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Adriano Piccinini

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Butterfly high _ Photography by Francesco La Porta

BA (Hons) Cordwainers Footwear: Product Design & Development

For our University final major project I created FR&&K. The brand supports freedom in all its aspects and to do so collaborate with well estabilished brands to reinforce their message in fashion. The first shocking collaboration is with Durex. Working for Adidas and Vivobarefoot has made me question and re-think the concept of footwear. Humans have evolved for hundreds of thousands of years without the need for footwear. Shoes originated to fulfil the need to protect feet from heat, cold and other hazardous conditions that could cause injury. My understanding of footwear has reinforced my belief that the foot should be afforded maximum protection possible without compromising the foot anatomy. Studies show that the foot benefits by having the least amount of material possible separating it from the ground, so that the body can pass as much information as possible to the brain. Vivobarefoot shoes mimic the natural way of walking and running, therefore, improving feeling, posture, circulation and balance. These principles inspired the realization of my final collection. Barefoot shoes are all about promoting natural feeling, freedom and fun, thus the same can be said about Durex**. The feet and the genitals have among the highest concentration of nerve endings in the body, which are all interacting continuously with the brain. There are 7000 nerve endings in the feet alone and these receptors relay important information to the brain about the texture and temperature of the floor. The intention of this project is to generate a greater awareness of what natural walking and running could do to improve our lives. Seen from the outside the shoes look like trainers, but inside the inner construction embraces the foot in a seamless hug around the heel, while one of the thinnest outsoles in the market is hidden underneath. +44 (0)78 26514906 +39 349 8549520 adrianopiccinini@gmail.com *Durex is a trademark of Reckitt Benckiser. All rights reserved. **The project is a hypothetical collaboration and Durex is not involved in this project.


Jessica Hearnshaw

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2. Lookbook: Cross - Bar Satchel

BA (Hons) Cordwainers Accessories: Product Design & Development

Jessica Hearnshaw is an Accessories Designer based in London who's focus is around the design and craftsmanship of high quality conceptual leather goods. This collection’s focus is on accessories that have a integral relationship to what they contain. That are as fascinating to unwrap, as a gift is to open. Inspired specifically by traditional japanese packaging which has a strong minimalist aesthetic. A key notion of japanese packaging is that the gift and the act of unwrapping the gift, is just as important as what is inside. This art form would wrap a given object in whatever materials lay at hand. The outcome was often not only practical for storage and transporting the object but also produced a simple beautiful shape free of all excess and extravagance ----------------------------------------------- Credits: Images 1 - 5: Art Director: Benjamin Thapa, Photographer: Giulia Zucchetti, Model: Max @ Profile, Stylist: Irene Manicone, Makeup: Nichola Mai Images 6 - 9: Art Direction & Photographer: Benjamin Thapa Image 10 - 11: Photography: Anthony John Sayer Creative Director: Rob Phillips Beauty: Pace Chen Model: Rosemary Banks

Marie Gallagher

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Bra

BA (Hons) Fashion Contour

Lingerie specialist focused on brand and design. Graduate collection is inspired by Tereza’s character in the novel ‘The Unbearable Lightness of Being’ by Milan Kundera. The range tells the story of her moments of ‘lightness’ and ‘weight’ through use of fabric, silhouette and colour. Bone castings grow out from seam lines that alter the body’s silhouette, exploring the answer to Tereza’s question when she wonders, “if various parts of her body began to grow and shrink and [she] no longer looked like herself, would she still be Tereza?”. Enthusiastic about creating a brand identity that is relevant and offers an experience - telling a story through products that focus on detailing, particularly using hand finished techniques, to create appropriate yet unexpected designs for the target market and consumer. Previously worked on industry projects during studies, both in commercial and luxury areas, including participating in the Triumph Inspiration Award and winning first prize for a swimwear collection designed for Gilly Hicks. Lived in Switzerland working in the Brand Management department at Triumph International during placement year, working across a variety of areas including range planning, product development and marketing communications. Also has experience in lingerie retail working at luxury label Myla London, using product knowledge and doing fittings to meet customer needs and wants. Image Credits: 1 & 2 Womenswear and Millinery by Rebecca Morter Accessories by Helena Dillon Photography by James Rees Creative Direction by Rob Phillips Beauty by Pace Chen Model, Ellie Jackson at Select Model Management (Verve) Press: http://idolmag.co.uk/blog/london-college-fashion-13-ba-graduate-show http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004238 http://showstudio.com/blog/post/lcf_presents_their_2013_ba_graduate_show http://trendoracle.com/722162/lcf-presents-their-2013-ba-graduate-show/

Sarah Buchanan

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2.

