Graduate Diploma in Fashion Design Technology

London Pattern Cutter, Womenswear Designer. http://www.linkedin.com/pub/elizaveta-novikova/50/a26/a06 http://my.lcffirstmove.co.uk/graduates/6930 --------------------------------------------------------- Education: Oct2012-June2013 Graduate Diploma in Fashion Design Technology Oct2011-June2012 BA(Hons): Fashion Design Technology Womenswear (London College of Fashion). Oct2009-Jul2011 FDA FDT in Pattern Cutting (LCF) Sept2008-June2009 Fashion Portfolio (LCF) Employment: Summer2010 Digital Print Bureau LCF Work involved assisting through the whole process after image has been send to print. Feb2011 and June 2010 Interpreter for delegates from Uzbekistan Textile University. Work involved translating from English to Russian and vice versa as well as accompany and introduce visitors to local vintage, antique and secondhand charity shops. Work expiries: Aug2012-Jan2013 SALONI London Design Intern. Work involved making technical packs, toiles, patterns and researching for inspiration. September2013-on going VIVA VOX Moscow Please see my CV for more information. ----------------------------------------------------- Contact: nov.elizaveta@gmail.com -------------------------------------- http://larinne.blogspot.co.uk/2012/07/london-college-of-fashion-2012.html http://www.fashionrider.com/blog/153-anna-kerenina http://www.supplementaire.org/big-young-woman-by-federico-sorrentino-for-supplementaire-11/ -------------------------------------- http://www.elizavetanovikova.com/

BA (Hons) Fashion: Design Technology (Knitwear)

I am a knitwear designer. A strong conceptual meaning is very important to me. Within my work I focus on socially and culturally relevant topics.

BA (Hons) Costume for Performance

Ellie Skeet LOOKING FOR WORK ANYWHERE IN THE WORLD!!! Ellie has a diverse and original creative talent. Producing thought provoking work, fantastical/futuristic/contemporary, combining with fashion and traditional costume influences. Work history: ☻'Aladdin' Eastbourne Theatres 2013 panto, Jordan Productions: Wardrobe assistant/costume maker ☻'Just Desserts' short film, prod. Superplex pictures, dir. Michael Yanny (August 2013): Costume designer/ wardrobe supervisor/ costume continuity ☻Wilderness Festival (August 2013): Production runner ☻The Royal Ballet School (June 2013): Wardrobe assistant ☻'Eyes on you' by Silent H! Music video (June2012-June2013): Producer, director, art director, costume designer and maker ☻Opera Australia, Sydney Opera House costume department (January-March 2012): LW costume construction level 1 ☻'MEAT' short film, prod. Ally Kuch, dir. Ina Anastasovska (April-June 2011): Costume designer, wardrobe supervisor email: e.skeet1@gmail.com twitter: www.twitter.com/ellieskeetskeet pinterest: http://pinterest.com/ellieskeet LinkedIn. Connect with me and view my profile. http://lnkd.in/Mwjk69 Currently starting up a 'made from fabric' range. Check out the link below to see some items from my first collection.

Come and say hi at the ymca in old town. Selling handmade vessells and what nots. Open til 12.30 see… http://t.co/TACMku9Woq

— ellie skeet (@ellieskeetskeet) October 30, 2013

BA (Hons) Bespoke Tailoring

www.linneaisabella.com Photo: Max Barnett Model: Sophie Bharj 'Inside a warrior's mind' is the debut collection from Linnéa Isabella, graduate in Bespoke Tailoring from the London College of Fashion Designer and Bespoke Tailoress. Driven by music and intrigued by social structures, gender stereotypes and power play in society. Born in Stockholm but came to London at the age of 17, for a gig in Camden, and have not left. Today, design and embroidery are the favorite instruments to express creativity. Education: University of the Arts, London College of Fashion, Graduated June 2013 • BA (Hons) Bespoke Tailoring University of the Arts, London College of Fashion, Graduated June 2010 • Foundation Diploma in Art and Design S:t Goran High School, Stockholm, Graduated June 2007 • High School Diploma specialized in Tailoring and Fashion Design Work experience: Alexander McQueen, Head Office, London Couture assistant, Freelance; March 2012 – Present Alexander McQueen, Head Office, London Embroidery and Print design assistant, Intern; Dec 2011 – Oct 2012 Hennes & Mauritz, Head Office, Stockholm PatternMaker Assistant, June 2011 – Sep 2011

