BA (Hons) Fashion Design Technology: Surface Textiles

______________________________FLORAL DECAY Devika Rattu is a Surface Textiles Designer specialising in Print through traditional screen-printing and digital printed textiles. Her work explores printing and dyeing techniques with a modern twist by distorting and warping her artwork to create something distinctly unique. Her Spring/Summer 2014 collection Floral Decay is a high-end womenswear collection, which stemmed from the idea that man-made cites are created by destroying natural landscapes. Then when man no longer has use for the structures, the invasion of nature and the decaying process takes over and creates something delicately beautiful, fragile and unique. Looking at the visual record of physical decay shown in the work of Marchand and Meffre’s ‘Ruins of Detroit’ the photography explores abandonment by people, society and the presence of past lives within the derelict buildings. The collection draws on traditional print processes of Devore and dyeing used in a contemporary way with unconventional fabrics. The techniques have been extensively refined to showcase a highly creative development of textiles. Both techniques required long periods of time to explore, test and perfect, creating a distinctive collection. The dyeing and printing process has been a fundamental aspect to the collection. The importance of colour is paramount to Devika’s vision through her collection, especially the transformation of her artwork into printed textiles. An integral part to the development of Devika’s work is her floral illustrations. Specialising in organic watercolours paintings rich in colour, distorted and warped to form graphic structural shapes, which won her a prize for Chelsea Flower Show competition and an annual membership to the Royal Horticultural Society. Then developed for the illustration competition Nina De Yorke and will be used to develop an instillation for the 2013 LCF Press Exhibition. ______________________________EDUCATION London College of Fashion Ba (Hons) Fashion Design Technology_Surface Textiles 2010-2013 London College of Fashion Foundation Diploma in Art and Design 2009-2010 ______________________________WORK EXPERIENCE Freelance Print Designer_ Mirjam Roudén Design Intern April-May 2011 Giles Sample Room Intern January-May 2012 Anna Sui Pattern Making Intern July-September 2012 ______________________________ ACHIEVEMENTS Runner up_Chelsea Flower show t-shirt competition Annual membership for The Royal Horticultural Society Collaborative photo shoot, producing 2 dresses and a headpiece for Fauna & Flora
 Selected as participant for Illustration 2013
 Finalist for Nina de Yorke Fashion Illustration Competition ______________________________SKILLS Adobe_ InDesign, Photoshop and Illustrator Screen printing_ discharge, devore, polychromatic, acid, procion_ sublimation Dyeing Digital Printing Domestic embroidery and knitting machines Drawings and technical drawings Pattern Cutting ______________________________CREDITS _FAUNA + FLORA_ Print_ Devika Rattu Dress_ Sofia Ilmonen Creative Director_ Rob Philips Photographer_ Kasia Wozniak Models_ Sophia at Select and Katharina at M+P Beauty_ Pace Chen Nails_ Lauren Michelle Pires _FLORAL DECAY_ Photographer_ GMGP Model_ Sophie at Select Beauty_ Pace Chen

BA (Hons) Cordwainers Accessories: Product Design & Development

A curious and diligent designer who takes inspiration from many sources including life experiences, anatomy, the fantastical and the unknown. The aim of lindseytait design is to use fashion and its influence as a channel to raise awareness of social issues and to make a difference. The brand is dedicated to having a social responsibility as well as producing superior quality crafted pieces that are one of a kind and make a statement. Striving for perfection, attention to detail is key as well as finding new and exciting ways to create, while incorporating traditional artisan techniques to produce beautifully finished products. Looking to modern technology to influence design and to push the boundaries of ‘fashion’, lindseytait design hopes to bring accessory design to new levels of what can be achieved. The graduate collection ‘skin deep’ is influenced by the issue of self-harm: the stigma associated with it and the restriction of the body to prevent harming. It was key that the pieces should be beautiful as well as provocative in order to raise awareness, yet still be products that can be worn with attraction rather than the ‘ugliness’ of self-harm. Using an intricate cherry-blossom pattern laser etched into the lining (which sits close against the skin) is significant as the cherry-blossom flower represents feminine strength and sexuality. This soft and beautiful leather etched lining is juxtaposed against the strong VegTan exterior that provides a shield-like mould around various parts of the body. Each piece is fully functional, despite being conceptual rather than commercial. Born in a small town in Northern Ireland, Lindsey showed a strong passion for art and craft from a young age, which soon flourished into a love for fashion design. While completing her Foundation Diploma, Lindsey’s keen attention to detail and interest in accessories became apparent, leading to her relocation to London to attend London College of Fashion. Lindsey intends to remain in London to continue growing as a designer and to also expand her knowledge of fashion design and construction into apparel – although her main focus still remains on creating innovative and provocative fashion accessories. Please contact for more information or for any enquires for collaborations or commissions. ----------------------------------------------------------------------------- Lookbook Credits: Photography: Chris Cove Model: Ines-Hermione Mulford @ Base Studio Assistant: Kiego Kato @ Studio197 BFC Credits: Photography: Justino Esteves Nails: Lauren Michelle Pires Creative Director: Rob Phillips