BA (Hons) Fashion Design Technology: Womenswear

Empire of the Clouds is a dramatic futuristic representation of aviation achievements, throughout the past, present and future. Inspired by the true design innovation and achievement from machines of flight throughout the entirety of the concept. Focusing on model making to gain a unique perspective and develop an understanding of the overwhelming human drive, almost obsession, to achieve what we cannot do naturally, to fly. Passionate about research Buchanan has a meticulous attitude towards uncovering all elements in a concept. In this collection it enabled a distinctive perspective to a large subject, creating a concept based around model making and accessibility of a globally collective dream. Through innovative use of materials and conceptual pattern cutting, Buchanan has achieved striking shapes and confident structural lines, reflecting the impressive machines that inspired. Fascination with the utterly indescribable, near magical, machines that are so integrated, ordinary and standardised, motivated a need to highlight what a truly extraordinary achievement flight, both modern and historical actually is. The simple fact that more is known about space and our surrounding atmosphere than the depths of our own oceans, demonstrates so clearly what a shared and magnificent dream flight has, and always will be. Awarded Most Successful 3-way Collaboration on Fashion156.com in a Graduate showcase week for the BA13 Press Show collection. Prints by Claire Kelly - LCF Surface Textiles, Millinery by Georgina Howling - LCF Fashion Jewellery. other links: http://www.lanciatrendvisions.com/it/article/empire-of-the-clouds-liberi-di-volare-nella-moda-con-sarah-buchanan http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-awards/ http://www.vogue.co.uk/fashion/autumn-winter-2013/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004256 Studio Photography: GMGP - Hair: Pace Chen - Make-up: Melissa Wong - Model: Fern@ Profile 1. Typhoon - Photography: James Rees, Model: Laura @Select, Hair and MUA: Pace Chen 2. Typhoon - Photography: James Rees, Model: Laura @Select, Hair and MUA: Pace Chen 3. Typhoon mydaily.co.uk 4. Spitfire - mydaily.co.uk 5. Thunderbolt - mydaily.co.uk 6. Phantom - mydaily.co.uk 7. Falcon - vogue.co.uk 8. Cosair - vogue.co.uk 9.Tornado - vogue.co.uk 10.Lightning - vogue.co.uk 11. Phantom - vogue.co.uk

Pauline Courtois

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Photoshoot

BA (Hons) Cordwainers Footwear: Product Design & Development

BREIZH COLLECTION The AW13 Collection combines the heritage of Brittany with the modern techniques of shoe making. Delicate details from traditional costumes associated with a contemporary twist were source of inspiration to produce the range. The designs combined with luxurious materials and craftmanship create an exclusive collection with a traditional yet avant-garde feel. Already at a young age Pauline Courtois was wearing her grandmother's high heels. It came as no surprise when she chose shoe design as a career. During her studies she received in depth training, from researching inspiration to the process of shoemaking, as well as studying the martket and consumers. Now having gained strong knowledge and skills she has a precise and efficient approach to design and choice of materials. Her professional experiences brought her maturity and organisation. She is open minded, full of creativity, and a social person who rapidely finds her place in a new company. She loves to exchange ideas and is always ready for a new challenge. Pauline Courtois has worked accross Europe with companies such as Alexander Mc Queen, Bianco Footwear, Hugo Boss and Poelman Partner. She is currently working in the Footwear industry. CONTACT : pjm.courtois@laposte.net Ceramic bead: collaboration with HB Henriot. Photos: Ioana Vrabie

Nikita + Tina Sutradhar // [ M I U N I K U ]

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8. Feature on Used Magazine.com, photo courtesy: used magazine, link: http://usedmagazine.co.uk/post/2661