BA (Hons) Fashion Design Technology: Womenswear

Oksana Anilionyte I would like to thank Saga Furs for a wonderful sponsorship. Collection is based on idea of a soft control. The collection is an investigation into inter-relation of minimalism and modern women. I found my inspiration in Michelangelo Antonioni films L’Avventura (1960), La Notte (1961), Eclipse (1962) and Il deserto rosso (1964). His films concentrate on how the modern world influence people and their feelings. Personal feelings, doubts, moods are substance of the films. The works and processes of Robert Morris, Tony Cragg and Daniel Arsham sculptures and abstract painting of Dale Frank served as the initial inspiration for the silhouette, colour, texture and details of the collection. The aim was to mix different techniques and inspirations to reach new and unexpected levels. I embraced the complexities and simplicities by different techniques to reinvent a version of femininity. Robert Morris felt sculptures led to create new ways of using seams to express the fluidity of line. The collection is a lot about the lines that are so pure, so clear, that they convey simplicity in their perfection. The purity is combined with texture that comes from tufting embroidery and soft fur to create a new level of feelings that garments create when touched. A dialogue between time and timelessness runs through the progression of the minimalist aesthetic which is felt in fluidity of seam lines. The collection incorporates a range of luxury fabrics (cashmere, wool, silk, fur, leather) to examine the balance between textures, silhouette and a purity of line. Education and qualifications: 2009 to 2013 BA Fashion Design: Womenswear, London College of Fashion, University of the Arts London 2007 to 2012 BA Business Management and Administration, Vilnius University, Lithuania 2008 to 2009 Foundation Diploma in Art and Design, University for Creative Arts, Maidstone Industry experience: 2012 Aug – Sep Costume designer for Alice Evans film ‘Rhydymain’, London 2012 May – Aug Internship at Maison Martin Margiela, full-time, Paris • Design development • Pattern cutting • Textile development • Mood and colour boards 2011 Jan – Mar Internship at Lulu Liu, part-time, London 2011 Jan – Mar Costume for Alice Evans film ‘Rusalka’, Royal College of Art, London 2010 Oct – Dec Internship at Giles Deacon, part-time, London 2010 Aug – Sep Internship at Alexander Mcqueen, part-time, London 2010 Jun – Oct Womenswear designer at Mingle & Co, part-time, London 2007 to 2008 Seamstress at GR Design, Vilnius, Lithuania Achievements: 2013 Jul London College of Fashion Press show 2013 Apr Shortlisted for Nina De York Illustration Competition 2013 Mar Shortlisted for Marialuisa.com Illustration Competition 2013 Mar Shortlisted for the BFC portfolio review, 2013 2013 Feb Graduate Collection sponsored by SAGA Furs, Denmark 2012 Dec Craft’Feel collection presented at Fashion Festival, Victoria and Albert Museum, London 2012 Nov Shortlisted for "Chloe" competition 2011 Dec Polychrominations Fashion Show, London College of Fashion, London 2011 Oct International Award at China Professional Fashion Design Contest, Shanghai, China 2011 Sep Top 20 tailor at BBC Young Tailor of The Year Competition, London 2010 Jun UAL Fashion Society Fashion Show, London 2007 Feb Golden Needle Fashion Contest, Lithuania Open for projects and collaborations oksana.anilionyte@gmail.com Press links: http://www.vogue.co.uk/fashion/spring-summer-2014/ready-to-wear/london-college-of-fashion-ba/full-length-photos/gallery/1004202 http://www.thestylelane.com/#/lcf13-runway-show/4577776766 http://www.mydaily.co.uk/2013/07/02/london-college-of-fashion-ba-show-2013_n_3532173.html http://www.fashion156.com/daily-blog/london-college-of-fashion-class-of-2013-catwalk-show/ http://www.artslondonnews.com/2013/05/16/lcf-student-talks-fashion/

