Work selected for the London College of Fashion School of Design and Technology Annual 2013 for the BFC, presented at the BFC Graduate Preview Day>Shortlisted for the BFC Chloe Design Competition>Selected as participant for Illustration 2013 -Nina de Yorke Fashion Illustration Competition Finalist -shorlisted for the marialusia.com fashion illustration competition -LCF School of Design and Technology Illustration Annual 2013>Selected as a participant for the FLORA&FAUNA Project - producing T-shirt design entries for the Royal Horticultural Society -collaborative photo shoot, producing digital prints for a dress and headpiece SKILLS_ Adobe Photoshop,Illustrator and Indesign programmes Illustration specializing in hand rendered work Hand Embroidery and embellishment CAD/CAM: Wilcom software for digital embroidery CAD/CAM: Ethos software for laser cutting Specialized Embroidery equipment: craft machines including: irish/cornely/babylock/tanaka/industrial bernina Basic knowledge of flat pattern cutting and grading for womenswear Screen Printing Digital Printing Domestic Knitting Machine Technical Drawing PRESS_ Idol magazine May 2013: http://idolmag.co.uk/blog/olivia-howick-womenswear-collection Fashion156, Graduate Showcase July 2013: http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-olivia-howick/ Fashion 156, Graduate Awards: "Surface Decoration' http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ Brooom fashion showcase, Redchurch Street May 2013: http://www.brooom.co.uk/ https://www.facebook.com/photo.php?fbid=336824743112821&set=a.330067753788520.1073741828.329427400519222&type=1&theater http://blogs.arts.ac.uk/fashion/2013/07/19/fashion156-com-report-on-graduate-season-2013/ Madame Peripetie's Dream Sequence http://www.madameperipetie.com http://waysofwonders.blogspot.co.uk/2013/06/i-was-like-usually-looking-around-on.html >LCF SCHOOL OF DESIGN AND TECHNOLOGY ILLUSTRATION ANNUAL 2013: PAGES 19-22 http://issuu.com/london_college_of_fashion/docs/sdt-illustration_annual-2013-issu-h>LCF SCHOOL OF DESIGN AND TECHNOLOGY ANNUAL FOR THE BFC: PAGE 33 http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 FULL CREDITS_MEDICATE ME All Garments, Bags and Shoes: Olivia Howick Sunglasses: Sarah-Jane Cook at 'Spangled' http://shop.spangled.co.uk/ Photography: Maximus Barnett Model: Lucy at Next http://www.nextmanagement.com/ FULL CREDITS_FAUNA&FLORA Creative Director: Rob Phillips Photography: Kasia Wozniak www.kasiaw.com Model: Sophia at Select Beauty: Pace Chen www.pacechen.com Beauty assistants: Yura Do and Melissa Wong Nail Art: Lauren Michelle Pires http://laurenmichellepires.com olivia.howick@hotmail.co.uk @lillyhowick

BA (Hons) Cordwainers Accessories: Product Design & Development

A curious and diligent designer who takes inspiration from many sources including life experiences, anatomy, the fantastical and the unknown. The aim of lindseytait design is to use fashion and its influence as a channel to raise awareness of social issues and to make a difference. The brand is dedicated to having a social responsibility as well as producing superior quality crafted pieces that are one of a kind and make a statement. Striving for perfection, attention to detail is key as well as finding new and exciting ways to create, while incorporating traditional artisan techniques to produce beautifully finished products. Looking to modern technology to influence design and to push the boundaries of ‘fashion’, lindseytait design hopes to bring accessory design to new levels of what can be achieved. The graduate collection ‘skin deep’ is influenced by the issue of self-harm: the stigma associated with it and the restriction of the body to prevent harming. It was key that the pieces should be beautiful as well as provocative in order to raise awareness, yet still be products that can be worn with attraction rather than the ‘ugliness’ of self-harm. Using an intricate cherry-blossom pattern laser etched into the lining (which sits close against the skin) is significant as the cherry-blossom flower represents feminine strength and sexuality. This soft and beautiful leather etched lining is juxtaposed against the strong VegTan exterior that provides a shield-like mould around various parts of the body. Each piece is fully functional, despite being conceptual rather than commercial. Born in a small town in Northern Ireland, Lindsey showed a strong passion for art and craft from a young age, which soon flourished into a love for fashion design. While completing her Foundation Diploma, Lindsey’s keen attention to detail and interest in accessories became apparent, leading to her relocation to London to attend London College of Fashion. Lindsey intends to remain in London to continue growing as a designer and to also expand her knowledge of fashion design and construction into apparel – although her main focus still remains on creating innovative and provocative fashion accessories. Please contact for more information or for any enquires for collaborations or commissions. ------------------------------------------------------------------------------------------------ Lookbook Credits: Photography: Chris Cove Model: Ines-Hermione Mulford @ Base Studio Assistant: Kiego Kato @ Studio197 BFC Credits: Photography: Justino Esteves Nails: Lauren Michelle Pires Creative Director: Rob Phillips

MA Fashion Artefact

----------------------------------------------- A continued journey to inquire about what constitutes Fashion in the name of creativity. My practice aims to emphasize the challenge on how fashion (with & without context) is perceived with a narrow perspective, and also to celebrate its art. Furthermore, my creative expedition aims to formulate a system of platform that inherits Freud’s psychoanalysis. And the archival system embodies a re-interpreted theory in my own understanding as principal elements. To achieve what I envisage, I have created Artefacts that represent the key elements to my internal inquiries. And the Artefacts were incorporated as physical stimuli in a performance set to juxtapose my queries about the unconscious effect of objects, and its effect in drawing practice. The performance is hosted by the ‘Pigman’- a representative figure during my previous degree’s final project “What is Fashion Illustration?” - and the set employs both ego & alter ego in human form, disguised in pig masks. First set of works is from MA Fashion Artefact (2013), ‘The Pigman’ Second set of works are from BA(Hons) Fashion Illustration (2010), ‘What is Fashion Illustration?’ ------------------------------------------------------ Looking for project commission & collaboration. https://www.facebook.com/noronoropigman www.noronoro.co.uk info@noronoro.co.uk ---------------------------------------------------------------- The Guardian: http://www.guardian.co.uk/university-arts-london-partner-zone/fresh-prints MPDclick Issue.21: http://www.mpdclick.com/mudpie/magazines/issue28/issue_28.pdf Fashion 156.com: http://archive.fashion156.com/previous-blog/Doyeon+Noro+Kim/1653/ Lanciatrendvisions: http://www.lanciatrendvisions.com/en/article/noro-kim-br-illustrates-art LCF Alumni profile page: http://www.fashion.arts.ac.uk/student-stories/noro-kim-illustration/ Creative Boys Club: http://www.creativeboysclub.com/fashion-illustrations-by-doyeon-noro-kim --------------------------------------------------------- Photography by Maryjane Neumeister & Daniel Jon

BA (Hons) Fashion Design Technology: Surface Textiles

Within this project i looked through the past to uncover the brutal history of the slave trade and how specifically the female slaves were treated, the lives they lead and the task they had to deal with on a daily basis. Raising consciousness throughout a material culture on the physical and mental state that female slaves were left in is the overall perspective for the theme. Using natural yarns Hemp, Cotton, Wool and linen also neutral colours to go with the palette of the research. I am a strong minded character who likes to use an assortment of colours and shapes when creating knit.