BA (Hons) Fashion Design Technology: Womenswear

ABOUT NIKITA AND TINA (MIUNIKU): Nikita (22) and Tina (24) Sutradhar are sisters. Tina studied business and fashion marketing while Nikita gained knowledge in fashion design and its technical aspects before coming to London to study Fashion Design at London College of Fashion together in 2010. They have been collaborating for the past 2 collections. Miuniku aspires to be a ready to wear, luxury clothing and accessories brand for women. The brand name comes from the nick names of the two designers (given to them by their parents). Miu-Tina and Niku-Nikita. It’s design aesthetic involves the mixture of minimal and maximal elements, and finds a balance between clean lines and graphic details. The collection 'Mundane Things' aims to make mundane, daily things interesting /exciting to the viewer. ACHIEVEMENTS // Nikita and Tina also showed the collection 'Mundane Things' at the LCF BA Press Show 2013 and were joint receivers of the Fashion Innovation Award. Winner of Denim Diffusion – Translation from luxury to ready to wear, project with leading denim manufactures ISKO™. PRESS LINKS // http://umagmag.com/2013/08/exhibition-by-eeva-rinne/ http://showstudio.com/blog/post/lcf_presents_their_2013_ba_graduate_show Fashion Feature MIUNIKU (used magazine) http://usedmagazine.co.uk/post/2661 http://www.ameliasmagazine.com/fashion/london-college-of-fashion-ba-hons-graduate-catwalk-show-2013-review-part-two/2013/07/22/ http://blogs.arts.ac.uk/fashion/2013/07/10/isko-design-denim-competition-winner-announced/ http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004191 http://www.fashion156.com/collections/london-college-of-fashion-ba-graduate-collections-2013/ http://blog.stylesight.com/tag/nikita-tina-sutradhar http://dossierjournal.com/style/fashion/its-perfectly-normal/ http://www.lanciatrendvisions.com/en/article/mundane-things-miunikua-s-a-w-2013-collection http://www.alwayssometimesanytime.com/sometimes/2013/06/interview-miuniko http://www.pigeonsandpeacocks.com/editorial/the-glorious-graduates/ http://africafashionweeklondon.com/africafashionweek/london-college-of-fashion-show/ http://theatlasmagazine.tumblr.com/post/49604509682/photographer-shelley-jones-hair-mua-adele http://thisispaper.com/MIUNIKU-Mundane-Things-A-W-13 http://www.pigmag.com/it/2013/06/03/buone-e-nuove-miuniku/ photo 8 - 10 : [Shoot Credits] Photographer: Brendan Peer Styling: Rebecca Sammon Hair: Soichi Inagaki Make-up: Natsumi Narita Models: Sarah Dick at Models 1 and Georgia Davies at Elite Work featured in Dossier Journal (online), Vogue Italia (in process), U+Mag, The Word Magazine, This is paper online magazine, Open lab magazine, Atlas magazine, Used magazine. EDUCATION // 2012 - 2013: College: London College of fashion Course: BA(Hons) Womenswear - top up year 2012: College: London College of Fashion Course: Fda Fdt Designer Pattern Cutter 2010: College: Raffles Design International Course Completed: Advanced Diploma in fashion Design (2 years) WORK EXPERIENCE // 2011-2013: Thomas Tait (s/s 2012) + (s/s 2013)+ (a/w 2013) Studio Intern - Pattern Making, Sewing, Hand Sewing, Toiling, Cutting out patterns, Preparing garments for production shipment. contact: infomiuniku@gmail.com / nikitasutradhar@gmail.com / tinasutradhar@gmail.com phone: 07429155738 / 07813451283 Website : www.miuniku.com

Daniel Service

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Daniel Service: Pornographic Amalgamation: Front Close-up, Apron Cut Out Dress, Creative Director: Rob Phillips

BA (Hons) Fashion Design Technology: Womenswear

Strong Interest In Clean Cuts And Taboo Subjects, Aiming For A Broader Prospective On This Socially Unacceptable Content. (Headwear) Fauna & Flora Credits; Photographer: Kasia Wozniak Creative Direction: Rob Phillips Nail Art: Lauren Michelle Pires Beauty: Pace Chen Models: Sophia at Select and Katharina at M+P Education| London College Of Fashion BA (Hons) Fashion Design Technology: Womenswear [September 2011 – Present] Carmel College – A Level – National Diploma [September 2008 – June 2011] Work Experience| McQ (Alexander McQueen) //Assistant to Head/Assistant Designers – Internship Resort S/S 14; Main S/S 14; Pre A/W 14; Main A/W 14 [May - Present] Chalayan (Formerly Hussein Chalayan) //Assistant to Fabric Development/Chef D'atelier – Internship Mainline; S/S 2013; A/W 2013 - 2014 [March – October 2012] Kirsty Ward // Assistant to Kirsty Ward - Internship A/W 2012 - 2013 [January 2012 - March 2012] KOKON TO ZAI [KTZ] // Show Dresser [November 2011] Press| JULY 2013// 1883 MAGAZINE http://www.1883magazine.com/photoshoots/debouched JULY 2013// PHOTOGRAPHER: IGOR BORISOV STYLIST: JULIE VIANEY http://www.lgalondon.com/uk/slides/stylists/julie-vianey/editorial/#9 http://us4.campaign-archive2.com/?u=e36ae82bbd0177f6f56b1283d&id=ce873f8866&e=929e5d15d3 JULY 2013 // LONDON COLLEGE OF FASHION ANNUAL http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 MAY 2013 // KALTBLUT MAGAZINE http://www.kaltblut-magazine.com/bare/