BA (Hons) Fashion Contour

Blog: http://charleybishop.com About: "with love, Undine" With love, Undine; Charley Bishops degree collection embraces the spirit of contradiction exploring the story of Undine, the 18th century inspirational water spirit. A tragic romantic story representing a strong endearing woman. The collection supports sustainability and embraces innovation through the use of Salmon Leather; a bi product which is strong, soft to touch and has the element of surprise. This unique fabric is laser cut with an intricate wave detail. The untouched raw edges of the intricate laser cut details partnered alongside the delicate Chantilly laces allows a further intriguing dimension to the texture and together create striking, delicate pieces with a difference. Please contact me if you would like to feature any of my pieces in your work/publications or if you have any queries.

BA (Hons) Cordwainers Footwear: Product Design and Innovation

Stella Arsenis graduated with a First Class BA Honours degree from Footwear design and development at the prestigious Cordwainers - London College of Fashion. She is an idealistic girl who would like to mark her stamp on the world before leaving it and to ultimately find the peace, love and happiness of her soul. Stella Arsenis is a British designer based in London, whose designs fuse feminine shapes with elements of tough. If you love your footwear tough, you will love these to stomp around in. The results are footwear with serious attitude and high fashion credibility. The final collection communicates empowerment, attitude, beauty, integrity and authenticity; focussing on unique design, lustrous leathers, oxidised hardwear and rustic western influences. Please join my Facebook page and let me know your thoughts: https://www.facebook.com/StellaArsenisLondon Forever grateful to photographer Oscar May and model Haley Dobos for making this photo shoot incredible!

BA (Hons) Cordwainers Fashion Bags and Accessories: Product Design and Innovation

Positive and enthusiastic product designer with strong pattern cutting, construction and making skills. Have been working for three years as a freelancing sample maker in a small London-based leather studio with several high profile clients. Awards 2012- Won the 'Urban day wear, student category' in the Desing-A-Bag competition, by Fashion Access in Hong Kong.

BA (Hons) Fashion Design Technology: Womenswear

PLEASE CONTACT AT: daniellejaderichards@hotmail.co.uk HACKNEY Photographer Sara Löfwander Styling Josef Forselius Hair Sven Bayerbach Makeup Liberty Shaw Model Anna @ Nevs Image 1 & 2 'Come as you are' editorial Published in Urban Coco Magazine Photography Vikky Ivie Photography Styling Cassie Walker / Vikky Ivie Assistant Jenna Roberts Hair / Make Up Louise Hall Model Holly @ Bookings Jewellery: Liron Kliger Fashion Jewellery EDUCATION: London College of Fashion // 2012 – 2013 BA (Hons) Fashion Design and Technology: Womenswear London College of Fashion // 2010 – 2012 Foundation Degree: Design and Pattern Cutting (Merit Plus) Petroc // 2009 – 2010 Foundation Diploma in Art and Design: Fashion (Distinction) Petroc // 2007 – 2009 BTEC National Diploma in Art and Design: Fashion ( Distinction) WORK EXPERIENCE: Kick Ass 2 Costume Department // July 2012 Pattern Cutting intern d.richards10@fashion.arts.ac.uk

BA (Hons) Bespoke Tailoring

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BA (Hons) Fashion Contour

A determined, hardworking, lively, and naturally creative individual with a flare for illustration and an eye for detail. Able to present extensive research, concept boards and development in a clear, professional style. Calm under pressure and able to multi-task in order to achieve results to deadline. Accurate in all technical areas and confident with a variety of fabrics, textiles and techniques. Inspired by femininity, women and retro aesthetics.