BA (Hons) Cordwainers Footwear: Product Design & Development

Woo.oh aims to ‘make shoes as a fancy fashion endpoint’ which catches one’s attention at the first attempt. The design entices by regarding shoes as an item of jewellery. The mix and match of various materials manages to fully realise the potential of the creative idea. It has unisex collection consist of fresh sensation with various textures. By playing in many ways with agates, the whole collection was developed. It especially inspired the patterns of products. The pattern of agates were investigated, the wavy irregular lines combine with different colours in the same tones. After further development, integrated technique of using rag works and beadings create some unique designs with the classic types of shoes. Designs are unisex, which are focused on the whole ranges of low- heeled shoes such as flats, loafers or lace-up shoes. CONTACT : woooh717@gmail.com 07740944659 EDUCATIONAL BACKGROUND London College of Fashion (BA) 09.2010 – 07.2013 Tommy Hilfiger project runners up 06.2012 Italian Cultural Institute , London
Vogue Talents: A-Lab Milano in collaboration 13.01.2012 - 20.01.2012 Uzbekistan embassy, London
Fashion Exhibition
 01.2012 (Project with the British Council and Uzbekistan) London College of Fashion (Short course) 08.2011 Inset Bag design Hong Ik University, (Seoul, South Korea) BA Fine Art Painting 03.2005 - 02.2010 New York Flushing Open Space Gallery, New York Newyork World Art Festival 28.07.2009 - 04.08.2009 Sinsang Gallery, Seoul Solo exhibition 10.06.2009 - 17.06.2009 Sinsang Gallery, Seoul Group exhibition 27.05.2009 - 02.06.2009 Hong Ik University Graduate exhibition 15.12.2008 - 20.12.2008

BA (Hons) Fashion Design Technology: Womenswear

Press Release The SS ‘13 collection, from Rachel Greig, explores the concept of pilgrimage, and considers the contrast between medieval and modern day pilgrimage, on Rite of Passage holidays to destinations such as Malia, Magaluf and Kavos. The collection investigates both the metaphorical and physical journey of a pilgrimage and the personal transformation that takes place, through the process of the collection itself. Playing with the contrast between medieval pilgrims wanting to better oneself with 21st century pilgrims celebrating the acts of debauchery and degrading oneself amongst friends, the collection embodies a fun and yet sophisticated aesthetic, with foil fringe skirts and pleated fabric detail and accents. Silhouette and fabric consideration has been taken from classical 15th century paintings, and in particular the concept of medieval pilgrims seeking holy relics and purity. Religious references to modesty and innocence have taken the form of the fabric pleated headpieces, ‘wimples’, worn by medieval women and nuns, and it is from this research that the recurring drape influence of the collection has been developed. In contrast to the medieval influence the other side of the collection has been developed from a case study of ‘Essex Boys Maga 13’ and their pilgrimage to Magaluf. Research images include their numbered jersey tops to distinguish their group, and conceptually their manipulated and falling off clothing in drunken photos forms a large basis for the entire collection’s slouchy aesthetic. Research of the boys passed out in bed after a night out have formed designs developed from initial drape, using bedsheets. Elastic details have also been considered and developed from the elasticated corner of bedsheets, and repeated in different sized elastic and different places on the garments. Recurring numbers, from Look 1 to Look 6 are placed and incorporated into the garments, to convey the numbered jerseys of the holiday groups. The numbers have been distorted and warped to continue the theme of crushed and manipulated clothing, inspired by drunken photos of the ‘Essex Boys Maga 13’ with their clothing pulled, falling off, and ripped. This research has also branched into the theme of drunken injuries and hospital references such as side slits and open back tops and dresses are apparent in the garments. Finishes have been taken from the sports element of the t-shirts and tank tops worn by the boys, with simple binding on most garments, and raw edged pleats and necklines have also been incorporated to continue the theme of breaking down society’s expectations and the detrimental process partaken on these holidays. EDUCATION London College of Fashion // 2010 - 2013 BA (Hons) Fashion Design and Technology: Womenswear UCA // 2009-2010 Foundation Diploma in Art and Design (Distinction) WORK EXPERIENCE Giles Deacon // May-June 2012 Sample Room intern Vogue Fashion Cupboard // December 2012 Assistant stylist Marios Schwab // August-September 2011 Production Intern rachelgreig21@gmail.com