Madeleine Lithvall

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Full animation at: http://mlithvall.tumblr.com/post/53126508945/a-short-animation-about

BA (Hons) Fashion Illustration

Website: http://mlithvall.tumblr.com/ Hello and welcome! I am a multi skilled Swedish visual communicator based in London. At the moment, I study Fashion Illustration at London College of Fashion while working freelance across a range of medias and platforms within fashion. My style of very adaptive, which means I am able to give my clients exactly what they’re looking for. Although, I am a sucker for illustration and believe a beautiful doodle looks fabulous pretty much everywhere. My style is described as; diverse, highly detailed and feminine, using a range of different materials to create illustrations and graphics. During the winter & spring of 2013, I’ve been interning as a designer/illustrator for British Vogue, Spring Creative and the Swedish Fashion Council. I have also created my own collections which have been sold at Tjallamalla in Stockholm and I’ve been assisting with fashion design for the Australian brand Runaway Pony. Furthermore, I have also worked as a product designer and with visual merchandising for stores in Stockholm, Sydney and London. Clients include: Hemma Magazine (UK & SWE) The Swedish Fashion Council (SWE) Cosmetics À La Carte (UK) Noir LDN (UK) Privilege Entertainment (UK) Style Pilot (UK) Pop Pr (UK) Cast Magazine (UK) Folkuniversitetet - Modeskolan (SWE) Vässarö (SWE) Elcognito (SWE) Lindblad & Partners (SWE) Fossum AB (SWE) Ecosnus (SWE) Garageplats.se (SWE) Brightview Textiles (AUS) Runaway Pony (AUS) Silvamove (AUS) My work has been seen in: Spring Creative (UK) Mary Katrantzou (Facebook) TIGI (Inspirational Youth) House of Fraser (online) Fault Magazine Company Magazine High Street Edit (online) Stylist Magazine (online) Amelia’s Magazine Papercut Magazine Lookk Magazine Twenty6 Magazine Fillustrashion (http://fillustrashion.tumblr.com) and on various blogs worldwide. I have been working with brands & companies such as: Target Max Mara Tom Ford Unilever What For Just One Eye Versus Jo Malone Salvatore Ferragamo Fenwick Machine-A Biba


Lindsey Tait

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Photographer: Flo brooks - Stylist : Aitziber Iragui - Hair & MU: Maria Magdalena - Model: Sophie Rose

BA (Hons) Cordwainers Accessories: Product Design & Development

A curious and diligent designer who takes inspiration from many sources including life experiences, anatomy, the fantastical and the unknown. The aim of lindseytait design is to use fashion and its influence as a channel to raise awareness of social issues and to make a difference. The brand is dedicated to having a social responsibility as well as producing superior quality crafted pieces that are one of a kind and make a statement. Striving for perfection, attention to detail is key as well as finding new and exciting ways to create, while incorporating traditional artisan techniques to produce beautifully finished products. Looking to modern technology to influence design and to push the boundaries of ‘fashion’, lindseytait design hopes to bring accessory design to new levels of what can be achieved. The graduate collection ‘skin deep’ is influenced by the issue of self-harm: the stigma associated with it and the restriction of the body to prevent harming. It was key that the pieces should be beautiful as well as provocative in order to raise awareness, yet still be products that can be worn with attraction rather than the ‘ugliness’ of self-harm. Using an intricate cherry-blossom pattern laser etched into the lining (which sits close against the skin) is significant as the cherry-blossom flower represents feminine strength and sexuality. This soft and beautiful leather etched lining is juxtaposed against the strong VegTan exterior that provides a shield-like mould around various parts of the body. Each piece is fully functional, despite being conceptual rather than commercial. Born in a small town in Northern Ireland, Lindsey showed a strong passion for art and craft from a young age, which soon flourished into a love for fashion design. While completing her Foundation Diploma, Lindsey’s keen attention to detail and interest in accessories became apparent, leading to her relocation to London to attend London College of Fashion. Lindsey intends to remain in London to continue growing as a designer and to also expand her knowledge of fashion design and construction into apparel – although her main focus still remains on creating innovative and provocative fashion accessories. Please contact for more information or for any enquires for collaborations or commissions. ------------------------------------------------------------------------------------------------------------ Lookbook Credits: Photography: Chris Cove Model: Ines-Hermione Mulford @ Base Studio Assistant: Kiego Kato @ Studio197 BFC Credits: Photography: Justino Esteves Nails: Lauren Michelle Pires Creative Director: Rob Phillips

Ellie Skeet

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'Eyes on you' by Silent H!: The Girl, Design: Ellie Skeet, Hair: Rosie Brice, Photo: James Green, Model: Tess Dimos