BA (Hons) Fashion Design (Part time)

Among the chosen winner's of the 2011 Amesty International Sustainable Design Project, my work was on display in Box Park, Shoreditch among other talentented designers and artisits. In 2013 I was also chosen as runner up in a bag design contest set by Shiseido. My design ethos is offbeat and edgy with a flair for detailing.

MA Fashion Design Technology Menswear

www.linchunghuang.co.uk 2014 MA Menswear: Accidentally On Purpose. Photographer: Hui Yu Chen Stylist: Eric Kwok Make up&Hair: Yura Model: Jos AMCK 2012 BA Womenswear: "Wabi-Sabi is a beauty of things imperfect, impermanent, and incomplete, Its a beauty of things modest and humble. Its a beauty of things unconventional. " (Koren, 1994:7, Wabi-Sabi for Artists, Designers, Poets&Philosophers.) Special Thanks to: Photographer: Chienyi Wu (http://www.chienyiwu.com/) Make Up&Hair Artist: Joanne Liu Make Up&Hair Artist: Jocelyn Liu(white background look book) Model: Sara Löfwander / Anna Tatton (Nevs) Lin Chung Huang's Contact: lin.c.huang20@gmail.com

BA (Hons) Fashion Illustration

http://mlithvall.tumblr.com/ Hello and welcome! I am a multi skilled Swedish visual communicator based in London. At the moment, I study Fashion Illustration at London College of Fashion while working freelance across a range of medias and platforms within fashion. My style of very adaptive, which means I 'm normally able to give my clients exactly what they’re looking for. Although, I am a sucker for illustration and believe a beautiful doodle looks fabulous pretty much everywhere. My style is described as; diverse, highly detailed and feminine, using a range of different materials to create illustrations and graphics. I have also created my own collections which have been sold at Tjallamalla in Stockholm and I’ve been assisting with fashion design for the Australian brand Runaway Pony. Furthermore, I have also worked as a product designer and with visual merchandising for stores in Stockholm, Sydney and London. Selected clients & features: Juicy Couture Debenhams ‘The Unrivalled Collection of Designers at Debenhams TV Advert’ British Vogue Pocko People JWT House of Fraser; Biba The Swedish Fashion Council Cosmetics À La Carte Hemma Magazine Style Pilot Pop Pr Vässarö Lindblad & Partners Brightview Textiles Runaway Pony Silvamove TIGI (Inspirational Youth) Fault Magazine Company Magazine High Street Edit Stylist Magazine Papercut Magazine Lookk Magazine Twenty6 Magazine Spring Creative projects: Target Max Mara Tom Ford Unilever What For Just One Eye Versus Jo Malone Salvatore Ferragamo Fenwick Machine-A Awards: Winner of Fine Cell Work’s / LCF Design Competition, 2013 Winner of Modeskolan’s Barcelona Fashion Design Competition 2011 Runner-up for ELLE Sweden & H&M’s fashion design competition 2013 Nominated for Best Short Style film Award at London College of Fashion’s Student Awards 2012 Shortlisted for: ShopStyle and Fashion Fringe AW12 fashion illustration competition Company Magazine High Street Edit Fashion Illustration competition 2011 Exhibitions: Featured artist in: Colour and Culture: Celebrating 40 years of Cosmetics A La Carte, London, 2013 Curator of: London College of Fashion, Lime Grove Student Lounge exhibition, London, 2012 Featured artist in: Modeskolan/Folkuniversitet graduation show, Stockholm, 2011 Featured artist in: Modeskolan/Folkuniversitet Redesign, Stockholm, 2011 Featured Artist in: CATC Graduate Exhibition, Sydney, 2010 Solo exhibition: Lithvall Landquist, Stockholm, 2008

MA Fashion Design Technology Womenswear

I am passionate about creative pattern cutting. http://www.yuanxisun.com E-mail: yxsyuanxisun@gmail.com