BA (Hons) Fashion Design and Development

Current fashion assistant and aspiring fashion stylist working and living in London. For my final major project i wanted to create something reflective of my strengths within styling. Therefore i created the fashion magazine product, theOpposite - the black and white issue. This product consists of all editorials styled by myself, along with garments and a casing. This was all based around the idea of introducing a new fashion magazine to the market which would be more interactive and collectable for the consumer. With all ideas being based around the theme of opposites and with the use of black and white to create a coherent feel to the content of the publication in terms of styling and layout. EXPERIENCE Marie Claire Magazine Fashion assistant to junior fashion editor Holly Welch The Evening Standard Magazine Fashion assistant to fashion directors Nicky Yates and Nathalie Riddle, and fashion editor Orsolya Szabo Instyle Magazine Fashion Intern Browns web styling team Fashion Intern Vogue Magazine Fashion Intern Harpers Bazaar Fashion Intern Credits Twin Editorial - Photography: Claire Brand Mary & Maxine - Photography: Lucia O'connor Mccarthy Touch of Geisha - Photography: Nicole Maria Winkler Raw - Photography: Claire Brand

BA (Hons) Cordwainers Footwear: Product Design & Development

Chaemin Hong BA (Hons) Cordwainers Footwear: Product Design and Development This collection is for A/W 2013-14 and it consists of 10 different styles. The collection is inspired from animal’s bone. Concept Humankind is at the top of the food chain. The moment that human beings climb up to the top of that pyramid, they act as if they are completed unrelated to the food chain pyramid. Human beings observe the animals in the natural state on TV, and watch the animals’ survival instinct as if they are surprised. Bones of the animals, sources of protein, that were thrown away leave behind animal form. It is not like the animals disappeared: Instead, they were merely dismantled. When the bones re-combine to formulate a new form to create yet another creation, I wonder whether they could instill life into something new instead of merely serving as the remnant of the food chain. Combination of the dismantled bones. The concept that got started with the concept of new creations, sought to re-create the feel and shape by using diverse techniques. chaeminhong@gmail.com

BA (Hons) Fashion Design and Development

[Images 1-13] Photography: Anai Bharucha http://anaibharucha.tumblr.com/ Beauty: Som J http://www.facebook.com/somijj Image Editor: Terrence Seah http://www.edfool.com/blog Model: Mila from Oxygen Models Management [Collection] The aw13-14 collection `INUNDATE` encompasses a minimalist tone with beautifully structured, twisted detailing. Unique pieces exuding modernity and classic shapes against a neutral palette of grey, navy and blue with a hint of colour introduced through an elaborate print. The reversible and multi-wearable aspects embrace the lifestyle of the busy modern woman, allowing her to “buy less and wear more” along with a combination of both light and heavy fabrics, permits the collection to be worn throughout all seasons in celebration of longevity and practicality. The spiral and twisted shapes are inspired by tornadoes and satellite images of hurricanes after initially looking at imagery of flooding through the works of Gideon Mendel and Robert Polidori. These images encouraged me to take into consideration global matters and to create garments with a purpose, in rejection of seasonal trends and disposable fashion. Each garment is additionally stamped with signature detailing of contrast silk binded seams for longevity and hidden contrast zips as an extra feature against the predominantly plain exterior. [Experiences] -Beautiful Soul Studio Intern (10th Aug `12- 1st Oct `12) -Agent Provocateur Press Intern (9th Jan `12- 6th July `12) -Roland Mouret Collection Development Intern (29th Aug `11- 6th Jan `12) -Stephane St Jaymes Studio Intern (29th Oct `10- 4th Jan `11) -Alexander McQueen Studio Intern (26th July 2010) -Black Hair and Beauty Magazine Stylist`s PA ( Feb `08) - Kaiz Agency Event Organiser Intern (6th Sep `07) [Education] Central Saint Martins (2008-2009) London College of Fashion (2009- Present)

BA (Hons) Cordwainers Footwear: Product Design & Development

Hyun Seon Jeon BA (Hons) Cordwainers Footwear: Product Design and Development HYUNSEONJEON is a contemporary footwear designer brand that creates architectural, conceptual and unique designs for women. The designer highly focuses and gets design influences from architectural shapes with clean-cut lines. Every design features its own uniqueness, delivering innovation and feminine look whilst still being simple with aspects of commerciality / ready to wear. This collection is for Autumn / Winter 2013-14 and it consists of 10 different styles. The concept of this collection is architecture, mainly consisting of Gaudi’s works in addition to some other groundbreaking architecture. Both traditional and contemporary architectures are looked at for inspiration. The collection is inspired from the concept in terms of shape, pattern, material, colour, and heel shapes. The shapes in the designs will be the main focus of inspiration, making the designs look more contemporary and architectural. CONTACT hyunseonjeon@gmail.com http://uk.linkedin.com/pub/hyun-seon-jeon/6b/162/691 Metal heel & platform- Rob Fawcett Photographer- Ioana Vrabie