BA (Hons) Costume for Performance

Ellie Skeet LOOKING FOR INTERNSHIPS/WORK EXPERIENCE BASED IN THE UK OR AUSTRALIA Ellie has a diverse and original creative talent. Producing thought provoking work, fantastical/futuristic/contemporary, combining with fashion and traditional costume influences. Work experience: Superplex pictures (August 2013): Costume designer Wilderness Festival (August 2013): Production runner The Royal Ballet School (June 2013): Wardrobe assistant 'Eyes on you' by Silent H! (June2012-June2013): Producer, director, costume designer Opera Australia, Sydney Opera House costume department (January-March 2012): LW costume construction level 1 MEAT film (April-June 2011): Costume designer, wardrobe supervisor email: e.skeet1@gmail.com I've just updated my professional profile on LinkedIn. Connect with me and view my profile. http://lnkd.in/Mwjk69

Doyeon Noro Kim

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'The Pigman'(2013): MA13 Performance during LFW

MA Fashion Artefact

----------------------------------------------- A continued journey to inquire about what constitutes Fashion in the name of creativity. My practice aims to emphasize the challenge on how fashion (with & without context) is perceived with a narrow perspective, and also to celebrate its art. Furthermore, my creative expedition aims to formulate a system of platform that inherits Freud’s psychoanalysis. And the archival system embodies a re-interpreted theory in my own understanding as principal elements. To achieve what I envisage, I have created Artefacts that represent the key elements to my internal inquiries. And the Artefacts were incorporated as physical stimuli in a performance set to juxtapose my queries about the unconscious effect of objects, and its effect in drawing practice. The performance is hosted by the ‘Pigman’- a representative figure during my previous degree’s final project “What is Fashion Illustration?” - and the set employs both ego & alter ego in human form, disguised in pig masks. First set of works is from MA Fashion Artefact (2013), ‘The Pigman’ Second set of works are from BA(Hons) Fashion Illustration (2010), ‘What is Fashion Illustration?’ ------------------------------------------------------ Looking for project commission & collaboration. https://www.facebook.com/noronoropigman www.noronoro.co.uk info@noronoro.co.uk ---------------------------------------------------------------- The Guardian: http://www.guardian.co.uk/university-arts-london-partner-zone/fresh-prints MPDclick Issue.21: http://www.mpdclick.com/mudpie/magazines/issue28/issue_28.pdf Fashion 156.com: http://archive.fashion156.com/previous-blog/Doyeon+Noro+Kim/1653/ Lanciatrendvisions: http://www.lanciatrendvisions.com/en/article/noro-kim-br-illustrates-art LCF Alumni profile page: http://www.fashion.arts.ac.uk/student-stories/noro-kim-illustration/ Creative Boys Club: http://www.creativeboysclub.com/fashion-illustrations-by-doyeon-noro-kim --------------------------------------------------------- Photography by Maryjane Neumeister & Daniel Jon

Ismini Krassismenou

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ikonic by ismini - AW12 LookBook

BA (Hons) Active Sportswear

Sports Performance Enhancing Track and Field collection Inspired by the up and coming Rio2016 Olympic Games. Bespoke Body Mapped apparel fit for Elite and Aspiring Elite Male Sprinters. Working with the Best in the GB Athletics Circuit [2012 Olympic Hopefuls & Competitors] Rikki Fifton, Dwain Chambers, Simeon Williamson. Using the Best in Technical Fabrics sourced directly from Italy, helping the individual to compete looking good, feeling good and performing to their maximum. Worked alongside Dwaine Chambers to help design "Chambers for Sport" His own personal collection to be worn whilst competing during diamond league, and high profile races. Look Book Line Up Images: Photography: Kevin Joseph [Response London] Model: Rikki Fifton [100m Sprinter] Press images of Dwain Chambers wearing ismini shorts at Olympic Trials June 2012: The Sun Daily Mail Guardian Zimbio - (June 22, 2012 - Source: Jamie McDonald/Getty Images Europe) Featured in: www.fluxmagazine.com 'Lively Up' Sport Fashion Photography by Amy Barton Photographer: Amy Barton Stylist: Minna Attala Hair and Makeup: Danielle Hooker Model: Helen @ P Models http://www.fluxmagazine.com/index.php/fashion/lively-up-sports-fashion/ AGENDA DIRECTORY: http://www.agendadirectory.com/#/ismini-krassismenou-london-college-of-fashion/ FASHION146.COM: http://www.fashion156.com/daily-blog/f156-graduate-showcase-week-ismini-krassismenou/ Industry Experience: Studio Design Production Intern - Aitor Throup Currently Designing for Adidas Performance at their global HQ in Herzoganaurach Germany. Designing the Womens Training Essentials Ranges. contact: isminikrassismenou@gmail.com