MA Fashion Footwear

Product innovation though process innovation, utilizing methods of tectonic architecture and challenging existing fabrication parameters to develop new methodological tools used to create modular transitional footwear that guides the consumer into a new era of flat pack footwear. The display is presented both as packaged flat packs and the footwear's tectonic transformation onto the lasts. This is done intentionally to represent their inventive precision as well as visually attract the viewer/consumer to the operational methodology and relationship form completely flat to a three dimensionally functional object. There is a adaptation here, a complete product that could potentially alter behavior through the transformation of simple systems. This project was a collaboration with company partnerships_ Sophisticated Primitive Sophisticated Primitive is a consulting design and research studio assisting designers in laying out a foundation for technology based innovative automotive/footwear development. SOPR assisted in the auditing and developing of the 2-D patterns as well as the conversion of these patters into 3-D objects. In addition, they assisted in the digital transformation of the objects onto the 3-D scanned lasts and ensured functionality, feasibility as well as the proper fit of the footwear. LCF Fashion Digital Studio The Fashion Digital Studio (FDS) is a pioneering centre for technology and innovation in fashion. Through collaborative research and development, skills and knowledge transfer, the FDS is driving innovation in the practical development and creative use of digital technologies. It is recognized as a national and international resource for creative solutions in the fashion, media and technology industries. Factory LA FactoryLA is a union of [designers, buyers, makers and consumers] responding to the need for innovative fashion ethically crafted in the USA. Cultivating in our office and retail space, located in the historic garment district, is a community of intentional and forward thinking creators.

MA Fashion Footwear

Based in London with a background in a combination of product, furniture design and fashion accessories. The focus of the MA was... The Objectification of the Shoe The project started with the examination of how 3D printing could alter footwear architecture and identify new design constructions. Observations were made that whilst the potential of this new technology offers many benefits the materiality was limited. There seems to be a lack of natural materials used. This lead to the critical theory 3D print is the right process but maybe using the wrong materials? So practical research was made into the use of non wovens as a potential material arrangement which could be developed by specialists to drive the materials used in 3D print. A collection of varied natural non woven materials were selected and applied to a methodology in a masters educational context. By concentrating the fibres and adding binders, the properties and characteristics could change, producing both soft and hard material over one continuous surface. Innovative materials used in the product and furniture industries were "borrowed" and applied to fashion footwear raising further challenges as to what materials are acceptable, in a trend lead fashion context. The design form was the element unifying the collection. As the project progressed it became evident, synthetic biology will converge with 3D print to offer solutions to these issue. A designer’s understanding of trends and emotional qualities of materials make them key to drive the new technologies in fashion and science. A special thanks to all my sponsors and supporters Clarks J.Dittrich & Sohne Norafin Daimer Filz Nano Solutions Nest EnKev All photos Stephanie Potter Corwin info@lizciokajlo.co.uk lizciokajlo.co.uk

MA Fashion Photography

Film and fine art photography shotbyandre.tumblr.com

BA (Hons) Fashion Design Technology: Surface Textiles

I graduated London College of Fashion with a First Class Honours Degree in FDT: Surface Textiles specialising in knitwear . I am interested in combining unusual materials and pushing techniques to their extremes to create innovative experimental textiles. I like exploring new ways of constructing garments to create new ways they can be worn. I often take inspiration from the traditional garments of different cultures, especially that of eastern Asian. The aesthetic of my work takes a lot of influence from Japanese fashion as well as sportswear and street fashion. My work takes a lot of inspiration from the process and the techniques used to create the textiles. Exploring textile techniques is an important part of the research in my work and I enjoy working in 3D. I use this approach when designing garments and stand work is integral to the development of silhouettes in my work. I always aim to let the textiles inform the silhouette as I like the unpredictable nature of working this way can create great results.

BA (Hons) Fashion Textiles

Wendy Wong 3rd year BA Fashion Textiles, specialising in knitwear.