BA (Hons) Fashion Design Technology: Womenswear

JESSICA NG A/W 2013 So Wrong It’s Right. The A/W 2013 collection stems around the concept of twisted innocence and juxtaposes ideas of purity with the corrupted. It combines the familiarity of personal experiences with a touch of the forbidden that aims to evoke a mood of strange endearment. Many of the artists explored within the themes of this collection are individuals who had been previously condemned by society and even criminally prosecuted for their work because they violated the sacred ideology of childhood innocence. (e.g. Sally Mann, Irina Ionesco) However, we now live in a society that is more tolerant than it has ever been, in some respects, and is willing to entertain ideas of eroticism and childhood coexisting. At the very least, there is a curiosity to explore and investigate subjects within a new, modern context where one might reassess subject matter formerly regarded as offensive and find respect for each quality the image offers. Contrasting the serious subject matter of controversial photography with Jessica’s childhood memories of Garbage Pail Kids as well as saturated Egon Schiele paintings were integral in injecting fun and color to the collection. Vibrant colors and clashes of textures throughout were used to communicate a sense of unease, beauty and playfulness all at once. The primary fabric used in the collection is a syrupy sweet, pink Harris Tweed – ultra feminine with its color, but countered with oversized, masculine silhouettes and a rough, heavy texture. The weighty garments are combined with lighter pieces like sandwashed silk shirts and velvet embroidered leggings to contrast textures and add movement to the pieces. The exploration of draping and tailoring with unconventional finishes was also key in creating the collection. Many of the garments feature stitchless darts and disappearing details like pockets and collars using needlepunch techniques with inspiration taken from unfinished paintings where the lines of the body are finished by the eye rather than actual marks. // PRESS Finalist in i-D Magazine/All Walks Diversity Now Competition http://i-donline.com/2013/04/diversity-now-the-finalist-cut/ LCF BA 2013 ANNUAL SHOWCASE http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 // WORK EXPERIENCE Band of Outsiders Design Intern (January 2012 – March 2012) Preen by Thornton Bregazzi Production and Design Studio Assistant (November 2010 – April 2011) // CREDITS (1 - 2) BRITISH FASHION COUNCIL SHOOT Photography: Justino Esteves Creative Direction: Rob Phillips Model: Rebeca Marcos @ Models 1 Beauty: Pace Chen Nail Art: Lauren Michelle Pires (3 - 16) JESSICA NG A/W 2013 Photography: Alexandra Leese Model: Charli Howard @ Union Beauty: Chloe Han (*) i-D Magazine/All Walks Diversity NOW! Competition Photography: Anthony John Sayer Creative Direction: Rob Phillips Hair: Yura Do Makeup: Pace Chen

BA (Hons) Fashion Contour

Brand: ‘katalinarady’ The brand’s first capsule collection, Spirit, is designed for Autumn/Winter 2013/14. This collection is expected to make a strong first impact on customers and quickly establish an emotional connection. It creates a highly recognisable and memorable image for consumers. Spirit’s signature will be a new design aesthetic on lingerie sets; clear and innovative lines are executed to underline the brand’s ethereal and surreal qualities. The description of the brand is emotional reaction: neo romanticism reacting to this century’s technological revolution. The collection is designed for the 21st century woman bringing back the idealised, sensitive and fragile aspect of women. The overall message of the brand is to promote a refined and re-feminised woman; emphasising the power of sensual beauty. It represents shades and emotions, the fragile beauty and the dreamlike, theatrical, neo romantic mood. The Gift (2000). The scene where the main character, played by Cate Blanchett, is dreaming was an inspirational part of the film. A dreamlike background with lilies and trees, and her 19th century night gown impacted on the mood of the designs, and provided a definite picture; it also helped to link the ideas together. The see thorough montage of her silhouette and the trees immediately brought the concept of light, airy fabrics and modern vein like techniques. The garments are designed to extend the beauty of the body three-dimensionally and express fragile emotions on the outside as a continuous extension of elements, which reaches out from the physical body. The shadow idea transformed into the structure of tree tops and how they intertwine to become a surface, giving the impression of an amazing lace created by nature. Designer: ‘Katalin Aradi’ The designer’s USP is the driving ambition to the best and professional approach to concept and design development; very experienced in hand and machine sewing, pattern cutting and constructing garments. Experienced in couture sewing techniques therefore her eye for detail skill is very strong. CAD skills involve Illustrator, Photoshop, InDesign, Autodesk 3ds Max and Sensable Freeform. She is a quick learner and a good team member. Her interest in contemporary art and haute couture is very strong and she would like to deliver these in her designs and set her aspirations to. Contact details: Email: katalinarady@gmail.com Mobile: +447801880101 LinkedIn: Katalin Aradi Facebook: http://www.facebook.com/katalinarady Twitter: @katalinarady Pinterest: http://pinterest.com/katalinarady/