Abigail Moller

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The Witch Queen from Neil Gaiman's Stardust

BA (Hons) Costume for Performance

Proactive, Confident & Eager Costume graduate with a passion for working in Film & Television. Confident with- Design Design Research Breakdown Sourcing Textiles Sewing Pattern Cutting Experience in Making, Breakdown & Design for the London 2012 Olympic Opening Ceremonies. Contact Information: abigail.moller@yahoo.com 07500869306

Kimberley Wincott

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YEAR 2 FIRST TERM: RANGE PLANNING PROJECT

FdA Fashion Design Technology (Designer Pattern Cutter)

I am a team player with excellent communication skills and dedication to the fashion industry and have recently graduated with a degree in designer pattern cutting. I have studied Fashion and Art for four years during which time I was exposed to many disciplines. I am now excited to use this academic background in a commercial environment. It is very exciting for me to explore the possibility of furthering my passion for working in the fast paced fashion industry. PERSONAL SKILLS AND COMPETENCIES • International exposure • Commercial and independent exposure • Diverse range of skills relating to the fashion industry • Relevant & current fashion knowledge • Excellent organisational skills • Good IT skills, specifically photoshop and MS word • Effective communication both verbally and in writing • Quick thinking and creativity under pressure • An eye for detail • Flexible and willing to travel • Confident & articulate • Able to work as part of a team or individually INTERNSHIP PLACEMENTS: August 2013 to September 2013: Studio Assistant July 2012 to September 2012: RMO, Biscuit Building, 10 Redchurch Street, London, E2 7DD Press Assistant: assisting account managers and Showroom manager. Booking in and sending out samples. Liaising with publications, Answering emails and the telephones. October 2010 to Present Day: British Fashion Council, Somerset House, London assisting the team on event days. October to November 2010: Per Una Head Office, Draycott Business Village, Draycott Assisting with the Styling & photography for the in store guidelines. August to September 2010: Kluck CGDT, Cape Town (One of South Africa’s most prestigious Fashion design duo) Studio: Assisted Malcolm Kluck & Christiaan Gabriel Du Toit, pattern cutting, sewing, sending collection off to various press, dealing with clients, general errands. August to September 2010: Suzaan Heyns, Johannesburg (South Africa’s avant- garde fashion designer) Studio: Assisted Suzaan Heyns, pattern cutting, sewing, admin, Sending collection off to various press, dealing with clients, general errands. June to July 2010: Marianne Fassler, Leopard Frock Studio (One of South Africa’s most prestigious Fashion Designers,) Studio: Assisting Marianne Fassler, pattern cutting, designing, Sewing, Styling, model dressing and assistant at African Fashion Week. M: 07921157113 E: Kimberley@cdeng.co.uk

Renli Su

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Look 9

MA Fashion Design Technology (Womenswear)

The main discussion in this project is “ The inability of humans to stay still.” I wanted to express a concept about returning to one’s original nature, looking at nomads, their life and the nature power of making clothes from a new angle, with an idea about time and memory. The nomadic life style, especially in Central Asia, is one focus in my research. Nomads’ everyday dress, accessories and daily essentials, the places they live and their hand-weaving technique also work as design references in this project. “Time & Memory” went through the collection construction. This idea is shown mainly through the manufacturing methodology in the project. Edges of the fabrics were loosed naturally during the manufacturing process. The seaming methodology is complex. I needed to use hand stitching in the whole collection in order to present the natural power of making clothes. Traces of machines are not seen in the project. Fringes were created in some parts of the seams on the garments. Yarn-dyed woven fabrics are important materials in the project and an organic colour scheme is used to emphasize the concept Contact: info@renlisu.com http://renlisu.tumblr.com/ http://www.renlisu.com/ Image Credit/ Photographer/ Raymond Tan


Man Yim

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CoCo Magazine Photos: Judith Omoregie Model: Alina Nikolaeva Make up: Rachel Williamson Hair: Kanya Gallagher