BA (Hons) Cordwainers Footwear: Product Design & Development

SeungMi Kim BA(Hons) Cordwainers Footwear: Product Design & Development SeungMi Kim expects to become a creative and modern brand that will represent contemporary shoes. Mainly, it is inspired by a variety of art theories, issues or arts work that is reinterpreted in a modern way. The value of the brand will be enhanced through combing work with special skills and each design has a significant meaning. “Changes in form, illusion and technology” This main concept of the A/W 2013-14 is ‘Cubism’ which was inspired by cubism painting and sculpture. It is based on cubism theory; the main objective is to reproduce the surface through three-dimensional view and the basic perspective rule is abandoned and shows the same object in different sides. These were combined with my design, which resulted in a modern conceptual and fashionable shoe. I used 3D printing, which was hidden rather than showing on the outside to give change to the shape of the shoe. To create an optical illusion a point colour was used. On the whole, the collection shows dramatic elements of materials, colour and design. - Contact detail - sui.seungmikim@gmail.com 07738333109

BA (Hons) Cordwainers Accessories: Product Design & Development

Open for projects and collaborations specialising in leather handbags. My work is based on origami and the colours and textures seen in butterflies. The materials of the collection consists of leather and laser cut Perspex held in place by silver screws. Industrialism and nature is translated through the use of materials; two opposed ideas. The perspex represents fragility and the screws gives a industrious feel to it. The mood of the collection takes inspiration from minimalism seen in the clean lines and three dimensional forms.

BA (Hons) Fashion Design Technology: Womenswear

2014 Autum/ Winter – Wrapping Memory in Japan. This collection seeks to explore the core value of Japanese culture: How they translate the traditional to modern society. In the developing stage of my project – 2014 Autumn/ Winter collection, I was initially inspired by a project done by Michel Aguilera in 2008 called Vetements de Hiroshima. He used series of photography to present the clothing reserved after the atomic bomb in the Second World War from the Peace Memorial Museum in Japan. Through these photos, he wanted to evoke people’s memory of nuclear fire. The following process of developing is looking into their traditional culture (wrapping culture: not just the idea of using clothe for carrying and transporting goods but the value can be seen in many aspects of wrapping, including the way of presentation, the meaning of politeness, and the believed social status.) and pop culture (street fashion affected by western society after the second world war). With an intention to show the transformation process in fashion terms, I focused on the change of the traditional Japanese fashion culture and observed how their traditional fashion have been transformed by the mix of Western pop culture into their own culture. Also, I researching and analyzing the central value of japanese designers, Designers in Japan use extraordinary methods to challenge the construction and traditional logic of clothes; they are the experts in using this concept to recreate and give a new definition to the existing designs. The design concepts of Japanese designers always re-contextualise, challenge the traditional rule, rethink the old ideas and refine the old forms. In my 2014 Autumn/Winter collection, I would like to use this idea to reinvent the old memory by the means of using traditional technique – ‘embroidery’ to recreate a new mood for the memory, wrap the horrific past to beautiful and represent in the contemporary fashion. Lastly, I would like to apply the wrapping culture to package the old/traditional form and the memory from the Second World War with the intention to reinvent new designs for the contemporary fashion industry. Covering the negative memory with a new layer and be represented in a beautiful and delicate way to reverse and bring a change to the memory of the destruction in the Second World War in Japan. Education - London College of Fashion 2010-2013 BA (Hons) Fashion Design Technology (Womenswear) London College of Fashion 2009-2010 Foundation degree in Arts and Designs Working experience - Fyodor Golan Jan - Feb 2012 Sample room intern

BA (Hons) Fashion Design Technology: Womenswear

Holley Potts BA (Hons) Fashion Design Technology: Womenswear http://showtime.arts.ac.uk/HolleyPotts WEBSITE: www.holleypotts.com holley.potts@hotmail.co.uk As a designer, I feel that most art forms should be integrated with practicality and this should also apply to fashion. Researching how chemical substances were originally used medicinally, but now widely taken for recreational use, I looked at today’s underground music scene. Taking inspiration ranging from the early Opium Dens. The vivid hues of the high and the dark greys of the lows gave me a colour distortion which is reflected in my silk digital prints. ± AW/13 COLLECTION LOOKBOOK PHOTOGRAPHY - Tamzin Haughton HAIR & MAKEUP - Marie Bruce MODEL - Rachel Christianos STYLIST - Rita Shi ± AW/13 COLLECTION LINE UP PHOTOGRAPHY - Hanna Hillier HAIR & MAKEUP - Amber Pitkin MODEL - Amber Pitkin ± INTERNING Richard Nicoll May 2012 - July 2012 Giles Deacon November 2011 - March 2012 Selfridges: Marketing Department July 2007 - August 2007 ± ACHIEVEMENTS The Shoreditch Fashion Show 2013 Photography by Vytautas Dranginis ± FEATURED Kaltblut Magazine - http://www.kaltblut-magazine.com/april-illyj-and-pipa/ The Savy Dresser - http://thesavvydresser.wordpress.com/interview/

BA (Hons) Fashion Design Technology: Menswear

**Surgical Collection Re-interpretation of ideas surrounding the concept of “Surgeon” translated into boyish, playful, contemporary menswear. This conceptual collection directly contrasts the clinical scientific and sharp attitude of surgeon with humonity and precise beauty from various medicines throughout carefully balanced experimental constructions and textiles on a high-end technical base. /Press Style Salvage http://stylesalvage.blogspot.co.uk/2013/05/lcf-ba-showcase-patrick-um.html Fashion Strikes http://blog.fashionstrikes.com/2013/05/20/patrick-um-surgeon-collection/ /Work Experience ＊ Duckie Brown: Menswear Design Assistant/Internship - New York, USA Jun 2012 - Sept 2012/www.duckiebrown.com ＊ Gareth Pugh: Womenswear Design Assistant/Internship - London, UK Jan 2012 - Apr 2012/www.garethpugh.net ＊ Peter Jensen: Womenswear Design Assistant/Internship - London, UK Aug 2011 - Sept 2011/peterjensen.co.uk ＊ Trine Lindegaard: Menswear Design Assistant/Internship - London, UK Jul 2011 - Sept 2011/www.trinelindegaard.com ＊ Cassette Playa: Menswear Studio Assistant/Internship - London, UK Jul 2011 - Aug 2011/cassetteplaya.com * Taurus Art Institute: Drawing Tutor/Job May 2004 - May 2005 /Education ＊ London College of Fashion, University of the Arts London BA (Hons) Fashion Design Technology Menswear Oct 2010 - Jul 2013/www.arts.ac.uk /Awards Winning a prize in 39th Joong-Ang Design Group Contest Nov 2008 /Credit * Editorials Photographer_ KwangBok Jack Lee Hair and Make up stylist_ KyungJu Claire Chung Model_ Oliver @AMCK Management * Line up photography_ Yunjin Kim model_ Sangho Lee

BA (Hons) Cordwainers Footwear: Product Design & Development

Billie Tuncer - Fashion footwear designer Fashion footwear with a difference, Billie's first collection for Autumn/ Winter 2013 from the brand B london prides itself on being out of the ordinary.Creating a new opportunity for a range of consumers whom have a passion for footwear and design. Using everyday ordinary objects from inspiring locations and bringing them into a collection to capture her consumers attention. B Londons first collection was inspired by Bricklane a location close to heart that really took inspirations and ideas to a new level. street art was the main inspiration towards colour palate and design ideas. Working within the commercial high fashion industry to a more conceptual smaller business, Billie has knowledge of a varied fashion industry around her and using them skills to contribute towards her final collection. Billie will be graduating from BA (hons) Cordwainers footwear in summer 2013.

BA (Hons) Fashion Design Technology: Womenswear

Having bold and graphic design aesthetic, this collection aims to visually reflect the idea of taking things out of their originally sensitive and controversial contexts in order to create new ideas. By providing visuals of The Third Reich uniforms, graphic design and German Folk clothing, the collection tries to propose a concept, in which people look at things without automatically trying to connect them to their primarily negative connotations. | E D U C A T I O N | BA (Hons) Fashion Design Technology: Womenswear London College of Fashion 2012-2013 FdA Fashion Design Technology: Designer Pattern Cutter London College of Fashion 2010-2012 BTEC National Diploma: Art & Design (Fashion & Clothing) Lewisham College 2008-2010 | W O R K E X P E R I E N C E | Design & pattern cutting assistant tutor Design & Textiles Academy, Brady Arts Centre April 2013 - present Teaching assistant Design & Textiles Academy in collaboration with Burberry, Brady Arts Centre August 2012 Studio intern Maria Grachvogel August - September 2011 Studio Intern Derek Lawlor October - November 2009 | E X T R A | Bronze & Gold Arts Awards Finalist at Fashion Awareness Direct design competition 2009 Showed at London Alternative Fashion Week 2009 & 2010 Email: eglebujauskaite@gmail.com Website coming soon | C R E D I T S | British Fashion Council photoshoot: Photography, James Rees Creative Direction, Rob Phillips Beauty, Pace Chen Nail Art, Lauren Michelle Pires Model, Alina at Select Loobook photoshoot: Photography, Sara Magdi Bayoumi Hair& Make Up, Suze Smethurst Model, Elspeth at MOT Models