BA (Hons) Fashion Design Technology: Womenswear

"The local outsider" The story starts from a 75 minute long awareness-raising documentary about Lao Hmong and my personal feelings after a Paris vacation in 2012. "Hunted Like Animals" was filmed by refugees who fled from Laos to Thailand. It explains what the military inside of Laos did to them, while they were running and hiding, half starved, from the attacks by the soldiers ~ over 30 years after the Vietnam War ended Link:http://www.sommerfilms.org/documentaries/Hmong/index.php Have you ever been trapped by Roma in a gold ring scam? I became concerned about the reasons behind it after I encountered more than eight Roma scam artists in one day. I started to reflect upon the poor living standards, negative social stereotypes and even enforced removal from their homes that this community suffers from. In order to express my concerns and raise public awareness "The local outsider" was born. A collection to promote ethnic harmony by increasing the profile of two oppressed minorities - Laos Hmong and EU-Roma. I have recently collaborated with Zoe Sterling for the Final Major Project photo shoot. Zoe's collection is based on 60s nostalgia and children's artwork. For details: http://showtime.arts.ac.uk/ZoeSterling Work: Christopher Kane (London) Pattern Design Department internship (Apr, 2012 - Jun, 2012) Zoe Bradley Design Ltd. (London) Studio Assistant internship (Jan, 2012 - Apr, 2012) Caro Carini Children wear (London) Sample making Assistant internship (Nov, 2011 - Dec, 2011) initial Fashion (Hong Kong) Design Assistant (Internship) (December 2009- February 2010) Bronfree Development (H.K.) Ltd Design Assistant (June 2007 - August 2007) Hong Kong Textile Ltd Design Assistant (June 2006 – Aug 2006) Achievement: 2012 iSko denim competition- selected student 2011 Edwin jeans Denim Design Competition -Most Stylist Award 2010 Hong Kong Fur Design Competition2010 -Finalist (Full-Fur & Fur-Combination Categories) 2009 Hong Kong 2009 East Asian Games -Excellence Award (Fashion and Accessories Collaboration Project) Western Market Fashion Design Competition -Finalist New Glamorous from Nature Fashion Design Competition -Second -Runner up (HKJC & SaSa Cosmetics) Press: Shoreditch Fashion Show 2013 Booom gallery exhibition London College of Fashion Exhibition 2013- Video LCF exhibition 2013 interview http://blogs.arts.ac.uk/fashion/2013/06/26/lcf-2013-graduate-exhibition-catch-it-now/ TURN magazine cover summer 2013 issue http://www.magcloud.com/browse/issue/602852 CoCo Magazine Issue020: Sep 2013 P.39-46 http://issuu.com/cocomagazine/docs/sept1coco Stylesight blog mentioned about my iSKO denim design http://blog.stylesight.com/denim/isko-x-london-college-of-fashion Website: http://yimhin.blogspot.com/ LCF First Move : http://my.lcffirstmove.co.uk/graduates/8319 Twitter - https://twitter.com/YIMMANHIN LinkedIn - http://www.linkedin.com/pub/man-hin-yim/69/4b3/903 yimhin@gmail.com Look book: Photography:GMGP photography Tim Hill and James Aubrey Finnigan. Sequin Bags:Zoe Sterling Hair Stylist: Pace Chen Make up artist: Andrea Gomez Anzola The Local Outsider S/S 2014 Video: Art Direction: Rob Phillips & Man Yim Video: Valentina Dell'Aquila Model: Shareen Kaur Make up: Lucy Starke Hair Style: Suze Smethurst Set Design: Man Yim & Pui Yee Tong Fashion: Man Yim Music: Peaking Lights " All the sun the shines" Project ‘Design Denim’ supported by’ ISKO™ Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Model, Harriet at Select

Holley Potts

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SS/13 - Look 1 - Dreems - Model: Annie from Storm Models - Top + Illustration by Holley Potts

BA (Hons) Fashion Design Technology: Womenswear

Holley Potts BA (Hons) Fashion Design Technology: Womenswear http://showtime.arts.ac.uk/HolleyPotts WEBSITE: www.holleypotts.com holley.potts@hotmail.co.uk As a designer, I feel that most art forms should be integrated with practicality and this should also apply to fashion. SS/13 - Combining Fashion Illustration with Fashion Design. Looking at Marching Cubes (a computer generated algorithm) and contrasting this with nature and old cartoon sketches formed my illustrations. Designing a set of five tops; same cut, different fabric, I overlaid my illustrations on top to synchronise these together. ± SS/13 COLLECTION TOPS + ILLUSTRATION - Holley Potts PHOTOGRAPHY - Tamzin Haughton HAIR + MAKEUP - Scarlett Burton STORM MODEL - Annie Walker-Trafford STYLIST - Elle Baron VIDEOGRAPHER - Calvin Hayes ± AW/13 - Researching how chemical substances were originally used medicinally, but now widely taken for recreational use, I looked at today’s underground music scene. Taking inspiration ranging from the early Opium Dens. The vivid hues of the high and the dark greys of the lows gave me a colour distortion which is reflected in my silk digital prints. ± AW/13 COLLECTION LOOKBOOK PHOTOGRAPHY - Tamzin Haughton HAIR + MAKEUP - Marie Bruce MODEL - Rachel Christianos STYLIST - Rita Shi ± AW/13 COLLECTION LINE UP PHOTOGRAPHY - Hanna Hillier HAIR + MAKEUP - Amber Pitkin MODEL - Amber Pitkin ± INTERNING Richard Nicoll May 2012 - July 2012 Giles Deacon November 2011 - March 2012 Selfridges: Marketing Department July 2007 - August 2007 ± ACHIEVEMENTS The Shoreditch Fashion Show 2013 Photography by Vytautas Dranginis ± FEATURED Bright Young Things 2013 - http://www.clothesshowlive.com/page.cfm/link=130 W Magazine - http://weareselecters.com/2013/04/holley-potts-aw13-collection/ Kaltblut Magazine - http://www.kaltblut-magazine.com/april-illyj-and-pipa/ Coco Magazine - http://issuu.com/cocomagazine/docs/sept1coco Nou Magazine - http://www.noumagazine.com/you-say-ball-i-say-lets/ The Mark Magazine - http://www.themarkmag.com/marktorial/no-67-modernised-mod/ The Savy Dresser - http://thesavvydresser.wordpress.com/interview/