BA (Hons) Fashion Design Technology: Surface Textiles

Quest for Individuality A Spring/Summer collection for 2014 for high end womens wear market, exploring the idea of body tattoos being an object of art and its importance relative to different religious beliefs, tribal ceremonies and how this has a strong relation to modern society and its subcultures ___________________Languages________________ Fluent in French and English _______EDUCATION AND QUALIFICATIONS ______ London College of Fashion 2010-2013 BA (Hons) Fashion Design Technology: Surface Textile, Knitwear St Georges VA School, Harpenden 2008-2010 A Levels Stopsley High School 2003-2008 GCSE ____________________Employment______________ CRAIG LAWRENCE (London) Knitwear intern ( 2011 - 2012) Sam Morray Design (london) print intern (summer 2011) NEXT (london) Sale consultant ( 2010 -2011) NEXT (Luton) Delivery ( 2009 - 2010) Theobald Sewing Machines (Luton) Shop assistant/ repair ( 2009 ) _______________PRESS_______________ http://www.ohdearism.com/2013/04/13/style-sarah-mazza-lcf-ba-collection/ http://janemarlestylist.tumblr.com/post/51740727194/http-www-joomag-com-magazine-frow-magazine-issue http://issuu.com/london_college_of_fashion/docs/sdt-annual-2013 _________________CREDIT___________________ ___BFC 2013 ___ Sarah Mazza, Photographer, James Rees www.jamesrees.co.uk Creative Direction, Rob Phillips Beauty, Pace Chen, Melissa Wong Nail Art, Lauren Michelle Pires Model, Sarah Dick at Models 1 http://www.models1.co.uk/ ___LOOK BOOK Shoot___ sarah mazza photographer, Josh Chow Hair and MakeUp, Naoko Mabuchi Model, Ayesha Tan-Jones. ___BEAUTY EDITORIAL___ Photography, Polin Kuprine Styling, Jane Marle Hair and Makeup, Louise Linder