Charley Bishop

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BA (Hons) Fashion Contour

Blog: http://charleybishop.com About: "with love, Undine" With love, Undine; Charley Bishops degree collection embraces the spirit of contradiction exploring the story of Undine, the 18th century inspirational water spirit. A tragic romantic story representing a strong endearing woman. The collection supports sustainability and embraces innovation through the use of Salmon Leather; a bi product which is strong, soft to touch and has the element of surprise. This unique fabric is laser cut with an intricate wave detail, the raw edges and the intricate laser cut details add a further dimension to the texture and married alongside delicate Chantilly laces creates intricate, delicate pieces with a difference. Please contact me if you would like to feature any of my pieces in your work/publications or if you have any queries.

Kristina Egle

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| l o o k  3  d e t a i l |

BA (Hons) Fashion Design Technology: Womenswear

Having bold and graphic design aesthetic, this collection aims to visually reflect the idea of taking things out of their originally sensitive and controversial contexts in order to create new ideas. By providing visuals of The Third Reich uniforms, graphic design and German Folk clothing, the collection tries to propose a concept, in which people look at things without automatically trying to connect them to their primarily negative connotations, but instead look at their visual impact. | E D U C A T I O N | BA (Hons) Fashion Design Technology: Womenswear London College of Fashion 2012-2013 FdA Fashion Design Technology: Designer Pattern Cutter London College of Fashion 2010-2012 BTEC National Diploma: Art & Design (Fashion & Clothing) Lewisham College 2008-2010 | W O R K E X P E R I E N C E | Student Ambassador Central Saint Martins July 2013 - present Design & pattern cutting assistant tutor Design & Textiles Academy, Brady Arts Centre April - July 2013 Design & pattern cutting assistant tutor Design & Textiles Academy in association with Burberry, Brady Arts Centre August 2012 Studio intern Maria Grachvogel August - October 2011 Studio Intern Derek Lawlor October - December 2009 | F R E E L A N C E P R O J E C T S | Pattern Cutting & sampling Laura Berens Baker Dance costumes design and manufacturing Play: Orpheus & Eurydice, One myth two worlds | E X T R A | Featured in The Lab Magazine online 2013 http://thelabmagazine.com/2013/06/21/estella/ Featured in LCF Annual 2013 http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 Showed at London Alternative Fashion Week 2009 & 2010 Finalist at Fashion Awareness Direct design competition 2009 Bronze & Gold Arts Awards 2008-2009 | C O N T A C T | Email: kristina@kristinaegle.com Website coming soon 07540761623 | C R E D I T S | British Fashion Council: Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Nail Art, Lauren Michelle Pires Model, Alina at Select Loobook: Photography, Sara Magdi Bayoumi Hair & Make Up, Suze Smethurst Model, Elspeth at MOT Models The Lab Magazine online: Photography, Anya Holdstock Styling, Olimpia Liberti Hair & Make up, Adele Sanderson Model, Estella at Next

Emma Kristina Bergstrom

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Final Garment

BA (Hons) Fashion Contour

Specialising in Fashion Contour. A dedicated lingerie designer who works well individually as within a team. Main design focus is innovation, playing with textures, fabrics, 3D effects and pushing to create a more contemporary end product. Graduation Collection is inspired by how the old merges with the new and how tradition meets contemporary. Traditional handcrafted elements have been merged with the contemporary dance style Voguing to create finishes and style lines. Outfits are based on layers and have incorporated textural elements such as hand rolled Nuno felting, PVC/Latex, organza and decorative finishes.

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