BA (Hons) Fashion Jewellery

Born in Israel, Liron Kliger is a London based jewellery designer who graduated a BA (HON) in Jewellery Fashion Design at the London College of Fashion. Liron developed a passion for jewellery design whilst completing a foundation in fashion design course at West London College, Liron developed a love for raw materials and desire to create unique pieces encompassing the form and essence of the material used. The primary influence on Liron’s work (apart from the raw materials) evolved from years spent living and travelling in cosmopolitan cities including Barcelona, Paris, Milan and Tel Aviv. Liron was exposed cultural idiosyncrasies which in turn influenced the way in which she combines / uses materials and their subsequent adaptation to her needs. Liron’s latest project developed from a fascination with snakeskin and infatuation with catwalk pieces; motivating her to create her own interpretation via snakeskin inspired bangles. Liron’s previous catwalk projects include a large feathered neck piece and oversized dice jewellery. In the foundation year of her BA Liron was awarded third place in the UK in a competition run by the Metro newspaper for her creation of a jewellery body suit utilising recycled materials. (http://www.westlondoncollege.com/courses/fashion_news.php) Copyright © Liron Kliger 2012 Press: http://www.westlondoncollege.com/courses/fashion_news.php http://www.westlondoncollege.com/courses/fashion_metro.php Featured in LCF press exhibition review http://fashitects.blogspot.co.uk/2012/06/lcf-press-exhibition-2012-part-1.html Featured in 'DOY Design On You' blog: http://designonyou.me/2012/06/25/jewels-design-liron-kliger/ Featured in 'Adorngirl' blog: http://adorngirl.com/london-college-of-fashion-ba-graduate-exhibition-2012/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/fine-print/?pid=835#picgallery Featured in IDOL magazine: http://www.idolmagazine.co.uk/fashion-interview/liron-kliger Featured in a fashion film 'beautiful killer' : http://www.youtube.com/watch?v=tyAkcpLVz8w Featured in the 'Word magazine': http://thewordmagazine.com/style/the-fashion-world-of-london-based-belgian-photographer-gael-delhaye/ Featured in 'Fashion156.com' http://www.fashion156.com/daily-blog/jewellery-liron-kliger-2/ Featured in business boom collective website: http://businessboomcollective.com/1224/liron-kliger/ Featured in KENTON magazine: http://kentonmagazine.com/kenton_editorials/when-it-rains/?pid=921#picgallery Featured in Institute magazine Feb 2013: http://institutemag.com/2013/02/01/under-grey-skies/under-grey-skies3/ Featured in Miss Margaret Cruzemark Feb 2013; http://margaretcruzemark.blogspot.co.uk/2013/02/liron-kligers-cultural-idiosyncrasies.html?spref=fb Featured in 'Ethike': http://ethikee.blogspot.co.uk/2012/12/love-snake-inspired-bracelets-by-liron.html?showComment=1361372841669#c5703089216410025242 Featured in 'Fashion tips': http://coolandthebang.com/2013/02/04/fashion-tips/ Featured in Young British Jewellers website: http://youngbritishjewellers.co.uk/ Featured in Vogue Italia- march 2013 http://www.vogue.it/photovogue/Portfolio/26e917e3-b53a-408e-8a8a-b6d81725ba20/Image Featured in Joie de vivre blog: http://sophiessoiree.blogspot.co.uk/2013/03/hi-people-welcome-to-my-blog-of-all.html?spref=fb Featured in vimeo for KapriTV: http://vimeo.com/63507361 Featured in Edelweiss magazine: http://www.edelweissmag.ch/edelweiss/mode/sweet-india Featured in Paperchasers ink magazine issue two: http://issuu.com/paperchasersink/docs/paperchasers_ink_--issue_two Behind the scene video April 2013: http://www.youtube.com/watch?v=N12rKKOcdhU&feature=youtu.be Behinde the scene blog by Margaret Yescombe: http://www.margaretyescombe.com/behind-the-scenes-photos-colourful-studio-beauty-jewellery-photo-shoot/ Featured in 'The LC LEE brand' tumbler: http://thecfleecflee.tumblr.com/ Fashion show Pacha may 2013: http://www.youtube.com/watch?v=8T6-W_50G9E Featured in 'Urban coco' May 2013: http://www.urban-coco.com/fabryan-takes-on-malt-fashion-week/ Featured in 'Fashionstyleology' May 2013: http://fashionstyleology.com/liron-kliger-aw1314-look-book/?t=LIRON+KLIGER+AW13%2F14+LOOK+BOOK Featured in Notion magazine May 2013: http://www.planetnotion.com/2013/05/09/shoot-spots-vs-stripes-and-all-things-nice/ FaceON magazine photoshoot featuring my jewellery on fashionTV: http://www.youtube.com/watch?v=3BOa_JyG5SM Featured in KULTBLUT magazine May 2013: http://www.kaltblut-magazine.com/april-illyj-and-pipa/#.UZ8nIeg-wEA.facebook Contact me through: Email: liron_kk@yahoo.com Mobile number: 07773018951 https://www.facebook.com/LironKligerJewellery?ref=hl https://twitter.com/Liron_Kliger http://instagram.com/lironkliger http://pinterest.com/lironkliger/

BA (Hons) Fashion Design Technology: Menswear

education background: LCF Foundation LCF Menswear fashion design and technology working experience: 2010 summer China Daily 2012 martine rose My design has focused largely on the utilization of geometric shapes and lines and I have drawn inspirations from ‘Tangrams’. I have tried to employ asymmetric designs such that the cuttings look different from left to right, front to back. In addition, the collars, cuffs, trousers, trouser legs, coats and vests are all developed from the concept of asymmetric patterns. The shapes of triangle and polygon are used extensively. I have also drawn inspirations from the structure of bones. Bones have a variety of different shapes as well as a complex internal and external structure. Every bone has a different structure and function throughout different periods of time during one’s life. Consequently, skeletal architecture varies throughout one’s life. In addition, different combinations of different shapes of bones underlie the difference in body shapes of different organisms. I have adaptedand transformed their shapes, colour, and patterns to my design of modern menswear.Besides the ‘collage’ and matching of shapes, different materials are also used and matched together on a single piece of clothes, creating a richness of texture and layering. This is similar to ‘bones’ in that different tissues of different qualities make up the various components of the bone. Picasso’s work on Cubism also inspired me and helped me to develop my design further. His Cubist work does not follow the route of pure aestheticism. It is more rational and abstract, and develops around the decomposition and re-construction of objects. He has often used blocks of colours such as blue and grey which overlay each other. In reflection, I have explored a similar style of using multi-layer of different colour blocks in my design of menswear garments. In order to make the coat appear more three-dimensional, I have specially selected sports materials that are lighter, more ‘crisp’ and more ‘malleable’. It would also make it more comfortable to wear. The design of the collars of the shirts is special in that one side is wider than the other. However, the collar and the collar stand would match perfectly and the use of concealed buttons on the collar would add to the delicacy of the final visual image. Vest is the new addition to my design line. Every vest is visually a ‘collage’ of knitted fabrics. In contrast to the oversized coat, the vests would follow an extremely slim fit design using knitted fabric materials.